Amore tra ladri

This film was made for television and the night it first aired it had great ratings for viewers, because Audrey Hepburn was in it (one of her, by then, very rare appearances). The critics disliked the whole thing, but apparently because of their fondness for Miss Hepburn they ne'er said a critical thing about her in their reviews.

Well, I saw the film recently and I thought it was pretty good, as far as television movies go. Sure, she looked older than she had in 'Robin And Marion'. She was older. But she still retained some degree of her on-screen charm unmatched by any other actor. I truly enjoyed the film for all the minutes that she graced the screen, and they kept the camera trained on her quite a bit.

This film was touted as a 'Charade' type sort of comedy/caper involving some stolen Fabergé Eggs. What ensues is a tale typical of a Hepburn caper vehicle, with Robert Wagner thrown in to boot. I never liked Wagner until I saw this. He actually was quite a leading man, and although aging, he held his own as far as charm and sophistication went. He and Hepburn should have teamed up much earlier than this flick.

What a wonderful ,caring person, Audrey to appear in this film (according to some biographers she may have agreed to do it so that her long-time agent Kurt Frings, who was now ailing, could collect his $75,000 fee from her). This was her last 'feature starring role' and one of only a trio of television drama appearances. I was lucky enough to see this one, now I'm praying that they release 'Mayerling' on DVD soon.

If you get a chance you must check this one out. It's a fun film, not meant to be an Emmy chaser. Just good Ole' clean fun.

I enjoy this movie more each time I watch it. It at it has all of the elements that make for a good romantic comedy.

The main characters - portrayed on the one hand by the inimitable Audrey Hepburn and on the other by the still sleek Robert Wagner -are as lively and believable as ever. We are given as a bonus the added abilities of Jerry Orbach as the mysterious bad - good guy.

All of the elements of the classic romantic comedy are in evidence here.

There is a great cast. There is incisive and clever dialogue. There is the element of danger without being so dramatic that one forgets that one is watching a comedy. There is the hate / love relationship that develops, with the viewers permission, into a love / hate and then a love only relationship.

Best yet it is all folded up in the course of an almost unbelievable story. Surely the mark of a good Romance.

Audrey Hepburn was in very few films in the 80's. This was the worst of the lot. At the start Audrey steals some treasures from a museum and is later inolved with a host of characters that have some interest in her loot. The acting was mediocre. The plot was predictable and boring.

The class and style of Audrey Hepburn and Robert Wagner make this an enjoyable lark. The plot and writing are weak, but Hepburn's smile and style are captivating. Wagner obviously enjoy being Hepburn's foil - and flirting with her in the process.

I really enjoyed watching this film; a made for TV movie filmed in the late 1980s. Some of the reviewers have expressed disappointment with this film; expecting some serious Audrey Hepburn classic I guess. Hey guys, that is not what this movie is about! Audrey and Robert Wagner were already proven stars when this movie was made. It was not the vehicle that made them stars nor was it meant to be. They were doing it for fun; much like an old timers baseball game. They wanted to perform for their loyal fans and enjoy themselves in the process. Nothing serious was meant for this film and it would be interesting to see the outtakes. I am sure Audrey cracked up laughing a few times when she repeated some lines in this movie that she had said in some other movie over twenty years before. This movie was more of a pleasant retrospective piece than anything meant to be serious. Much like a 55 year old Mickey Mantle at bat at an old-timers game or Dean Martin and Frank Sinatra doing some stand up comedy together in the early 1990s. Without spending much energy on their part all of these old-timers could still be fun to watch. It is a great film to watch as long as you remember that it is not serious; nor meant to be. There is one serious note to all this that I would like to conclude with. This would have been an even greater film had Audrey not died prematurely just a few years later. That is the sad part about all this. Audrey, we miss you.