Invasori dalla IV dimensione

The story of two 'brothers' battling it out over the fate of the world is always a promising mythical theme. However, the film fails to do more with the story than rehash the typical 'good' vs 'evil' idea. This is a particular waste since Jeffrey Combs' strength lies in playing complex characters, rather than whitebread heroes. There was scope in this story to explore issues of human prejudice and the obligations of power, and to flesh out Kabal's motivations more. However, the straightforward story left the plot feeling a little spare. Nonetheless, some of the sets were nice (eg. Mordrid's study), Yvette Nipar and Jay Acovone do a good job as the conflicting police workers, and any movie with Jeffrey Combs in 90% of the scenes is worth taking a look at.

New York City houses one man above all others, the possibly immortal Dr. Anton Mordrid. Mordrid is the sworn protector of humanity, using his magical powers to keep his brother and rival, Kabal, chained up so that he may not enslave the human race. Well, wouldn't you know it? A prophesy comes true and Kabal breaks free, and begins collecting elements (including platinum and uranium) for his alchemy experiments. With the help of a police woman named Sam, can Mordrid defeat his evil brother? "Dr. Mordrid" comes to me courtesy of Charles Band in the Full Moon Archive Collection. I had not heard of it, which is a bit odd given that I'm a big fan of Jeffrey Combs (Mordrid) and the film isn't that old. But now it's mine and I can enjoy it again and again. The film certainly is fun in the classic Full Moon style. Richard Band provides the music (which doesn't differ much from all his other scores) and Brian Thompson plays the evil Kabal. We even have animated dinosaur bones! What more do you want? Of course, the cheese factor is high. I felt much of the film was a rip-off of the Dr. Strange comics. And the blue pantsuit was silly. And plot holes are everywhere (I could list at least five, but why bother). And why does the ancient symbol of Mordrid and Kabal look suspiciously like a hammer and sickle? Combs has never been a strong actor, so he fits right in with the cheese. These aren't complaints. Full Moon fans have come to expect these things and devour them like crack-laced Grape Nuts. I'm guilty... I loved this film.

If you're not a Full Moon fan, or a Jeffrey Combs fan... you may want to look elsewhere. But if you like the early 1990s style of movie-making and haircuts, you'll eat this up. Stallone and Schwarzenegger fans might like seeing Brian Thompson as a villain, looking as goony as ever and not being able to enunciate English beyond a third grade level. I did. I wish there was a "Mordrid II", but the company that makes a sequel to practically everything (is "Gingerdead Man 3" really necessary?) passed on this one.

Doctor Mordrid is one of those rare films that is completely under the radar, but is totally worthwhile. It really reminds me of the old serials from the 30s and 40s. Which is why I'd have loved to see follow-up movies... but judging by the rest of Full Moon's output there simply weren't enough tits to satisfy the typical audience. Unfortunately, thanks to a completely superfluous sacrifice scene there two too many for a family audience - which is unfortunate, because without em' this could have been a Harry Potter-style magicfest that kids would have eaten up. Both Jeffrey Combs and Yvette Nipar are great - I wasn't sure if Ms. Nipar hadn't wandered off an A-list picture onto this film, she was very believable. No, seriously! Anyway - it's a shame they didn't have the bucks to license Dr. Strange, because I think this could have been a total kiddie phenom.

Although limited in its power due to budget constraints, "Doctor Mordrid" is still a solid and appealing fantasy feature, conceived by Charles Band. Band also co-directed with his father, veteran filmmaker Albert Band. The movie is slight, but very hard to resist, with sparing use of visual effects, a striking design, and a very brief and painless running time (75 minutes).

Jeffrey Combs is enormously sincere and engaging as a likable sorcerer named Mordrid, who lives in human form in NYC, pretending to work as a landlord and lecturer. He makes the acquaintance of his neighbour, Samantha Hunt (super sexy Yvette Nipar), who herself is employed as a research consultant to the police department. Soon Mordrid must reveal the nature of his existence on Earth: to save the planet and its people from the machinations of his evil counterpart, Kabal (Brian Thompson).

The supporting cast is fine - Jay Acovone as Tony Gaudio, a grunting pig detective and associate of Samantha's, Keith Coulouris and Julie Michaels as a young couple eager to assist Kabal, and Ritch Brinkley as a sentinel named Gunner. Ms. Nipar does a likable and credible job as the young woman taken with her new acquaintance, and doesn't have too hard a time dealing with elements that are utterly fantastic. Thompson, a distinctive actor who's specialized in villain roles, is good fun as the evildoer. But "Doctor Mordrid" belongs to the excellent Combs, who plays a hero with lots of rooting interest. You have to love this guy, who keeps a pet raven named Edgar Allan and who keeps an eye on various news stories throughout the world.

The highlight is over too quickly, but worth the wait, as David Allen and his company bring to life dinosaur and mastodon skeletons inside a museum.

Overall, a pretty good production from Band and his people at Full Moon.

Seven out of 10.

This film surprised me a little. I watch a lot of horror/sci-fi films and this is a straight-to-video release that caught me off guard a little. I believe this is Full Moon's best movie thus far and one of Jeffrey Combs best performances. Good movie.