Slugs - Vortice d'orrore

Killer slugs on the rampage in a rural community.

Believe it or not, the story behind the screenplay started as a book. In the original novel, the titular slugs were not caused by radiation or any such thing, but actually on author Shaun Hutson's knowledge that there were three species of carnivorous slugs. (The book's success apparently was enough to get the author the gig to write "The Terminator" novelization.)

If you love the late J. P. Simon's "Pieces" (a true cult classic if ever there was one), you may also love "Slugs". It has some of the same great things going for it: incredible special effects on the gore, a great 1980s mentality and some of the worst dialogue ever to hit a screen near you (which may be due to the fact that the actors are not proficient in English).

The film is best enjoyed by taking it as not seriously as possible. I mean, thousands of slugs that come and go in unison, eat people and apparently have the ability to plan ahead? Not very plausible. A high school teacher who has his own lab for experiments? Not likely.

But I personally love this movie. I think it is so unbelievable that it is just perfect for a good film with friends, some Tootsie Rolls and a soda. And if you have the legendary horror historian Jon Kitley lurking around making slug-shaped chocolates, that just tops it off. This Spanish film made in America featuring Italian actors is a must-see.

The Arrow Video Blu-ray is jam-packed. We have audio commentaries with "Slugs" author Shaun Hutson and filmmaker Chris Alexander. The Hutson commentary is interesting in that he never actually met any of the film's producers, actors or director, so the focus there is much more on horror literature. There are also new interviews with actor Emilio Linder, special effects artist Carlo DeMarchis, art director Gonzalo Gonzalo and production manager Larry Ann Evans. The last one, with Evans, is really very insightful and tells you more stories about the making of the film than you're likely to hear anywhere else.

It's a monster film's homage with lots of man-eaters slugs and loads of blood , including revolting , repulsive scenes. This chiller with middling budget packs thrills, chills , some good action , gore , horror and few funny moments. It's a hybrid of monster movies from the 50s and modern American production in B series style . People are dying mysteriously and terrifyingly , and nobody has a track what the cause is . Only health inspector named Mike Brady (Michael Garfield) finds a possible origin , but his theory of murderous slugs is laughed at by the authorities . When his wife named Kim (Kim Terry) is attacked , he discovers that spilled toxic waste is being helpfully cleaned up by the slug population and causing countless deaths . Only when the slugs are mutating into blood-thirsty man eaters and the body count begins to rise , the police goes into the action . A slug expert from England begins snooping around does it begins to think Mike had the right idea after all.

This humdrum adaptation based on Monster movies from the 50s results to be a special version based on the bestseller titled ¨Slugs¨ by Shaun Hutson with screenplay written by also producer José Antonio Escrivá , Ron Gantman , and the same director Juan Piquer Simón (as J.P. Simon) . The thrilling screenplay is a bit yawn-inspiring but nifty special effects will keep you from dozing off , its author is Emilio Ruiz , he's a nice creature effects designer, a perfect craftsman who made effects , monsters , miniature and matte shots in ¨Pan's labyrinth ,The Devil backbone , Dune , Conan , Cat's eye¨ and many others . There're gruesome killings , rip-roaring action , thrills , chills and results to be briefly entertaining . Plenty of repellent images , it was X classified in England and was banned in the Australian state of Queensland until the early-'90s when the Queensland Censorship Board was disbanded . Average main cast with unknown actors as Michael Garfield and Kim Terry . There appears usual secondary actors seen in co-productions of the 60s and 70s , Spaghetti and Terror genre , as Frank Braña , Manuel De Blas and Patty Shepard . It's a slight fun with acceptable special effects by Emilio Ruiz Del Rio supported by Benito Cortijo and Juan Mirame , passable set decoration , functional art direction and none use of computer generator . The slugs monsters are the real stars of this production , being rightly realized , some of them are authentic Asturias (Spain) slugs and others are made by plastic miniature ; it has numerous "older technique" special effects such as matte paintings, rubber-suited monsters, Piquer uses the standard film technique of reverse-footage to create certain effects .

The fable is silly and laughable ,though the effects and action are professionally made . Among the most spectacular of its visuals there are some deeply shrouded caverns , several monsters roaring menacingly towards the camera , the colorful backgrounds of the sewers and slaughters and massacres committed by the horrible slugs . On the whole this is a suspenseful and tense thriller especially at the amazing ending tableau when Michael Garfield and his helper have to tackle the massive slugs at the lair in the final . Some scenes are clumsily shot but the movie has some good moments here and there . Some illogical parts in the argument are more than compensated for the excitement provided by the slugs , though sometimes are a little bit cheesy . Highlights of the story includes a roller-coaster ending , some terrifying frames in a restaurant and many others . Functional cinematography by Julio Bragado , being filmed the interiors in Madrid and exteriors in Lyon , (New York) , a population about 5.000 inhabitants . The motion picture was middlingly realized by Juan Piquer Simon . Piquer who recently passed away was a good craftsman , he owns his own studio and created and/or designed many of the simple special effects sequences you see in any of his many imaginative undertakings . Juan who was director of the Mostra of Valencia (Spain) , displayed a professional career and specialized on all kind of genres as Terror (Slugs, Piezes , Cthulhu ) and Sci-fi (The rift , The new Extraterrestres, Supersonic man) and made some adaptations about Jules Verne novels ("Fabulous Journey to the Center of the Earth" , "Mystery on Monster Island") . While his films have been universally panned by the prestigious reviewers, they have a kind of quality that must be endured to be fully appreciated .

'Slugs' definitely qualifies for the so bad it's good category. If a film is going to be this bad, it better make me laugh and have some decent gore. Slugs delivers the bad-goods! It really is bad though. Painfully awful. Some of the worst dialog and acting I have ever come across. But damn if it didn't make me laugh so freaking hard my eyes were watering! In addition, it delivers some awesome scenes of gore and carnage that have to be seen to be believed. Slugs is classic shlocky, sleazy insanity that entertained me immensely.

I really summed it all up in my opening paragraph, but I cannot reiterate enough how often this film made me laugh. There is plenty of bad acting, but the character that gave me more laughs than anyone else was Sheriff Reese. He is an A-typical, too often portrayed, grizzled, hornery cop character, but is WAY over the top with it. I mean WAAAAAAAAAAAAY over the top! He pretty much shouts his entire dialog and what comes out of his mouth is so bloody funny, I am starting to giggle as I'm writing here. Honest to god, I don't laugh this hard at most comedies! It's not just the dialog, acting and story that are painfully bad, the music is also truly awful! The 'Slugs' theme is this cool screaming thing, but every other music choice is so bizarrely inappropriate it can't be ignored. You don't actually see the first couple of kills which had me petrified, but when the gore comes, it is nasty, exploitative 80's fun. At one point, a teenage girl slips and falls stark naked onto a floor teeming with slimy slugs and writhes about covered in the creatures, screaming on top of her lungs as they eat away at her, dislodging her eye from its socket. That is just one example of the fine slug-related deaths you will be treated to. Anyone who is familiar with Juan Piquer Simón's film 'Pieces' will already know the man loves his gore. If you liked that film, then you will surely get a kick out of 'Slugs'. Painfully bad dialog and acting that will have you howling, injected with a nice helping of gore, and copious shots of squirming, slimy, fat slugs! I think there is a very small section of the population that would enjoy this epic crapfest as much as I do. If that's you…enjoy the heck out of this one! Recommended!

Why isn't Juan Piquer Simon celebrated for the repulsive cinematic magic he has created? No only did he makes "Slugs", he made "Pieces", too, and even took a crack at Jules Verne's "Journey To The Center of the Earth". I read Shaun Hutson's "Slugs" long before I experienced the movie, and I even read the sequel, "Breeding Ground", before seeing the movie. In three words, it is thoroughly disgusting entertainment, with echoes of Jeff Lieberman's great "Squirm". The Spanish/Mexican blending of scenes doesn't really work, but who cares? The film, like any Ed Wood or Rene Cardona film, is entertaining. The slug attacks are gory and unrestrained and Simon's direction of the little critters is better than his direction of the actors. Lap it up!

The paint-by-numbers plot of "Slugs" is hardly innovative, even for a horror movie: chemical wastes generate mutated, flesh-eating killer slugs in a small community whose authority figures refuse to believe the stalwart head of the local health department until it is too late. Our heroes are on their own to devise a way to kill the beasties and do so with explosive vigor and sacrifice...except. And although the film was made after Roger Corman left New World, it has his trademark drive-in blend of teen sex, blood, and gross-out makeup effects.

But the direction is tight, efficient and never lagging, with good production values within its budget and mostly competent acting and dialog that lets the clichés roll. Special effects are quite well done (if generally repulsive), and the small town atmosphere (exteriors were primarily filmed in the upstate New York town of Lyons) is effective.

Slugs is an above average entry into the low budget eco-horror genre, good for those who still miss Saturday night at the drive-in.