Questione d'onore

A Japanese cop, Shiro (Sho Kosugi), and his partner Ray are after a bunch of drug dealers. But they are betrayed by an insider and Ray is killed. Shiro follows the murderer, a sadistic drug lord, up to Singapore.

This is director Gordon Hessler's follow-up to "Pray for Death" (1985), also starring Sho Kosugi. The general consensus seems to be that the best Hessler-Kosugi team-up was "Pray for Death", but I respectfully disagree. I feel they stepped it up a notch or two for "Rage of Honor", and I really appreciate the James Bond-as-a-ninja theme.

Some people may take issue with Hessler's direction. Cool A** Cinema notes, "Unfortunately, the action sequences suffer the same fate as most American martial arts pictures of the day. There's very few master shots and far too many close ups." That point is well taken, but for those looking for an action film rather than a martial arts film, this may not be easily noticeable. No one should be expecting Bruce Lee.

The Arrow Video blu-ray is not packed with extras, but is far from bare bones and does include a brand new interview with star Sho Kosugi on "Rage of Honor" and the later stages of his film career. We also have an interview with Stelvio Cipriani, the film's composer. The first pressing includes a collector s booklet featuring new writing on the film and an extract from Kosugi's upcoming book. And, of course, you are getting the film in high definition, looking far crisper and cleaner than we ever got in the glory days of VHS -- you can actually see the individual drops of splashing water.

Boisterously unleashed not too long after after the explosive wake from Ninja extravaganza 'Pray For Death' had barely subsided, solid action director Hessler renewed his historically successful collaboration with iconic 80s martial arts sensation Shô Kosugi whose steely gaze, natty Ninja threads, fleet-fisted fighting style, and deadly Shuriken-slinging expertise had Iron-fistedly galvanized the global Ninja craze, and in his bruisingly action-packed B-Movie Bond 'Rage of Honor',Katana-cool, Icepick-deadly, Buddha righteous, thug trashing cop Shiro Tanaka (Sho Kosugi) is darkly embroiled in the murderous machinations of sadistic drug kingpin Havlock (Lewis Van Bergen), with his partner dead, girlfriend kidnapped, capable writers Robert Short, Wallace Bennett, and no less competent film-maker Hessler robustly construct a rewardingly blood-thirsty arena for our Teflon-toed, panther-quick, gravity-dodging, gangster-goring avenger Kosugi to righteously revenge his fallen partner, and free his bound lady love from the nefarious clutches of his merciless foe, whose diabolically extended reach stretches poisonously from the sweetly sublime vistas of Singapore to the harsh, mercenary-infested jungles of South America! With plentiful, excitingly choreographed fight scenes, and blazingly balletic gun battles, 'Rage of Honor' has all the requisite blood-pumping, head-knockingly heroic hallmarks of a Shô Kosugi vengeance-fuelled VHS-era classic!

I must admit that I wasn't harboring much of any grant expectations to this 1987 martial arts action movie. But still, I opted to watch it, as I grew up with movies like this, but oddly enough I actually never had seen "Rage of Honor" before now late in 2022.

Writers Robert Short and Wallace C. Bennett managed to deliver everything stereotypical for a late 1980s martial arts action movie. You have Shô Kosugi in the leading role, playing a police officer that quits his job in order to go on a vigilante murderous rampage in Buenos Aires.

Yeah, there were a lot of things wrong with the storyline here, if you take a step back and look at it with a pair of realism goggles. I mean, for starters, a police officer that quits his job to go on a murderous rampage in a foreign country. How messed up is that? But, hey it is a movie, and is does make for some good old fashioned cheesy 1980s martial art entertainment. And then there were Japanese ninjas for some reason in Buenos Aires. Sure, why not?

The acting performances in "Rage of Honor" were as to be expected from a late 1980s martial arts action movie. But at least you know what you get with a guy such as Shô Kosugi, right?

There is a good amount of action and martial arts in the movie, some of it good, some of it dubious.

If you enjoy the 1980s martial arts movies, then "Rage of Honor" is definitely a movie that you will enjoy. And I think I would have enjoyed that way more back in 1987, when I was 12 years old, more than I did today in 2022 as a 47 year old.

My rating of director Gordon Hessler's 1987 "Rage of Honor" lands on a five out of ten stars.

Sho Kosugi stars as Tanaka a ninja who when on vacation fights of a group of mercenaries who killed his friend in this terrible chop socky effort which showcases a hero that is just too invincible to be any fun, also Gordon Hessler misdirects the action and the movie never recovers.

My review was written in February 1987 after a UA Twin screening in Manhattan.

"Rage of Honor" is a substandard action vehicle for martial arts star Sho Kosugi, who gets the chance to choreograph the fight scenes and introduce gadgety weapons, but is otherwise sunk by pointless writing and limp direction.

Kosugi plays Shira Tanaka, a Phoenix-based U. S. narcotics investigator who gets in a tizzy when his assistant is tortured and murdered. He quits his job, hops a plane to Buenos Aires seeking revenge (improbably taking along his blonde girlfriend) and there ensues a boring series of fights and double crosses until nearly the entire cast is wiped out.

Besides being at least two reels too long, film doesn't work because Kosugi is never in any real danger and all incidents are merely functional devices to get a fight scene going. The ease with which he dispatches at least 100 adversaries robs the fights of excitement. Nadir occurs in the Argentine junle, where indians attack and Kosugi, not content with wiping out baddie, massacres dozens of indians in situational self-defense.

Kosugi's difficulty in delivering English dialog is still a hindrance and the supporting cast here is exceedingly bland. The main villain (character roles are not identified in the credits) seems to be auditioning for a career as Harrison Ford's stunt double. Tech credits are acceptable, but Gordon Hessler's direction seems phoned in.