VALUTAZIONE IMDb
6,4/10
51.729
LA TUA VALUTAZIONE
Durante un test criogenico, un pilota congelato nel 1939 si sveglia nel 1992, ma il tempo sta per scadere, poiché il suo corpo inizia a invecchiare rapidamente.Durante un test criogenico, un pilota congelato nel 1939 si sveglia nel 1992, ma il tempo sta per scadere, poiché il suo corpo inizia a invecchiare rapidamente.Durante un test criogenico, un pilota congelato nel 1939 si sveglia nel 1992, ma il tempo sta per scadere, poiché il suo corpo inizia a invecchiare rapidamente.
- Regia
- Sceneggiatura
- Star
Michael A. Goorjian
- Steven
- (as Michael Goorjian)
Walton Goggins
- Gate MP
- (as Walt Goggins)
Recensioni in evidenza
Such a beautiful film. I don't care if it isn't the most highbrow film ever written - how many people truly are bothered by such details other than academics and snobs? I remember watching this years ago and it is one of the very few films that I love to watch again and again, despite knowing the ending!! It is a wonderful, compelling story of true love, a true gentleman and genuine friendship that crosses the ages. Mel Gibson's character, Daniel, is sensitively portrayed and the ending is incredibly moving. Gibson ably handles all the shifts in emotion and even time. It is a novel way of retelling the 'true love never ends' story and it heart-warming and moving. A young Elijah Wood is entertaining and sweet without being unbearable. Jamie Lee Curtis is totally believable as a young single mother.Highly recommended and very endearing.
Captain Daniel McCormick is a happy-go-luck pilot who is known for his risk taken and no-strings lifestyle. As much as he wants to settle down with his longterm sweetheart, he cannot bring himself to say the words. However when she is put into a coma in a car accident and the doctors say there is no hope of recovery he goes off the deep end and decides to volunteer to be frozen in an experiment being carried out by his friend Harry Finley. 53 years later he is woken up in a military storage unit by two young boys who were just messing around. Without a clue what happened to him or what to do, Daniel turns to the two boys for help.
It sounds rather corny and obvious and, in a way, I suppose it is but by not ever playing it for laughs or being self-mocking the film creates a tone that means it all works as long as you meet it on its terms. The story is sentimental and slushy and in this way I imagine it will put many viewers off for being this way. I surprised myself by actually liking it though and finding it all rather engaging and sweet. Although I doubt he knows where Lost is going, Abrams does a good job as writer to avoid cliché and mush the best he can. Miner matches this by directing in a controlled manner that holds back on the sweeping music and emotion until he can actually use them.
The cast work well with this approach and avoid the film becoming a soapy television movie. Gibson may not have had the best of days recently PR-wise (alleged drunk-driving and alleged anti-Semitic remarks) but here he is charming and reasonably good at the emotion. Of course he could have been better considering that when he awoke after 50 years the loss of his wife would still be fresh in his mind. Curtis is solid enough and deals with the material given her. The child support are better than I expected even if they are a bit "cute" in the way all Hollywood kids are. Wood works well with Gibson, which I suppose is the important thing.
Overall this is a solid and enjoyable romantic film that is a bit slushy and melodramatic. It avoids cliché well enough but you do need to meet it on its terms and not be cynical. Not one for the die-hard action fans but it is a good date movie that is gentle and balanced enough to find a mixed audience without losing touch with the genre.
It sounds rather corny and obvious and, in a way, I suppose it is but by not ever playing it for laughs or being self-mocking the film creates a tone that means it all works as long as you meet it on its terms. The story is sentimental and slushy and in this way I imagine it will put many viewers off for being this way. I surprised myself by actually liking it though and finding it all rather engaging and sweet. Although I doubt he knows where Lost is going, Abrams does a good job as writer to avoid cliché and mush the best he can. Miner matches this by directing in a controlled manner that holds back on the sweeping music and emotion until he can actually use them.
The cast work well with this approach and avoid the film becoming a soapy television movie. Gibson may not have had the best of days recently PR-wise (alleged drunk-driving and alleged anti-Semitic remarks) but here he is charming and reasonably good at the emotion. Of course he could have been better considering that when he awoke after 50 years the loss of his wife would still be fresh in his mind. Curtis is solid enough and deals with the material given her. The child support are better than I expected even if they are a bit "cute" in the way all Hollywood kids are. Wood works well with Gibson, which I suppose is the important thing.
Overall this is a solid and enjoyable romantic film that is a bit slushy and melodramatic. It avoids cliché well enough but you do need to meet it on its terms and not be cynical. Not one for the die-hard action fans but it is a good date movie that is gentle and balanced enough to find a mixed audience without losing touch with the genre.
Forever Young goes in a lot of familiar directions -- time travel, a cuddly child and a single mom, a mix of drama, comedy, sci-fi, mystery and romance. But mostly, it manages to be entertaining without offending anyone or forcing the issue.
The early portion of the show -- set in 1939 -- offers a soft, dreamy, realistic look at what that time was like. The characters seem to have been drawn from the audience, from the masses, instead of being picture-perfect in look and dress. The acting is low-key, relaxing and believable. And, while the plot covers a lot of ground, it ties together well and has enough mystery that the viewer won't be able to guess the outcome and is sure to be satisfied with both the journey and the destination.
Forever Young reminded me of Always, starring Holly Hunter and Richard Dreyfuss. Both shows are loaded with characters that are easy to like because of who they are and how they respond. Mel Gibson in Forever Young is particularly effective when dealing with the son of Jamie Lee Curtis; you know she's already committed and he cannot hang around, but you find yourself wishing the boy could have Mel for his new dad.
Not offering more shows like this is why theaters have so few under-12 and over-35 movie goers.
The early portion of the show -- set in 1939 -- offers a soft, dreamy, realistic look at what that time was like. The characters seem to have been drawn from the audience, from the masses, instead of being picture-perfect in look and dress. The acting is low-key, relaxing and believable. And, while the plot covers a lot of ground, it ties together well and has enough mystery that the viewer won't be able to guess the outcome and is sure to be satisfied with both the journey and the destination.
Forever Young reminded me of Always, starring Holly Hunter and Richard Dreyfuss. Both shows are loaded with characters that are easy to like because of who they are and how they respond. Mel Gibson in Forever Young is particularly effective when dealing with the son of Jamie Lee Curtis; you know she's already committed and he cannot hang around, but you find yourself wishing the boy could have Mel for his new dad.
Not offering more shows like this is why theaters have so few under-12 and over-35 movie goers.
When I was watching this last night, I didn't realize it was written by the creator of "Lost"... and I'm glad I didn't know that, because it would have tainted my opinion.
I expected a sappy love story with a sappy Mel Gibson who takes a nap to wake up and find himself falling in sappy love with the ugly, but sappy, Jamie Lee Curtis and adopting her sappy and bug-eyed son, Elijah Wood. Bless my lucky stars, I was wrong. Mel Gibson is frozen by Norm from Cheers after his girlfriend goes into a coma. He wakes up in 1992 (he slept in 1939) to a whole new world. No sappiness, and Mel Gibson wasn't even sucking as hard as he tends to suck (see "What Women Want" for really hard sucking).
I really liked this film, it kept me from going to sleep on time. You'll like it, too, and maybe even more if you watch it with a date because it's really about how love lasts forever. (They say "diamonds" last forever, but those materialistic bastards wouldn't know real love if it woke up from a 50-year slumber!!!!) See this movie soon, because you never know when your last chance to see it will be.
I expected a sappy love story with a sappy Mel Gibson who takes a nap to wake up and find himself falling in sappy love with the ugly, but sappy, Jamie Lee Curtis and adopting her sappy and bug-eyed son, Elijah Wood. Bless my lucky stars, I was wrong. Mel Gibson is frozen by Norm from Cheers after his girlfriend goes into a coma. He wakes up in 1992 (he slept in 1939) to a whole new world. No sappiness, and Mel Gibson wasn't even sucking as hard as he tends to suck (see "What Women Want" for really hard sucking).
I really liked this film, it kept me from going to sleep on time. You'll like it, too, and maybe even more if you watch it with a date because it's really about how love lasts forever. (They say "diamonds" last forever, but those materialistic bastards wouldn't know real love if it woke up from a 50-year slumber!!!!) See this movie soon, because you never know when your last chance to see it will be.
Forever Young is a brilliant movie, which has been wonderfully directed by Steve Miner and acted by the brilliant Mel Gibson, Jamie Lee Curtis and a young Elijah Wood who all give great performances here. Mel Gibson should of got an Oscar nomination for this role. If you haven't seen Forever Young then I definitely recommend it to anyone and I give this movie a well deserving 10/10.
Lo sapevi?
- QuizThe lighthouse featured in the film, and on the poster, is the Point Arena Lighthouse, located on one of the furthest West points of the Continental United States, near Manchester, California. The house in the film, was a shell built by the production team, and was torn down after filming. The only permanent structures near the lighthouse are some vacation rental units, formerly Coast Guard barracks, and the Lighthouse Keeper's residence, which is now a museum maintained by local volunteers. The lighthouse has recently undergone renovations, and is open to the public.
- BlooperAfter the crash the doctor uses his stethoscope on Daniel, but it's not in his ears.
- Citazioni
Claire Cooper: You're holding my heart.
- Versioni alternativeThe digital version features the opening and closing 2001 Warner Bros. Pictures plasters.
- Colonne sonoreThe Very Thought of You
Written by Ray Noble
Performed by Billie Holiday
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Dettagli
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 55.956.187 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.609.875 USD
- 20 dic 1992
- Lordo in tutto il mondo
- 127.956.187 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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