Il potere magico - Tremotino

Amy Irving has always been an underrated actress in my book. She gets a nice leading role here and even gets to showcase her lovely singing voice, but the film itself lacks spark. The songs themselves aren't half bad and some are even semi-memorable, but the script and direction are pedestrian at best and I can't imagine children (who this film is aimed for) would find it terribly exciting or entertaining.

Billy Barty is also very good as the titular character as well.

First time I saw this as a child I adored. It was played on TV a few times during the 80's (I remember because once it was cancelled by a football game and I've never cared for that sport since). Billy Barty was so awesome and the prince wasn't bad despite his funny haircut. True, the songs weren't the greatest, but they weren't horrible either.

After years and years of searching, I am so proud to say, I do finally own a copy of this wonderful fairy tale. As a child of the 1980s, this was my absolute favorite and I rented it time and time again from my town library, in fact I rented it so many times that the tape wore out... um... Honestly, I have no idea who did that!

I can't help but love this movie! I saw it for the first time when I was six years old and have been an Amy Irving fan ever since. As it turns out, her entire family was involved in this production. Her mom, Priscilla Pointer plays the queen (which she must have had a blast doing) her brother David Irving is the director (a very nice guy, I'm so lucky to have spoken with him personally) and her stepfather Robert Symonds plays the miller to perfection.

Long before I knew the Irving connection I loved this movie. I grew up watching all the Faerie Tale Theatres and the Cannon Movie Tales but this was my all-time favorite. I grew up singing "Queen of the Castle" and "Miller's Daughter" and nothing, no matter how great a cinematic achievement will ever compete with this in my mind.

I suppose those movies that were special to us when we were children will always be perfect in our minds despite their flaws. But, I don't care. Rumpelstiltskin has no flaws. It's a lovely story. Wonderfully acted, beautifully sung, and lovingly directed. I spent years and years searching for this film, enquiring at every movie store and every rental place I ever came across. I cannot begin to say how much this movie meant to me.

Now I am actually a film student myself. Although this is a children's film and I'm in my twenties, this is one movie that I'll watch my entire life. Thank you, Amy, David, Priscilla, and Robert for inspiring me so much! I grew up watching this movie, and as a film student I know that no matter how many times I see "Casablanca" or "Lawrence of Arabia" or even "Mulholland Dr" it's the movies that I watched when I was a child that will always hold a permanent place in my heart. So what if I did have a thing for John Moulder-Brown? So what if I saw every Amy Irving movie as a direct result of this? Say all you want about Citizen Kane, it's the movies like these that you watch devotedly when you're six years old that can get you hooked for life. How can you thank someone for giving you the love of movies and inspiring you in your future career? It is a children's film, but one that I will watch until I'm ninety.

While not the best of the Cannon Movie Tale films (Hansel and Gretel), it's not the weakest either (The Emperor's New Clothes). Instead it sits comfortably in the middle, and serves as a pretty good start.

Rumpelstiltskin is less than perfect (none of the Cannon Movie Tale films are, with the flaws varying in number and size for each). The Cannon Movie Tale films all had low budgets, which while rarely showing in the photography nearly always showed in the costumes for example. This is true for Rumpelstiltskin too, while nicely photographed the production is rather dimly lit, the sets are flat in colour and are the sort that were constructed on the lowest amount a shoe-string budget can get and the costumes (apart from an appropriate one and some effectively grotesque make-up for Rumpelstiltskin) are shoddy.

Like The Emperor's New Clothes and to a lesser extent The Frog Prince, Rumpelstiltskin also suffers from a story which, while great and nicely done in its own right, feels even when padded too short to suit a feature length film, some of the first half especially drags and has scenes going on longer than they need to. And while most of the songs are enjoyable, though not the strongest set from a Cannon Movie Tale production, one does miss big-time and that is, despite Clive Revill's enthusiasm and fine voice, the embarrassingly weird and not particularly necessary (seeing as it adds very little to what we already know about the King, and it seemed only to be there for convenience) I'm Greedy. John Moulder-Brown is very charming as the Prince, but doesn't have an awful lot to do and the character is not developed all that much.

The rest of the songs, a nice mix of bright and breezy and nostalgic pathos, do work nicely, with Queen of the Castle and Miller's Daughter being the highlights, and the incidental score is whimsical and characterful. The script is wonderfully witty in places, especially with the King and Rumpelstiltskin, and balances the serious parts of the story well without being too dark or heavy. The story is very padded, is not always successfully executed and there are liberties, but the whole basic story, characters and events are present and correct, and with an easy balance of the fun, the emotional, the charming and the creepy on the most part. The characters help make the film engaging and it's competently directed and staged throughout.

Of all the performances from a uniformly solid cast, Billy Barty steals the show as a truly grotesquely creepy and very entertainingly performed Rumpelstiltskin while Clive Revill matches him closely in a riotous turn as the hilariously pompous King. Priscilla Pointer is wonderfully snobbish, Robert Symonds plays the miller nobly and Amy Irving beguiles and affects as the heroine of the story (she acquits herself very well as a singer too), and shares an easy-going chemistry with Barty and Moulder-Brown in particular. Overall, a pretty good start for Cannon Movie Tales. 6.5/10 Bethany Cox

"Rumpelstiltskin" is another Cannon Movie Tale that does a fine job with it's classic material. Few film versions of "Rumpelstiltskin" have been made, so it's lucky they did right by the story. Amy Irving as Katie, the miller's daughter is lovely, and sings well, too. Billy Barty is a suitably creepy Rumpelstiltskin. The true stars, however, are Clive Revill as the greedy King,and Priscilla Pointer (Amy Irving's real-life mother) as the snobbish Queen. Both give intentionally hammy performances which are delightful to watch. The supporting cast includes John Moulder Brown as the Prince, Director David Irving's wife Susan Berlin as the cook's wife (star Amy Irving is his sister) and Robert Symonds, husband of Pointer, and Irving's stepfather as the Miller. Good songs, good period atmosphere, good movie.