VALUTAZIONE IMDb
5,1/10
1049
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.
- Regia
- Sceneggiatura
- Star
Deborah Moore
- Maj. Goode
- (as Deborah Maria Moore)
Hunter von Leer
- Lt. Col. Reynolds
- (as Hunter Von Leer)
Recensioni in evidenza
A pilot and an actor are thrown into a life of death situation when they are shot down in enemy territory.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
My review was written in November 1991 after watching the film at a Manhattan screening room.
"Top Gun" meets "The Hard Way" in the oddball comedy-adventure "Into the Sun". Film proves there's still life in flyboy pictures despite the genre spoofing of this summer's hit "Hot Shots!".
Premise inevitably recalls John Badham's "The Hard Way", a high-concept box office disappointment with New York cop James Woods reluctantly showing Michael J. Fox the ropes. This time American pilot Michael Pare is assigned to show an action movie star (Anthony Michael Hall) how to portray the real thing.
Despite dialog too reminiscent of the prior film, the new version works better because Hall is portraying an egotistical, macho method actor, rather than simply poking fun at himself the way Fox did. Pare is solid as the real McCoy and even gets to laugh and unbend a bit, compared to his usually stiff roles, as the twosome become friends.
Pic goes over the top when real-life skirmishers with unspecified Arab enemies in the Middle East break out, and Pare disobeys orders in taking the civilian into combat. Their derring-do with Hall rising to the occasion, is fun if ridiculous. Pic is an important transition effort for Hall, whose comic timing is excellent.
Roger Moore's daughter Deborah (previously billed opposite Dad in "Bullseye!" as Deborah Barrymore due to a thesp with the same last name but here christened Deborah Maria Moore), is pert and attractive but overly reserved as the romantic interest of both heroes. Reliable comedian Terry Kiser earns some big laughs as a fast-talking agent.
Handsome Linden Ashby turns in a well-crafted but strange performance, not in tune with the rest of the picture, as an unctuous renegade Yank ariman working for the Arabs.
Aerial dogfight scenes are okay, but lack the thrills of a previous drama from the same producers Kevin Kallberg and Oliver Hess, "Flight of Black Angel".
"Top Gun" meets "The Hard Way" in the oddball comedy-adventure "Into the Sun". Film proves there's still life in flyboy pictures despite the genre spoofing of this summer's hit "Hot Shots!".
Premise inevitably recalls John Badham's "The Hard Way", a high-concept box office disappointment with New York cop James Woods reluctantly showing Michael J. Fox the ropes. This time American pilot Michael Pare is assigned to show an action movie star (Anthony Michael Hall) how to portray the real thing.
Despite dialog too reminiscent of the prior film, the new version works better because Hall is portraying an egotistical, macho method actor, rather than simply poking fun at himself the way Fox did. Pare is solid as the real McCoy and even gets to laugh and unbend a bit, compared to his usually stiff roles, as the twosome become friends.
Pic goes over the top when real-life skirmishers with unspecified Arab enemies in the Middle East break out, and Pare disobeys orders in taking the civilian into combat. Their derring-do with Hall rising to the occasion, is fun if ridiculous. Pic is an important transition effort for Hall, whose comic timing is excellent.
Roger Moore's daughter Deborah (previously billed opposite Dad in "Bullseye!" as Deborah Barrymore due to a thesp with the same last name but here christened Deborah Maria Moore), is pert and attractive but overly reserved as the romantic interest of both heroes. Reliable comedian Terry Kiser earns some big laughs as a fast-talking agent.
Handsome Linden Ashby turns in a well-crafted but strange performance, not in tune with the rest of the picture, as an unctuous renegade Yank ariman working for the Arabs.
Aerial dogfight scenes are okay, but lack the thrills of a previous drama from the same producers Kevin Kallberg and Oliver Hess, "Flight of Black Angel".
I rented this movie only because I like Michael Pare, and the box looked nice, and (though I could've easily found something better) it wasn't bad.
Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.
+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets
TOTAL: 5.5/10
Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.
+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets
- (BAD THINGS) 1.) The bad guys 2.) The length 3.) The pacing
TOTAL: 5.5/10
Anthony Michael Hall plays an actor who gets into more than he bargained when he tries to learn how to fly fighter planes from Michael Pare for a new role. While the movie is predictable and not all that great it does have a few good comedic moments and does hold your interest..good lighthearted fare
on a scale of one to ten.. a 6
on a scale of one to ten.. a 6
This film doesn't appear to want it's own identity. Instead it steals concepts from other, more successful films. The main theme is the turbulent relationship between Michael Pares character and Anthony Michael Halls which then evolves predictably into some sort of twisted buddy film.
If you are interested in this sort of comedy, see The Hard Way, which has a similar plot but is better paced, better scripted and better acted by James Woods and Michael J Fox.
If you are interested in this sort of comedy, see The Hard Way, which has a similar plot but is better paced, better scripted and better acted by James Woods and Michael J Fox.
Lo sapevi?
- QuizThe aerial scenes in this film mostly use stock footage from L'aquila d'acciaio (1986) and Aquile d'attacco (1988).
- BlooperWhen Dragon was taking off to pursue Shotgun and Slade, the stock footage was of an Israeli Mirage with a star of David on the side.
- Citazioni
Lt. DeCarlo: When in doubt, whip it out.
- ConnessioniEdited from L'aquila d'acciaio (1986)
- Colonne sonoreYou're Lookin' at Country
Written by Loretta Lynn
Performed by Chaille Percival
Produced by David Feinman
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Dettagli
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 641.886 USD
- Lordo in tutto il mondo
- 641.886 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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