Cronos

In 1536, in Veracruz, Mexico, during the Inquisition, an alchemist builds a mysterious and sophisticated device named Cronos to provide eternal life to the owner. In the present days, the antiques dealer Jesus Gris (Federico Luppi) finds Cronos hidden inside an ancient statue while cleaning it with his granddaughter Aurora (Tamara Shanath). He accidentally triggers the device and soon his wife Mercedes (Margarita Isabel) and he note that he has a younger appearance.

Out of the blue, the stranger Angel de la Guardia (Ron Perlman) visits Gris's shop and buys the old statue. On the next day, Gris finds his shop trashed and Angel's card on the floor. He pays a visit to Angel that introduces him to the eccentric millionaire De la Guardia (Claudio Brook) that explains the healing power and the eternal life given by Cronos. Angel is sent by De la Guardia to hunt down Gris to get Cronos no matter the costs.

"Cronos" is a horror movie by Guillermo del Toro with a gruesome, violent, weird and bizarre story. The lead character becomes a vampire after accidentally triggering an ancient device. The obsession of a dying man for the Cronos leaves a path of violence trying to hunt down the owner of the device. The great expectations for a movie by Guillermo del Toro and released by Criterion is a little disappointing, despite the originality, performances and cinematography. My vote is seven.

Title (Brazil): "Cronos"

Some of the most imaginative films originate in Mexico. This one is no exception. When Jesus Gris, an old antique dealer opens the base of an ancient statue, a golden object in the shape of a large beetle drops out. This mechanically activated object can clutch a human arm and inject a magical fluid which can prolong life. The early scenes, when the camera moves about the treasures in the antique shop, set the atmosphere and draw us into the story. Each piece seems to hold a special secret. When the mechanical beetle suddenly grabs at the old man's forearm, we can feel the excruciating pain as he screams out and we see the pointed legs piercing his skin. Then follows the injection by the scorpion-like tail. Terror reigns until he dislodges the device. (What a relief!). Now wait for the miracle to happen! Excellent make-up on the main character as this horror story unfolds makes it almost believable at times. The sincerity of the acting between the old man and little granddaughter who plays about the shop makes for a really warm and loving relationship. (Where do they find such wonderful child actors?). Evil is portrayed by the cruel Dieter de la Guardia and his henchmen who set out to steal this ancient invention of the alchemists. Much of the excitement of the film is provided by a chase through upper rooms and rooftops (real edge of the seat viewing!). One of the most unforgettable scenes is the close-up view of the whirring golden cogwheels inside the device. They make a cruelly fascinating and threatening sound as they wind up to do their mysterious work. Movie-goers who have a horror of hypodermic needles should perhaps give the film a miss but you brave ones will enjoy the age-old theme of searching for the secret to eternal life.

'Cronos' is a rarity: an original, intelligent, suprising, and genuinely creepy horror movie! A wonderful unpredictable script, inventive direction from Guillermo del Toro (an impressive debut!) and uniformly strong acting from all concerned, make this essential viewing for not only horror buffs, but lovers of fantastic cinema of all types.

'Cronos' is a treasure! I cannot recommend this movie highly enough!

Cronos is director Guillermo del Toro's first feature length film, and remembered fondly as a horror classic that's a bit rough around the edges, but still contains a lot of atmosphere, creepy imagery and del Toro's signature touches. Personally I've always liked del Toro's non-horror movies better, but I cannot deny that he has a unique flair for them.

Likewise here. We have disturbing fetish pictures about bugs, we have golden clockwork machines, we have a slow descent into madness, we have masterful use of dark and shadow to create a closed, claustrophobic atmosphere and we have that distinct Latin American lean.

So what's the story? An old antique dealer, Jesús Gris (Federico Luppi), has found an ancient alchemical device that promises to give life eternal to anyone that uses its power and provides the proper sacrifices. Unfortunately other parties are also looking for the device and thus Gris has to deal with the side effects of his newly found immortality as well as trying to keep himself and his relatives safe.

Classic imagery, but del Toro's take on these old myths and ideas is refreshing and done well. You can see that the limitations of the budget are keeping him from telling the story he wants to tell, but as a whole it's not a bad tale. The various actors are also talented and really help to sell the mood to you. Luppi and Ron Perlman are the two shining stars and they'd later on go to star in many other films directed by del Toro.

Cronos is not the best horror movie I've seen, but if you've liked del Toro's later movies, it can be a rewarding experience to check out the very first one.

When antiques dealer Jesús finds the legendary Cronos device within a statue he accidentally uses it. It feeds on his life force in exchange for eternal life. However wealthy Dieter and his nephew Angel also want the device and are willing to do anything to get it.

This is certainly a different vision of the vampire story, it dispels with a lot of the gore, the castles, Igor etc, but keeps the sunlight, the through the heart death etc. The story moves very slowly and is focused on Jesús and the devices' effect on him. His accidental transformation causes concern within his granddaughter and he finds that eternity has a price. The scenes between Jesús and Aurora are touching and make a nice change from the blood letting scenes.

The action is never really forthcoming and it is a little stilted in a way. Pearlman's character is a good addition to the story, but it does move so slowly that it may be a disappointment to those expecting a horror film. Luppi is good as Jesús, haunted by a gift he never wanted, Tamara is also strong as his granddaughter.

Overall it's an interesting retelling of a famous story. The direction is faultless although the story occasionally feels aimless and drifting.