Il buio si avvicina

A real gem of a film which deserved a lot more credit than it ever received. Director Kathryn Bigelow went on to produce Aliens and direct Blue Steel and Point Blank, while writer Eric Red went on to direct the brilliant but rarely-glimpsed Coen and Tate, an equally dark movie. In this stylish tale of modern-day vampires, gothic horror is mixed with modern-day American society. The hero, Caleb, is plunged into a shadowy world of immortal vampires that exists just below the ordinary world as the bad guys imitate modern mortals to hunt their prey. With atmospheric music by German techno-band Tangerine Dream, an impressive and evocative horror film with the added attraction that it features my favourite actress, Jenny Wright!

Near Dark is the definitive vampire road movie. It's the most realistic and non-traditional portrayal of vampires in my mind. They're cruising the country...you know, just bored. And wouldn't they be bored? I mean if you live forever, wouldn't you run out of things to do? They spend their time getting in and out of trouble. And that's all they do. I love it. The cast (Aliens anyone?) is top-notch. Adrien Pasdar is as underrated as they come. He plays our likable hero who gets involved with our gang of vamps by accident. Lance Henriksen, Bill Paxton, Jenette Goldstein (all from Aliens), Jenny Wright, and Joshua Miller are all perfectly cast as the nocturnal family. Miller, oddly enough, is Jason Patric's half brother and Near Dark was released just a few weeks after The Lost Boys. Henrikson is appropriately evil and Paxton's Severen character is highly quotable and memorable. Tim Thomerson and James Le Gros also put in an appearances. Eric Red's script is every bit as cool as his earlier road movie, The Hitcher. Kathryn Bigelow will go down in my book as having directed the best vampire flick that I can think of.

Note for genre buffs: The word vampire is never used in the film.

This is one of the best vampire flicks I've ever seen. These aren't your standard sharp fang having, flying, cool contact wearing, red cape sporting vampires. Rather these vampires look like nomads, leftovers from a roaming biker gang. They drive around in a trailer that has aluminum foil covering the windows to block out the sunlight. They drink blood. They spit out the bullets you shoot them with. They're a tad different than your classic vampire but different enough to keep them interesting. Fans of Cameron's Aliens take note, you have a triple score here with Lance Henriksen (Bishop), Jeanette Goldstein (Vasquez) and Bill Paxton (Hudson) teamed together again. Not too surprising being that Cameron and director Kathryn Bigelow have worked together several times on various films. Bill Paxton is hilarious in this, I have to say. Fans won't be disappointed. I really like this movie. It never gets old, the special effects/make up are pretty decent (nothing too fake looking) and the characters are more than one-dimensional, supported by satisfactory performances throughout. There's enough gore here to satisfy the modest gore-hound and it's entertaining throughout. Give this movie a shot if you're looking for something different. It's a hip vampire movie that works simply because it's not trying to be hip, you follow? Rating: **** out of *****.

One of the best modern vampire flicks around is this stylish, funny, and all around adventurous cult classic.

Young cowboy is literally bitten by a beautiful stranger and ends up joining a band of blood-suckers who roam the American heartland.

Although Near Dark is often over-shadowed by the ultra-hip vampire movie The Lost Boys (1987), Near Dark is a far juicier treat for horror fans. Eric Red, who also wrote The Hitcher (1986), gives us a seemingly old-fashioned tale of struggle between human nature and savage lust with a nicely spun sense of modernism. Not to mention plenty of touches of dark humor. It's a story that does well with avoiding the obvious clichés of the vampire genre. Director Kathryn Bigelow gives this film terrific style, not only adding scenic beauty but sharply creating plenty of intense action sequences. Near Dark also packs some great makeup FX and occasional gore. The entire sequence in the bar has became a favorite among many. Adding even more to the film is the beautiful music score by Tangerine Dream.

The cast is quite good. Adrian Pasdar is believable as our formerly-human hero. Lance Henriksen is genuine in his role as the leader of the vamp' band. However it's young Bill Paxton who does most of the scene stealing (and the comic relief) as a scary, yet cheeky vampire thug.

A modern vamp classic that delivers on all levels, Near Dark firmly remains a favorite of the genre and one of the most entertaining horror films of the 80's.

**** out of ****

I hunted this film for ages and then it came out on DVD, so I had to buy it. Originally, it was purely due to the cast. I thought it would be good though and I was not let down, in fact, my expectations were well exceeded. Near Dark is my favourite vampire film and I am proud to be part of the cult following this film has gathered years since its release.

The camera work is great, Bigelow does a really great job in the director's chair and always does her best to make a film look as visually impressive as possible; it's hard to believe this was a low budget movie. The screenplay for the film is excellent and very original. Near Dark is very different to other vampire films and it really is refreshing to watch something so different. Where most vampire films bathe in Gothic undertones and romanticise themselves, Near Dark is much more subtle, even to the point where the word 'vampire' is not included within the picture. I can see why Kathryn Bigelow and James Cameron ended up married briefly as they both have similar integrity when it comes to film making.

The casting of the movie is its best point. The Aliens trio of Paxton, Goldstein and Henriksen were brilliant in this. Paxton and Henriksen are two of my favourite actors and I believe this is the best character Paxton has ever played, even Hudson does not compare to the mighty Severen! These three actors all excel at playing ruthless characters and do a great job at making Near Dark as entertaining as possible. In the midst of all the carnage, Adrian Pasdar and Jenny Wright do very well in bringing Near Dark down to earth. The chemistry between the two is very good and the characters are effective as they provide contrast between the other main characters.

I feel I must talk about the bar scene. As soon as that music kicks in, you know some on screen magic is about to happen. This is where the Aliens cast members really shine. Paxton is spitting out more clichés than he is blood. Also, as a big Terminator fan, I had to notice the bar patron as the T-2 'You forgot to say please' guy. I think he should stay away from bars from now on! This is what the film builds up to and this is the turning point of the film from a mainly character piece to a nail biting thriller. This is one of the most enjoyable and memorable scenes you will ever see.

Near Dark is a fantastic film, sadly overlooked due to people drawing too many comparisons between this and Lost Boys. This is far superior to Lost Boys as this has far more substance and more than one memorable character. With gruesome imagery, streams of blood and Bill Paxton and Lance Henriksen, this is the ultimate vampire film.