Goh yeung yee sang

Dr. Lamb is CAT III psychological crime horror film, Shot in 1992 by Danny Lee and Billy Tang is a mixture of true crime procedural and gore movie based on the true life murders that took place in Hong Kong during several months. The film follows cab driver Lam Gor-Yu (Simon Yam), who chops up victims and engages in the odd necrophiliac action. He is a twisted psychopath who spends his spare time killing, mutilating, and raping women. The movie is quite different, most notorious films from the golden age of Hong Kong horror than trying to be a "Taxi Driver"-wannabe/rip-off. For those interested to check out Category III rating, which is equivalent to the old X's or current NC-17's in the U.S, then Dr. Lamb is a good start followed by 2 of my favourites Untold Story (1993) and Ebola Syndrome (1996).

Dr. Lamb is directed by Danny Lee (co-star of The Killer and the cop in The Untold Story) and Billy Tang (director of Red to Kill and Run & Kill) and this film is one of the earlier Category 3 movies with Sentenced to Hang and Story of Ricky. After these films, brutally violent and sexually explicit horror thrillers began to be made and that highest age limit was invented.

Dr. Lamb is not as superb as The Untold Story or Run & Kill but it is still very chilling and stylish true crime film but I don't know how close this is to truth. Anyway, a disturbed young man drives a taxi in Hong Kong and he has very bad traumas from his childhood. Murdered and mutilated women start to appear and the police investigation begins..The horrific truth is about to be discovered..

Simon Yam is among the greatest psycho actors in Hong Kong (and world!) and only equivalent for him is Anthony Wong. The acting in Lamb is once again very professional and unforgettable, and when he "freaks out" it sure is scary and horrific to watch. At times, it makes me wonder how these gentlemen can act like that, no matter how professionals they are! Yam's motif for these killings is that he is on a mission from God and he has to kill all the bad women. Prostitutes and addicts are for instance "bad" women and due to his traumas and awful childhood he thinks that he has to purify and clean the streets out of this scum. But the main point and theme in Dr. Lamb is exactly the same as in The Untold Story: the power and behaviour of police. How far can police go in order to get info and answers? The police no longer is the "good" guy and they are no better than the victims. The message is not as powerful as in Untold Story which is at times almost unbearably hard to watch due to the acts police commits. But the same problems are discussed in Dr. Lamb and this can be described very important issue and no-nonsense film.

The film is also pretty stylish and professional, as we can expect from these film makers. The use of blue and dark colours and light is gorgeous and the film looks fantastic. The rain is always there and so is depressing atmosphere. This looks as wonderful as the finale in Billy Tang's Red to Kill. Dr. Lamb is almost hypnotic at times, so this is once again unforgettable cinema from the great Hong Kong and has no equivalents in Western cinema. The music is also important element here and I can't point out many technical flaws in the film. There are couple of "funny" scenes which should have been left out, but fortunately they are only very few.

The violence and sex is always the thing which alienates people from this kind of cinema and Dr. Lamb is not easier to watch than any other of its kind. The violence and gore is not as extreme as in Untold Story but it is still too much for mainstream audiences. Dead bodies are abused and body parts are cut off. The imagery is occasionally off-putting, but then we have to remember, what actually led the protagonist to commit these horrific acts. The difference between Western and Orient (horror) cinema is as clear as crystal: subject matters and imagery which is definitely a no-no in West (necrophilia, brutality towards women/children etc.) are by no means taboos in Orient. I am not too familiar with the Chinese culture, but watching Chinese films definitely shows that there are many cultures in the world and our Western is just one of them. And when the Chinese/Orient film makers show in their films such a horrific acts mentioned above, it definitely means NOT that they accept these things and don't think they're bad. They are bad and the Orient films say they're bad, so only thing the viewer has to be able to do is to INTERPRET these difficult films and see though them and analyze them. This is too much and too hard for most of the people and that's why the films are considered just sick, disgusting, pointless and so on. Orient films as seen through Western eyes are difficult and require a lot from the viewer, and I like difficult cinema which require brains.

Dr. Lamb is one of the greatest achievements in this field and absolutely worth seeking out for Hong Kong fanatics. Too bad that the newly released DVD from Hong Kong is cut for violence and reportedly the uncut print doesn't even exist anymore, or at least is not likely to be released anywhere. The Spanish VHS tape is the only uncut version I know but it is dubbed into Spanish. Some old HK versions may be uncut too but I don't know about them. But the new DVD is still OK because the cuts are not as bad as possible and there are no any substitutes, especially for English speaking people.

8/10 and recommended for the lovers of Eastern cinema.

DOCTOR LAMB is another HK freak-show - this one is about a sick freak who kills chicks and videotapes and photographs the after-product. That's really all there is to this one. Not as memorable or as sick as THE EBOLA SYNDROME or THE UNTOLD STORY -in fact, DOCTOR LAMB plays out very much like THE UNTOLD STORY as it is told in flash-back sequences, where Yam tells the cops of his "misdeeds" after being caught, interrogated and tortured. Some decent scenes of necrophilia, dismemberment, etc...not a bad film if ya dig this sort of thing, just not as memorable as the aforementioned films. Simon Yam puts on a great performance as a psycho whack-job, but this one left me a little cold, so-to-speak...Worth a look as far as HK Cat III stuff is concerned, but don't expect too much. 7/10

P.S. - thanks to "extreme" film guru EMBALMER for alerting me to my Simon Yam/Anthony Wong mix-up that has since been corrected in this review - I've been watching too much of this stuff lately ;)

As with many other viewers who commented here, I have to report a little baffled by the film's ungodly reputation as a virulent, nasty shocker. I was likely treated to the cut Hong Kong version but it's easy to spot out the trimmings: various scenes of our titular serial killer dissecting with a scalpel his deceased victims. We see a breast being surgically removed and stored in a jar. Incisions across different body parts. There is repeated strangulation and a tame bout of necrophilia as depraved closure. Presumably these are extended in the uncut version for added effect.

The point remains however: this is nothing like say The Untold Story if that's what you're looking for. Simon Yam exudes a petulant insanity that veers closer to clingy and pathetic than Anthony Wong's brutal monstrousness. And a lot of the film, given Danny Lee's daft involvement, is another awkwardly comedic policier about unorthodox cops matching the killer in senseless violence.

So if you are in it for brutality's sake, you will know where to find it elsewhere. But if you have cinematic stakes in the films you watch and moreover have been developing an aesthetically preoccupied eye, you may be strangely fulfilled.

Our killer is a night shift taxi driver and every night seems to rain hard, which means we get a lot of latenight city blues played on nocturnal asphalt.

The kills are a treat to watch: inside the car parked nowhere and every glass panel drenched with rain and illuminating flashes from faraway neon, hands and bodies convulsing as though a sexual sauna is going on.

And back in the killer's apartment, rays of light piercing through calligraphy painted on a blue wall.

And once the last victim makes a getaway, a frantic chase through pouring rain across a park like straight from a giallo.

Everything that has to do with violence and dying is sensual blues, purely stylized in a way that is erotic to watch. In film terms, this will remind you of the rain-soaked/ neon-bled yakuza films of Takashi Ishii in Japan. A bit of 80's Mann and Wong Kar Wai, minus too much urbane poetry.

So as far as gruesome nastiness goes, this is Category II at best. Watch as a stylized crime flick.

I have had the pleasure of seeing Simon Yam in more than a few films: My Left Eye Sees Ghosts, Election, Triad Election, Exiled, and more. Seeing him as the psycho serial killer in a Chinese true crime adventure was a real pleasure.

I have also seen many film's with Danny Lee: John Woo's The Killer, with Simon Yam and Kent Cheng in Run and Kill, and with Chow Yun-Fat in Code of Honor. As the detective in charge of this case, he puts forth another very good performance.

Lee also produced and directed this film along with "Billy" Tang.

This is a Cat III film, so the violence is extreme. There is a lot of blood and gore as he dismembers his victims. There is also nudity and necrophilia.

Based upon a real story, this taxi driver, who was excited from the rain and thunder, was a real psycho. Yam was perfect in the role.