Un uomo condannato ingiustamente tenta di sopravvivere e fuggire partecipando ad un violento show televisivo.Un uomo condannato ingiustamente tenta di sopravvivere e fuggire partecipando ad un violento show televisivo.Un uomo condannato ingiustamente tenta di sopravvivere e fuggire partecipando ad un violento show televisivo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Erland van Lidth
- Dynamo
- (as Erland Van Lidth)
Sven-Ole Thorsen
- Sven
- (as Sven Thorsen)
Edward Bunker
- Lenny
- (as Eddie Bunker)
Anthony Pena
- Valdez
- (as Anthony Penya)
Riepilogo
Reviewers say 'The Running Man' is an action-packed, satirical film exploring reality TV and media manipulation. It highlights dangers of media control and societal obsession with violence. Schwarzenegger's performance and one-liners are praised, though some critique his acting. The dystopian setting and prophetic elements are appreciated, but the film is criticized for prioritizing action over story, clunky dialogue, and unrealistic plot points. Despite flaws, it's seen as entertaining and a cult classic.
Recensioni in evidenza
I hadn't seen "The Running Man" since it was released on VHS more than twenty-five years ago, and I decided to give it another look when I found it in my local library's DVD collection. Seeing it again, it struck me how dated it had become. Now, there are still a few good things about the movie. It's never boring, there are a few funny one- liners and gags, and there is a great performance by Richard Dawson. However, more than twenty-five years later it's surprising how much the movie resembles a 1990s direct-to-video futuristic actioner. There are precious few "wide" shots, with the camera more often than not crammed close to the actors. That's probably because much of the movie was filmed on vacant lots and abandoned warehouses with little redressing, and the few sets that were built look incredibly cheap and cheesy. And the movie is quite jokey in tone, maybe in an attempt to get the audience to laugh with (instead of at) the various going-ons. Still, I have to admit that I often have a fondness for direct-to-video movies, so all this stuff didn't concern me that much, and I found the movie entertaining. Your opinion of the movie will depend on if you find cinematic cheesiness tasty or not. If you don't, look for another movie.
"The Running Man" is based on a story by Richard Bachman, a.k.a. Stephen King writing under pseudonym.
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -
It takes place in the near future, where everything is run by the media and the government. Kind of like right now. In the future, there isn't much selection on television. All there is is "The Running Man"--hosted by Damon Killian (Richard Dawson, host of "Family Fortune" in real life)--a show that features convicts, or "runners" being chased by madmen, or "stalkers." It's a bit like a futuristic gladiator sport. No one ever, ever wins the show. But Schwarzenegger has yet to play. Arnold Schwarzenegger plays Ben Richards, also known as The Butcher of Bakersfield, for firing upon a crowd of humans in a food strike. Only one problem. He's been framed--he never shot anyone. After Arnie escapes from jail, Damon Killian wants his hands on him for the show--so they hunt him down and bring him in. Damon offers Ben a deal--if he goes on the show, he'll let his friends from jail go free. But if he doesn't...he puts his friends on. So Richards agrees to play the game, only to find that Damon has put his friends-from-jail in the show anyway. Right before being launched in the arena, Ben Richards says to Damon, "Hey, Damon. I'll be back." There is a pause. "Only in a rerun," Damon says. Yeah, right.
This movie is about as action-packed and adrenaline-punched an action movie you're going to see in a while. We see an excuse for Schwarzenegger being thrown into an arena with killers, where he must use his brains, strategy, and most of all muscles, to kill the stalkers. But the thing is, the excuse for throwing Schwarzenegger in the arena is a good one. They didn't completely ignore the plot; they don't even throw him in the arena until at least a half hour into the film. They set up the plot first, which is nice.
Arnold proves his acting talent is not just in his muscles once again. Too many people make fun of Schwarzenegger's acting skills, but to tell you the truth, I prefer him over Bruce Willis and Sylvester Stallone any day. Bruce and Sly are mumblers, in my opinion. Anyway, I like Arnold in this movie, because unlike in "The Terminator" where he is an indestructible cyborg, he is a vincible human with emotions in this film. We see a different side to Schwarzenegger, and it's pretty nice.
Richard Dawson is surprisingly good as Damon. I love his charisma on screen. Of course he's good at playing a gameshow host--he himself was one--but he also has a very good acting talent. Check out the scene where he offers Arnold a deal for going on the show. Look how smug he is in that scene, and how well he delivers his lines. He envelops his character very well. An underrated actor if ever I saw one. He comes off slightly creepy and slightly likable.
This movie is good fun no matter how you slice and dice it. I've often noticed it has a bit of a weird vibe to it, but then I realized that's just the sci-fi/futuristic vibe of the film. I've felt it before when watching sci-fi films. There's something about them. When I watch a film, or a certain genre, I get different vibes. Sci-fi gives me a weird vibe that is undescribable. This film gives that vibe to me. It sounds weird, but I think a lot of people get "vibes" and don't realize it.
I recently viewed this movie twice in less than a day; once at night and once in the morning. It just goes to show how easy it is to watch. It is strictly a fun, action film with lots of imagination and charisma. Easy to watch with a high re-watch factor.
What would you rather do with 90 minutes of your life on a Friday night then watch Arnold Schwarzenegger get to knock some skulls together in a gladiator arena? Exactly.
4/5 stars -
The Running Man is a cult classic, a film that didn't do so well when it was originally release, but more popular now. The Running Man has a premise that was later used by Battle Royale and The Hunger Games and easily stands along other dystopias from films of the era like Escape From New York and Robocop. It was violent, cheesy and had lots of Arnie one-liners. The Running Man was meant to be a satire about game shows but it's satire is more prescient now with the world of reality TV, 24 hour TV, and deep fakes.
Released just as Arnold Schwarzenegger was achieving megastar status, this film about stardom is a wry pun on his career and the media business around him. Films like these are not meant to be analysed, they are meant to be enjoyed, and THE RUNNING MAN certainly manages to do that.
After a shaky start involving the worst title sequence in the history of cinema (although it's good to see the Sinclair Spectrum finally get global use!), director Paul Michael Glaser presents an eye-popping glimpse at the television of tomorrow. This witty slice of sociological irony would have admittedly been slicker in the hands of regular Paul Verhoeven, but Glaser keeps the action flowing throughout, and presents us with some bizarrely fascinating villains as well as the usual action frolics. One query, though, is over the level of violence. Oddly enough there doesn't really seem to be enough. In a program where the broad concept is horrifically barbaric, Glaser seems reluctant to horrify us beyond the disappointing "see the blood spattering from the violence that's just off camera" and those awful rubber corpses! I do not wish to appear to be encouraging unnecessary violence, but in a comic-book film where 'gore is its core', not including it almost makes you feel that it is trying to take itself too seriously, and therefore makes it even more horrific. Perhaps this delicate subject is better explained by Paul Verhoeven in his excellent commentary to ROBOCOP (DVD Criterion Collection).
But the performances in THE RUNNING MAN are suitably solid, from the powerful Schwarzenegger to the sleazy game show host. Any fan of the 80s action genre will love this, so sit back and prepare for SHOWTIME!!!!!!
After a shaky start involving the worst title sequence in the history of cinema (although it's good to see the Sinclair Spectrum finally get global use!), director Paul Michael Glaser presents an eye-popping glimpse at the television of tomorrow. This witty slice of sociological irony would have admittedly been slicker in the hands of regular Paul Verhoeven, but Glaser keeps the action flowing throughout, and presents us with some bizarrely fascinating villains as well as the usual action frolics. One query, though, is over the level of violence. Oddly enough there doesn't really seem to be enough. In a program where the broad concept is horrifically barbaric, Glaser seems reluctant to horrify us beyond the disappointing "see the blood spattering from the violence that's just off camera" and those awful rubber corpses! I do not wish to appear to be encouraging unnecessary violence, but in a comic-book film where 'gore is its core', not including it almost makes you feel that it is trying to take itself too seriously, and therefore makes it even more horrific. Perhaps this delicate subject is better explained by Paul Verhoeven in his excellent commentary to ROBOCOP (DVD Criterion Collection).
But the performances in THE RUNNING MAN are suitably solid, from the powerful Schwarzenegger to the sleazy game show host. Any fan of the 80s action genre will love this, so sit back and prepare for SHOWTIME!!!!!!
Like other reviews already said, The Running Man hits many very actual notes - especially in the '20s we're living in. The use of deep fakes, the reality tv formats, the manipulation that was predicted for 2019 is all there nowadays. But what if this novel by the brilliant Stephen King would've been adapted again? So no blockbuster entertainment but how it was intended by King? That means no Schwarzenegger as the main character was a weak loser type. No 'game arena' but running in the actual world. Formats like this are already there, a new movie adaptation would be awesome right? This film shows the potentional and needs to be told again. But then true to the original idea. I'd love to see that.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Lo sapevi?
- QuizWhen Rob Cohen purchased the rights to the Richard Bachman novel "The Running Man," he had no idea that Bachman was actually a pseudonym for Stephen King.
- BlooperWhen Killian is at the entrance to the control room, the gate opens before Sven has finished entering the security code.
- Citazioni
Ben Richards: Killian, here is Subzero! Now, plain zero!
- Curiosità sui creditiAnnouncer's voiceover: "The Running Man has been brought to you by: Breakaway Paramilitary Uniforms, Orthopure Pure Procreation Pills, and Cadre Cola - it hits the spot. Promotional considerations paid for by Kelton Flame Throwers, Wainwright Electrical Launchers, and Hammond & Gage Chain Saws. Damon Killian's wardrobe by Chez Antoine, 19th-century craftsmanship for the 21st-century man. Cadre trooper and studio guard's sidearms provided by Colchester, the pistol of patriots. Remember, tickets for the ICS studio tour are always available for class A citizens in good standing. If you'd like to be a contestant on The Running Man, send a self-addressed, stamped envelope to ICS Talent Hunt, care of your local affiliate, and then go out and do something really despicable! I'm Phil Hilton. Good night and take care!"
- Versioni alternativeAn edited version was produced for network TV broadcast in which extreme violence was removed, and certain dialogue was redubbed by the original actors (eg. an expletive Barbera Lux uses at the end of the movie was changed to "Bullsquat").
- ConnessioniEdited from King Kong (1976)
- Colonne sonoreRunning Away with You
Music & Lyrics by Harold Faltermeyer and John Parr
Published by Kilauea Music U.S. Publishing, Taft/Barish Music, Bogus Global Music, Inc.
Performed by John Parr
Courtesy of Atlantic Records
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- El sobreviviente
- Luoghi delle riprese
- Sony Pictures Plaza, 10000 Washington Blvd, Culver City, California, Stati Uniti(Killian arrives at the TV Centre in a red car)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 27.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 38.122.105 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.117.465 USD
- 15 nov 1987
- Lordo in tutto il mondo
- 38.123.906 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Proporzioni
- 1.85 : 1
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