Un uomo deve lottare per tornare a casa per le vacanze di Thanksgiving con un odioso sbruffone venditore di anelli di tenda da doccia come unica compagna.Un uomo deve lottare per tornare a casa per le vacanze di Thanksgiving con un odioso sbruffone venditore di anelli di tenda da doccia come unica compagna.Un uomo deve lottare per tornare a casa per le vacanze di Thanksgiving con un odioso sbruffone venditore di anelli di tenda da doccia come unica compagna.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Waitress
- (as Susan Kellerman)
- Martin
- (as George O. Petrie)
Recensioni in evidenza
Martin and Candy are stuck without plane rides home and wind up trying all modes of transportation to reach their destination. Both run into unbelievable obstacles, most of them the fault of Candy, who drives Martin almost insane. Candy was the funnier of the two in this story but both comedians were at the top of their game here. Too bad there was so much profanity for a film that could have been enjoyed by everyone but some it is almost appropriate, especially with Martin's character. Candy's role would have made anyone swear. Martin's profane tirade with the rental car woman at the airport is hilarious.
In addition to the wacky story, I enjoyed the soundtrack. Critics didn't like it, but I found the sudden bursts of rock 'n roll interesting and it added to the enjoyment of watching this almost-modern day classic.
After all the aggravation, there was a nice sentimental touch at the end which somehow made the whole disastrous trip worthwhile for the two leading characters.
**** (out of 4)
This John Hughes comedy is in my opinion one of the greatest comedies ever made. I've probably seen this thing at least a dozen times but it never loses any of its laughs. To me this is a real comic masterpiece with Steve Martin and John Candy delivering two of the most memorable performances from any comedy. The way the two men work together is as great as any comedy team in history. Martin is especially brilliant in the way he uses his facial gestures to get laughs. The scene in the motel where they wake up together is one of the funniest scenes ever. Non-stop laughs and a highly touching ending makes this a wonderful little film.
Lo sapevi?
- QuizOn instruction from John Hughes, Edie McClurg's role as the St. Louis rental car agent was partially improvised. Hughes told her to simply riff a fake phone conversation with someone about Thanksgiving plans while Steve Martin remains waiting in line staring at her to finish up. McClurg came up with the idea to speak with her sister about who was going to make what adding "You know I can't cook!" Hughes asked her how she came up with those lines so quickly and she replied that, like his scripts, she just drew it from her own life. McClurg claims to this day that random people ask her to tell them they're fucked.
- BlooperTwo comments address the fact that the state trooper who stops Del and Neal is wearing a Wisconsin badge. According to the Director's cut of the movie, this was a scene that was filmed to indicate that they had gone too far, but, due to cuts, that dialogue was removed from the scene. Also, the motel they stayed in the night before was actually north of Chicago, another nod to the same idea (that the two of them had already traveled too far.)
- Citazioni
Car Rental Agent: [cheerfully] Welcome to Marathon, may I help you?
Neal: Yes.
Car Rental Agent: How may I help you?
Neal: You can start by wiping that fucking dumb-ass smile off your rosy fucking cheeks! Then you can give me a fucking automobile! A fucking Datsun, a fucking Toyota, a fucking Mustang, a fucking Buick! Four fucking wheels and a seat!
Car Rental Agent: I really don't care for the way you're speaking to me.
Neal: And I really don't care for the way your company left me in the middle of fucking nowhere with fucking keys to a fucking car that isn't fucking there. And I really didn't care to fucking walk down a fucking highway and across a fucking runway to get back here to have you smile in my fucking face. I want a fucking car... right... fucking... now.
[pause]
Car Rental Agent: May I see your rental agreement?
Neal: I threw it away.
Car Rental Agent: Oh, boy.
Neal: Oh, boy, what?
Car Rental Agent: [narrows her eyes] You're fucked.
- Curiosità sui creditiAfter all the end credits, there's a shot of advertising executive William Windom in the office as in the scene in the beginning of the movie, still examining the pictures Neal Page was waiting for him to finish perusing at the staff meeting.
- Versioni alternativeThe theatrical and VHS releases have the closing Paramount logo after the post-credits scene. On further releases including the DVD, the logo is edited out, and the movie ends immediately.
- Colonne sonoreBa-Na-Na-Bam-Boo
Written by Elizabeth Westwood, Nick Burton & Robert Andrews
Performed by Westworld
Produced by Mark Ferda
Westworld performs courtesy of BMG Records (UK) Ltd.
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Mejor solo que mal acompañado
- Luoghi delle riprese
- Batavia, New York, Stati Uniti(thruway Scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 49.530.280 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.009.482 USD
- 29 nov 1987
- Lordo in tutto il mondo
- 49.530.280 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1