VALUTAZIONE IMDb
5,1/10
1044
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.
- Regia
- Sceneggiatura
- Star
Deborah Moore
- Maj. Goode
- (as Deborah Maria Moore)
Hunter von Leer
- Lt. Col. Reynolds
- (as Hunter Von Leer)
Recensioni in evidenza
I rated this a "9" because my criteria in judging a movie are adjusted to its genre; and as an action-comedy I felt it approached a Harrison Ford type comedy, which I rate as "10"
Acting was realistic, photography great, and we even got a bid of sermonizing (how a fighter's discipline works against his ability to be confidential about his feelings).
Deborah Maria Moore was a nice bit of frosting on the cake.
If you're not jaded as a movie critic, and like light comedy and air force action see this one!
Acting was realistic, photography great, and we even got a bid of sermonizing (how a fighter's discipline works against his ability to be confidential about his feelings).
Deborah Maria Moore was a nice bit of frosting on the cake.
If you're not jaded as a movie critic, and like light comedy and air force action see this one!
This film doesn't appear to want it's own identity. Instead it steals concepts from other, more successful films. The main theme is the turbulent relationship between Michael Pares character and Anthony Michael Halls which then evolves predictably into some sort of twisted buddy film.
If you are interested in this sort of comedy, see The Hard Way, which has a similar plot but is better paced, better scripted and better acted by James Woods and Michael J Fox.
If you are interested in this sort of comedy, see The Hard Way, which has a similar plot but is better paced, better scripted and better acted by James Woods and Michael J Fox.
My review was written in November 1991 after watching the film at a Manhattan screening room.
"Top Gun" meets "The Hard Way" in the oddball comedy-adventure "Into the Sun". Film proves there's still life in flyboy pictures despite the genre spoofing of this summer's hit "Hot Shots!".
Premise inevitably recalls John Badham's "The Hard Way", a high-concept box office disappointment with New York cop James Woods reluctantly showing Michael J. Fox the ropes. This time American pilot Michael Pare is assigned to show an action movie star (Anthony Michael Hall) how to portray the real thing.
Despite dialog too reminiscent of the prior film, the new version works better because Hall is portraying an egotistical, macho method actor, rather than simply poking fun at himself the way Fox did. Pare is solid as the real McCoy and even gets to laugh and unbend a bit, compared to his usually stiff roles, as the twosome become friends.
Pic goes over the top when real-life skirmishers with unspecified Arab enemies in the Middle East break out, and Pare disobeys orders in taking the civilian into combat. Their derring-do with Hall rising to the occasion, is fun if ridiculous. Pic is an important transition effort for Hall, whose comic timing is excellent.
Roger Moore's daughter Deborah (previously billed opposite Dad in "Bullseye!" as Deborah Barrymore due to a thesp with the same last name but here christened Deborah Maria Moore), is pert and attractive but overly reserved as the romantic interest of both heroes. Reliable comedian Terry Kiser earns some big laughs as a fast-talking agent.
Handsome Linden Ashby turns in a well-crafted but strange performance, not in tune with the rest of the picture, as an unctuous renegade Yank ariman working for the Arabs.
Aerial dogfight scenes are okay, but lack the thrills of a previous drama from the same producers Kevin Kallberg and Oliver Hess, "Flight of Black Angel".
"Top Gun" meets "The Hard Way" in the oddball comedy-adventure "Into the Sun". Film proves there's still life in flyboy pictures despite the genre spoofing of this summer's hit "Hot Shots!".
Premise inevitably recalls John Badham's "The Hard Way", a high-concept box office disappointment with New York cop James Woods reluctantly showing Michael J. Fox the ropes. This time American pilot Michael Pare is assigned to show an action movie star (Anthony Michael Hall) how to portray the real thing.
Despite dialog too reminiscent of the prior film, the new version works better because Hall is portraying an egotistical, macho method actor, rather than simply poking fun at himself the way Fox did. Pare is solid as the real McCoy and even gets to laugh and unbend a bit, compared to his usually stiff roles, as the twosome become friends.
Pic goes over the top when real-life skirmishers with unspecified Arab enemies in the Middle East break out, and Pare disobeys orders in taking the civilian into combat. Their derring-do with Hall rising to the occasion, is fun if ridiculous. Pic is an important transition effort for Hall, whose comic timing is excellent.
Roger Moore's daughter Deborah (previously billed opposite Dad in "Bullseye!" as Deborah Barrymore due to a thesp with the same last name but here christened Deborah Maria Moore), is pert and attractive but overly reserved as the romantic interest of both heroes. Reliable comedian Terry Kiser earns some big laughs as a fast-talking agent.
Handsome Linden Ashby turns in a well-crafted but strange performance, not in tune with the rest of the picture, as an unctuous renegade Yank ariman working for the Arabs.
Aerial dogfight scenes are okay, but lack the thrills of a previous drama from the same producers Kevin Kallberg and Oliver Hess, "Flight of Black Angel".
Well this flick is just that a flick. The real stars are the f-16 and some nice air to air footage.
There are so many technical errors it's unreal. The whole premise for the shoot down I would say is inspired by the old 1980's airspace dispute with Lybia. There is no way a number of things that happen in this movie could or would happen. Because if it did Dr. Strangelove would have happened and we would be all dead.
1) No way would the USAF allow a civilian a flight in a Hot Zone area as they did just for a movie and PR. That could and would have been done in the US, just to dumb to be believed.
2) I firmly believe that NO USAF pilot would take a civilian into a combat area especially when ordered not to. The writers screwed up big time on that one would have made more sense to have them jumped over the Med. in international waters than a pilot running to the fight.
3) In the dog fight scenes you get great shots of F-16s but they are attacked by a different aircraft with each pass, from a Viggen, to a Mirage, to a A-4, gee unify how the enemy pilots can change aircraft in midair during a dogfight from 3 different countries.
4) Gee Libyan soldiers armed with M-16s another error.
5) The mercenary American pilot, gee a fighter pilot who needs corrected glasses, don't think so. especially thin dainty framed ones that could break apart in high G maneuvers of a dogfight.
The script is bearly passable. The only scene missing is the court martial and law suits.
John Waynes "Flying Tigers" with their lawnmower powered fake P-40s and campy script still beats this flick for overall enjoyment.
The only reason I have kept this flick in my collection is for the aerial shots of the planes and they are really the stars of the film.
There are so many technical errors it's unreal. The whole premise for the shoot down I would say is inspired by the old 1980's airspace dispute with Lybia. There is no way a number of things that happen in this movie could or would happen. Because if it did Dr. Strangelove would have happened and we would be all dead.
1) No way would the USAF allow a civilian a flight in a Hot Zone area as they did just for a movie and PR. That could and would have been done in the US, just to dumb to be believed.
2) I firmly believe that NO USAF pilot would take a civilian into a combat area especially when ordered not to. The writers screwed up big time on that one would have made more sense to have them jumped over the Med. in international waters than a pilot running to the fight.
3) In the dog fight scenes you get great shots of F-16s but they are attacked by a different aircraft with each pass, from a Viggen, to a Mirage, to a A-4, gee unify how the enemy pilots can change aircraft in midair during a dogfight from 3 different countries.
4) Gee Libyan soldiers armed with M-16s another error.
5) The mercenary American pilot, gee a fighter pilot who needs corrected glasses, don't think so. especially thin dainty framed ones that could break apart in high G maneuvers of a dogfight.
The script is bearly passable. The only scene missing is the court martial and law suits.
John Waynes "Flying Tigers" with their lawnmower powered fake P-40s and campy script still beats this flick for overall enjoyment.
The only reason I have kept this flick in my collection is for the aerial shots of the planes and they are really the stars of the film.
An air force pilot has to show a hotshot actor, who is preparing for an upcoming role, the ropes about life in the military. The former dislikes the latter intensely, but has to tolerate him, especially after they are shot down in hostile enemy territory.
The main highlights of this film are the aerial shots and the casting. See it if it grabs your attention.
** 1/2 out of ****
The main highlights of this film are the aerial shots and the casting. See it if it grabs your attention.
** 1/2 out of ****
Lo sapevi?
- QuizThe aerial scenes in this film mostly use stock footage from L'aquila d'acciaio (1986) and Aquile d'attacco (1988).
- BlooperWhen Dragon was taking off to pursue Shotgun and Slade, the stock footage was of an Israeli Mirage with a star of David on the side.
- Citazioni
Lt. DeCarlo: When in doubt, whip it out.
- ConnessioniEdited from L'aquila d'acciaio (1986)
- Colonne sonoreYou're Lookin' at Country
Written by Loretta Lynn
Performed by Chaille Percival
Produced by David Feinman
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Dettagli
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 641.886 USD
- Lordo in tutto il mondo
- 641.886 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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