Sulla strada del mito

John Mellencamp debuts as star and director in this feature about a country-western star who returns to his home in Indiana. He's tired of the grind of performing, tired of Los Angeles, and hopes to reconnect with roots, but discovers that you can't go home again.

It's a decent little movie, low-key in its performances, with Mellencamp working off a script by Larry McMurtry, and with a good cast that includes Mariel Hemingway, Dub Taylor, Kay Lenz and Claude Akins. Mellencamp doesn't sing, but he gives a solid performance.

Despite being a lifelong Hoosier and having grown up on the rock music of the '80s, I have never been a John Mellencamp fan. But I liked the clips I saw of his 1992 movie "Falling from Grace" back around the time of its short and very small theatrical release. I missed it at the theaters but got the DVD recently. Having now watched it twice, I already rate it as one of my all time favorites and as real a movie as I've ever seen.

"Falling from Grace" stars Mellencamp – who also directed - as music superstar Bud Parks. Along with his wife, Alice (played by Mariel Hemingway), and their approximately eight-year old daughter, Terri Jo (Melissa Ann Hackman), Bud flies from Los Angeles to his fictional hometown, Doak City, Indiana, for his paternal grandfather's 80th birthday. Grandpa Parks (Dub Taylor), who remains girl crazy despite his age and the accompanying ailments, and being married, provides some early comic relief with his crude but jolly personality. But the movie quickly becomes very serious and stays so almost the entire rest of the way.

Bud receives a hero's welcome from family and fans. But what is supposed to be just a three day visit of fun turns into something much more. The night of the party, his high school sweetheart and now sister-in-law, P.J. (Kay Lenz), invites him out on a walk, which is met with curious suspicion by his father, Speck (Claude Aikins). During the walk, P.J. says she has sex with Speck, which is met with shock and disapproval by Bud.

Speck, a successful poultry farmer, is shown early on to be a chauvinistic and dominating womanizer. He fathered an illegitimate son but his wife, Marian (Joanne Jacobson), stayed with him. Speck refers to himself as a sire and the women who bore his children as fillies. And as the movie progresses, he's continually revealed to be even more dominating, violent, exploitive and shameless.

Bud and Alice seem to have a good marriage and she is clearly very devoted to him. But shortly after learning of P.J.'s affair with Speck, Bud has sex with her, too. P.J. seems to view her sexual encounters as conquests and take pride in simultaneously having three Parks men as lovers. She also seems to view her promiscuity, and the need to keep it secret, as a source of excitement for a housewife and mother who resides in what she considers to be a boring town.

Soon, the three days turn into several weeks. Bud's feelings of both love and lust for P.J. are rekindled and he neglects Alice. And, already disillusioned by the music business and thinking about leaving it, he realizes that he's a small town man at heart and wants to stay in Doak City, where many of his relatives still reside. His anger toward his father – over Speck's affair with P.J., sexual advance at Alice and lack of fatherly support over the years - also escalates.

Meanwhile, California bred Alice continues to love her husband but quickly becomes tired of small town life and his neglect. She suspects that he's cheating on her, which he doesn't deny. She decides to return to California with Terri Jo.

Shortly after Alice leaves, Bud tries to get P.J. back as the woman of his life. She reveals that she wanted that many years earlier but that he wouldn't make a commitment and it's too late now.

In response, Bud turns to the wild and reckless ways of his youth. And, as is often the case because of bad old human nature, it takes a traumatic and humbling experience to remind him what's most important in his life.

One mistake that rock star movies often make is turning the movie into little more than a music video. "Falling from Grace" completely avoids that trap. Throughout the movie, Bud is never shown in concert. And only in one brief scene on his father's porch is he shown playing guitar. And most of the music in the movie is performed by other artists. If you saw this movie and didn't know who Mellencamp was, you'd probably guess that he's a regular actor, not a musician.

Furthermore, a vast majority of the situations in the movie could easily happen to anyone in mid-America, not just someone famous. As I wrote above, this is as real a movie as I've ever seen. Every word of Larry McMurtry's screenplay, every character, every situation is completely believable and brought out to the fullest by Mellencamp's uncompromising direction.

Some might downplay Mellencamp's performance, saying that he is largely playing himself. And, indeed, he and Bud are very similar. Both are crass, cynical, modestly educated but very street smart, and bluntly honest. Two differences are that Bud is less arrogant – perhaps the result of having such a dominating father – and much better about signing autographs than is Mellencamp.

Still, even with the similarities, Mellencamp is outstanding in his role as is most of the cast. In particular, Aikins is chilling as the predator behind the smile is gradually revealed.

And to top it off, small town Indiana culture is portrayed with absolute perfection, right down to every detail – the accents, figures of speech, personalities, values, scenery and more. This movie was filmed in Seymour, Indiana, Mellencamp's hometown. I grew up in Madison, a similar town just 43 miles away. Every character in the movie reminds me strongly of people who I knew during my childhood.

Those who aren't very experienced with Indiana culture probably won't appreciate "Falling from Grace" stylistically as much as I do. But anyone with much life experience should appreciate it substantively. What a shame that this movie has gotten so little publicity over the years and that it didn't start a big movie career for Mellencamp. It's a buried treasure worth searching for. 9/10.

This is a reasonably strong directorial debut for rocker Mellencamp, who also gives a good lead performance. In fact, the whole cast is quite effective, and the story moves along at an appropriate pace. Personally, I found the final scenes to be rather weak compared to the rest of the film, but even with the poor ending, I still found this to be a solid effort and a generally good movie.

I watched this movie because Richard Roeper said that it was a "hidden gem" and that he had offered a "money back guarantee" to anyone who didn't like the movie. He said this on an episode of "At the Movies" where Mellencamp was the guest reviewer.

Anyway...I'm not going to demand my money back from Roeper, but I thought the movie was only so-so. I agree with others who thought the beginning was much stronger than the end. I also thought that the movie didn't adequately resolve the (admittedly difficult) problem of how to convey the numbing boredom of small-town life without itself being boring.

Some good moments, but overall too clichéd and too pat an ending. I do agree that it was WONDERFUL to see the great Claude Akins and Dub Taylor.

...that's what "Falling from Grace" is about. Released in 1992, John (Cougar) Mellencamp plays a country star, Bud, who tries to come home to Indiana, bringing his tall blond wife (Mariel Hemingway) and daughter. Unfortunately, his dad's a total jerk (Claude Akins) and his high school sweetheart (Kay Lenz) is married to his brother and having an affair with someone linked to both. It seems like the star just wants to take a break from the show business and hang with his buds and family, like in the old days, but melancholy settles in and temptation strikes.

Wow, after seeing this my wife and I gave thanks for our dysfunctional families -- we never knew we had it so good!

This is a solid drama by first-and-only-time director Mellencamp. All the main players noted above do fine in their roles, but some of the side players are flat and unconvincing, like the bearded guy who works for Bud.

The first time I saw this movie I thought it was an okay drama, but I felt it was dragged down by the country star's mopiness, which is fundamental to the story -- I understand -- but it's still frustrating for the viewer. A couple of the key characters are a turn-off as well, but isn't this the way it is in real life? Noted critic Roger Ebert gave "Falling from Grace" his top rating and Gene Siskel also praised it, but Leonard Martin rated it a BOMB in his guide. The critics on Sneak Previews also dogged it. This just goes to show that "Falling from Grace" is a love-or-hate-it piece.

While I'm somewhere in the middle, I enjoyed it a lot more on my second viewing and therefore lean toward the 'love it' side. It's a low-budget film that is better on repeat viewings. I Like the Seymour, Indiana, locations, which is John's actual hometown. The situations reflect real-life and there are some thematic gems to mine, like "the sins of the father" and the negative domino effect of unfaithfulness. I also like the way the movie ends.

Speaking of which, Bud's wife, Alice, shares a great line: "You can't have some secret world in your mind and another one on the street." Chew on that.

The film runs 100 minutes.

GRADE: B