VALUTAZIONE IMDb
6,7/10
34.736
LA TUA VALUTAZIONE
Un misterioso dispositivo progettato per fornire al suo proprietario la vita eterna riemerge dopo quattrocento anni, lasciando una scia di distruzione sul suo cammino.Un misterioso dispositivo progettato per fornire al suo proprietario la vita eterna riemerge dopo quattrocento anni, lasciando una scia di distruzione sul suo cammino.Un misterioso dispositivo progettato per fornire al suo proprietario la vita eterna riemerge dopo quattrocento anni, lasciando una scia di distruzione sul suo cammino.
- Premi
- 24 vittorie e 13 candidature totali
Tamara Xanath
- Aurora
- (as Tamara Shanath)
Recensioni in evidenza
'Cronos' is a rarity: an original, intelligent, suprising, and genuinely creepy horror movie! A wonderful unpredictable script, inventive direction from Guillermo del Toro (an impressive debut!) and uniformly strong acting from all concerned, make this essential viewing for not only horror buffs, but lovers of fantastic cinema of all types.
'Cronos' is a treasure! I cannot recommend this movie highly enough!
'Cronos' is a treasure! I cannot recommend this movie highly enough!
Some of the most imaginative films originate in Mexico. This one is no exception. When Jesus Gris, an old antique dealer opens the base of an ancient statue, a golden object in the shape of a large beetle drops out. This mechanically activated object can clutch a human arm and inject a magical fluid which can prolong life. The early scenes, when the camera moves about the treasures in the antique shop, set the atmosphere and draw us into the story. Each piece seems to hold a special secret. When the mechanical beetle suddenly grabs at the old man's forearm, we can feel the excruciating pain as he screams out and we see the pointed legs piercing his skin. Then follows the injection by the scorpion-like tail. Terror reigns until he dislodges the device. (What a relief!). Now wait for the miracle to happen! Excellent make-up on the main character as this horror story unfolds makes it almost believable at times. The sincerity of the acting between the old man and little granddaughter who plays about the shop makes for a really warm and loving relationship. (Where do they find such wonderful child actors?). Evil is portrayed by the cruel Dieter de la Guardia and his henchmen who set out to steal this ancient invention of the alchemists. Much of the excitement of the film is provided by a chase through upper rooms and rooftops (real edge of the seat viewing!). One of the most unforgettable scenes is the close-up view of the whirring golden cogwheels inside the device. They make a cruelly fascinating and threatening sound as they wind up to do their mysterious work. Movie-goers who have a horror of hypodermic needles should perhaps give the film a miss but you brave ones will enjoy the age-old theme of searching for the secret to eternal life.
When antiques dealer Jesús finds the legendary Cronos device within a statue he accidentally uses it. It feeds on his life force in exchange for eternal life. However wealthy Dieter and his nephew Angel also want the device and are willing to do anything to get it.
This is certainly a different vision of the vampire story, it dispels with a lot of the gore, the castles, Igor etc, but keeps the sunlight, the through the heart death etc. The story moves very slowly and is focused on Jesús and the devices' effect on him. His accidental transformation causes concern within his granddaughter and he finds that eternity has a price. The scenes between Jesús and Aurora are touching and make a nice change from the blood letting scenes.
The action is never really forthcoming and it is a little stilted in a way. Pearlman's character is a good addition to the story, but it does move so slowly that it may be a disappointment to those expecting a horror film. Luppi is good as Jesús, haunted by a gift he never wanted, Tamara is also strong as his granddaughter.
Overall it's an interesting retelling of a famous story. The direction is faultless although the story occasionally feels aimless and drifting.
This is certainly a different vision of the vampire story, it dispels with a lot of the gore, the castles, Igor etc, but keeps the sunlight, the through the heart death etc. The story moves very slowly and is focused on Jesús and the devices' effect on him. His accidental transformation causes concern within his granddaughter and he finds that eternity has a price. The scenes between Jesús and Aurora are touching and make a nice change from the blood letting scenes.
The action is never really forthcoming and it is a little stilted in a way. Pearlman's character is a good addition to the story, but it does move so slowly that it may be a disappointment to those expecting a horror film. Luppi is good as Jesús, haunted by a gift he never wanted, Tamara is also strong as his granddaughter.
Overall it's an interesting retelling of a famous story. The direction is faultless although the story occasionally feels aimless and drifting.
Mexican antique dealer Jesus Gris, finds an ornate mechanical beetle hidden in an old statuette, that once belonged to a 16th century alchemist. Unbeknownst to him, inside it there is an ancient parasite that gives the gift of immortal life. Also on trail of this device is an American millionaire who has spent his life researching the writings of this alchemist and has been searching for this mythical device, he will stop at nothing to get it. Gris stumbles onto the device and after using it, soon finds his features becoming more youthful, unfortunately the price for this is a raging bloodlust. Unique and at times surreal take of the Vampirism myth. Its also a very stylish and visually accomplished debut.
Cronos is director Guillermo del Toro's first feature length film, and remembered fondly as a horror classic that's a bit rough around the edges, but still contains a lot of atmosphere, creepy imagery and del Toro's signature touches. Personally I've always liked del Toro's non-horror movies better, but I cannot deny that he has a unique flair for them.
Likewise here. We have disturbing fetish pictures about bugs, we have golden clockwork machines, we have a slow descent into madness, we have masterful use of dark and shadow to create a closed, claustrophobic atmosphere and we have that distinct Latin American lean.
So what's the story? An old antique dealer, Jesús Gris (Federico Luppi), has found an ancient alchemical device that promises to give life eternal to anyone that uses its power and provides the proper sacrifices. Unfortunately other parties are also looking for the device and thus Gris has to deal with the side effects of his newly found immortality as well as trying to keep himself and his relatives safe.
Classic imagery, but del Toro's take on these old myths and ideas is refreshing and done well. You can see that the limitations of the budget are keeping him from telling the story he wants to tell, but as a whole it's not a bad tale. The various actors are also talented and really help to sell the mood to you. Luppi and Ron Perlman are the two shining stars and they'd later on go to star in many other films directed by del Toro.
Cronos is not the best horror movie I've seen, but if you've liked del Toro's later movies, it can be a rewarding experience to check out the very first one.
Likewise here. We have disturbing fetish pictures about bugs, we have golden clockwork machines, we have a slow descent into madness, we have masterful use of dark and shadow to create a closed, claustrophobic atmosphere and we have that distinct Latin American lean.
So what's the story? An old antique dealer, Jesús Gris (Federico Luppi), has found an ancient alchemical device that promises to give life eternal to anyone that uses its power and provides the proper sacrifices. Unfortunately other parties are also looking for the device and thus Gris has to deal with the side effects of his newly found immortality as well as trying to keep himself and his relatives safe.
Classic imagery, but del Toro's take on these old myths and ideas is refreshing and done well. You can see that the limitations of the budget are keeping him from telling the story he wants to tell, but as a whole it's not a bad tale. The various actors are also talented and really help to sell the mood to you. Luppi and Ron Perlman are the two shining stars and they'd later on go to star in many other films directed by del Toro.
Cronos is not the best horror movie I've seen, but if you've liked del Toro's later movies, it can be a rewarding experience to check out the very first one.
Lo sapevi?
- QuizIn an interview included on the Criterion edition of this movie, Ron Perlman talks about how Angel was meant to speak Spanish fluently. Ron Perlman tried this, but Guillermo del Toro found his reading to be completely unusable. So, the character was changed to an expatriated American who so hates being in Mexico, that what little Spanish he speaks is deliberately spoken poorly.
- BlooperWhen Jesús searches for Aurora after she has taken the Cronos, as he walks through two doors, he stops. Behind him, reflected in the glass of the door, is crew and equipment.
- Citazioni
[discussing why Deiter wants the Cronos]
Jesus Gris: He thinks it will help him live longer.
Angel de la Guardia: [laughs] That fucker does nothing but shit and piss all day, and he wants to live longer?
- Versioni alternativeSome explicit nudity was added in the US video release. While the primary American theatrical version contains a prologue and patches of dialogue in English, a secondary market version will be entirely in Spanish.
- ConnessioniFeatured in Masters of Horror (2002)
- Colonne sonoreDie Schöne Müllerin
Franz Schubert
Arreglov: Charlotte Georg (as Lee Ashley) BMI
Editor: Software Music BMI
Cortesia de Capitol Productions Music - Ole Georg
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 621.392 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.538 USD
- 3 apr 1994
- Lordo in tutto il mondo
- 621.392 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
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