Dopo essersi trasferiti in una nuova città, due fratelli scoprono che l'area è infestata da vampiri.Dopo essersi trasferiti in una nuova città, due fratelli scoprono che l'area è infestata da vampiri.Dopo essersi trasferiti in una nuova città, due fratelli scoprono che l'area è infestata da vampiri.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 5 candidature totali
Edward Herrmann
- Max
- (as Ed Herrmann)
Alex Winter
- Marko
- (as Alexander Winter)
Alexander Bacan Chapman
- Greg
- (as Alexander Bacon Chapman)
Recensioni in evidenza
There are many films about vampires, but one that is almost always remembered with a shy smile on the face is definitely "The Lost Boys". As one of the best remembered films of the 80s, this movie has become part of pop culture and a defining film for that period as it showcases most of what was cool or hip in that decade. While its status as "horror classic" has a lot to do with the nostalgic factor, it's an entertaining film on its own right and its modernization of the vampire myth along with its tongue in cheek humor still make for a charming and funny session of pure mindless entertainment.
The movie begins with Lucy Emerson (Dianne Wiest) as she moves to Santa Clara, California, with her two teenager sons, Michael (Jason Patric) and Sam (Corey Haim) after a bitter divorce. In Santa Clara, Michael becomes involved with a local gang of bikers who have a dark and mysterious secret while Sam becomes friends with two weird boys who claim that the town is being invaded by vampires and its their mission to get rid of them. As Michael begins to act strange, Sam suspects that his brother has become one of the undead and begins to take his friends seriously.
Directed by Joel Schumacher, "The Lost Boys" is a movie that effectively combines a cool and attractive look with a simple but entertaining plot resulting in a successful and charming film. The story modernizes classic elements of the vampire myth and adapts it to its time with intelligence and definitely tongue in cheek humor. In fact, this self-aware comedy approach is what makes the film enjoyable, and it relies more on fun and laughs than in actual scares. The plot is rather simple, and lacks some character development, but it makes an interesting (although also quite simplistic) analogy between the troubles of youth and becoming a vampire.
Visually the movie looks great, although by now it has that dated nostalgic look of a past decade. Still, the flamboyant visual composition fits perfectly in the film's time and context and it is one of the films biggest assets. Schumacher's fluid and energetic camera-work makes the movie flow at with a nice rhythm and the movie never becomes dull or boring.
The cast is very effective and everyone makes a great job. Corey Haim is remarkably good and while he may not be a good actor, in this film he is perfect for the role of Sam. Jason Patric is less lucky and he is overshadowed by the very talented Kiefer Sutherland, who steals every scene with his charm and presence. Jami Gertz gives a somewhat forgettable performance but veterans Dianne Wiest and Edward Herrmann are both excellent in their roles and have some funny lines.
"The Lost Boys" suffers a lot from its own self-referential nature, it looks old and severely dated by now even when it's 20 years ago when it was released for the first time. The cleverly written plot is very entertaining, but somehow the lack of character development and the comedy take on the story make it to never reach its full potential. The premise is quite interesting but the "Lost Boys" theme is never fully explored leaving at a nice but a bit shallow experience.
Definitely most of the charm of "The Lost Boys" is due to nostalgia, as the movie is now basically a time capsule of the 80s. However, it is hard to deny that despite being what one would call a "popcorn movie", in its time it was an intelligent, original and fresh take on vampires. While it may not be a landmark of horror of a life-changing experience, "The Lost Boys" is one of those films that will definitely deliver what they promise: a healthy dose of mindless entertainment.
The movie begins with Lucy Emerson (Dianne Wiest) as she moves to Santa Clara, California, with her two teenager sons, Michael (Jason Patric) and Sam (Corey Haim) after a bitter divorce. In Santa Clara, Michael becomes involved with a local gang of bikers who have a dark and mysterious secret while Sam becomes friends with two weird boys who claim that the town is being invaded by vampires and its their mission to get rid of them. As Michael begins to act strange, Sam suspects that his brother has become one of the undead and begins to take his friends seriously.
Directed by Joel Schumacher, "The Lost Boys" is a movie that effectively combines a cool and attractive look with a simple but entertaining plot resulting in a successful and charming film. The story modernizes classic elements of the vampire myth and adapts it to its time with intelligence and definitely tongue in cheek humor. In fact, this self-aware comedy approach is what makes the film enjoyable, and it relies more on fun and laughs than in actual scares. The plot is rather simple, and lacks some character development, but it makes an interesting (although also quite simplistic) analogy between the troubles of youth and becoming a vampire.
Visually the movie looks great, although by now it has that dated nostalgic look of a past decade. Still, the flamboyant visual composition fits perfectly in the film's time and context and it is one of the films biggest assets. Schumacher's fluid and energetic camera-work makes the movie flow at with a nice rhythm and the movie never becomes dull or boring.
The cast is very effective and everyone makes a great job. Corey Haim is remarkably good and while he may not be a good actor, in this film he is perfect for the role of Sam. Jason Patric is less lucky and he is overshadowed by the very talented Kiefer Sutherland, who steals every scene with his charm and presence. Jami Gertz gives a somewhat forgettable performance but veterans Dianne Wiest and Edward Herrmann are both excellent in their roles and have some funny lines.
"The Lost Boys" suffers a lot from its own self-referential nature, it looks old and severely dated by now even when it's 20 years ago when it was released for the first time. The cleverly written plot is very entertaining, but somehow the lack of character development and the comedy take on the story make it to never reach its full potential. The premise is quite interesting but the "Lost Boys" theme is never fully explored leaving at a nice but a bit shallow experience.
Definitely most of the charm of "The Lost Boys" is due to nostalgia, as the movie is now basically a time capsule of the 80s. However, it is hard to deny that despite being what one would call a "popcorn movie", in its time it was an intelligent, original and fresh take on vampires. While it may not be a landmark of horror of a life-changing experience, "The Lost Boys" is one of those films that will definitely deliver what they promise: a healthy dose of mindless entertainment.
The Lost boys was always one of my favorites as a kid, and I just watched it again at 40. It's still pleasantly entertaining. The music is cool too.
The 80s, boy! I've never lived it but nobody can convince me that is not the best decade ever.
Look how fun, funny and unpretentious the films for teens and young adults were. No need for 100 cameos or a gigantic connected universe. Just pure fun and an honest story. Love it. ❤
Look how fun, funny and unpretentious the films for teens and young adults were. No need for 100 cameos or a gigantic connected universe. Just pure fun and an honest story. Love it. ❤
Haha, that line makes me laugh every time, just for how old school 80s it is. Not to mention the vampire that the kids just "trashed" didn't really look like Twisted Sister as he did more of a generic 80s pop metal dude. Middle school life in the late 80s (junior high back then) had some movies that were almost universally thought of as "cool". Some of these were Predator, Coming to America, Top Gun (yeah I said Top Gun), Big, and of course The Lost Boys. TLB was so popular with kids, I remember knowing the details of the plot before I had ever seen the movie.
Two kids named Sam (Corey Haim) and Michael (Jason Patric) move to Santa Carla, CA with their mother in hopes of a new life. Sam is looking to just have some fun and find a cable hook up for MTV, while his older brother Michael gets involved with some teenage vampire punk kids. Michael is slowly being recruited into the vampire clique that hangs around the boardwalk, while Sam desperately tries to turn him back to a normal human with the help of the overzealous Frog Brothers (Corey Feldman and some other guy).
Slick, stylish and shot like an 80s music video, this movie was a lot of fun. A few of the 1987 fashions here are enough to make this movie illegal in a some countries, but the hip feel of the film keeps it from being too dated. Well, in my opinion anyway, some kid today might think different. Afterall this movie is nearly 20 years old. Typing that just made me feel very, very old. Anyway the cinematography is absolutely gorgeous, director Joel Schumacher especially knows how to shoot night scenes. This film was both a horror and a comedy at the same time, though I'm not sure which I preferred. Any movie that features both Corey Haim and Corey Feldman is going to be one that you can't take very seriously. If you don't know who these two guys are, better you never find out. Just watch the movie. Keep an ear out for INXS, Run DMC and The Doors.
Two kids named Sam (Corey Haim) and Michael (Jason Patric) move to Santa Carla, CA with their mother in hopes of a new life. Sam is looking to just have some fun and find a cable hook up for MTV, while his older brother Michael gets involved with some teenage vampire punk kids. Michael is slowly being recruited into the vampire clique that hangs around the boardwalk, while Sam desperately tries to turn him back to a normal human with the help of the overzealous Frog Brothers (Corey Feldman and some other guy).
Slick, stylish and shot like an 80s music video, this movie was a lot of fun. A few of the 1987 fashions here are enough to make this movie illegal in a some countries, but the hip feel of the film keeps it from being too dated. Well, in my opinion anyway, some kid today might think different. Afterall this movie is nearly 20 years old. Typing that just made me feel very, very old. Anyway the cinematography is absolutely gorgeous, director Joel Schumacher especially knows how to shoot night scenes. This film was both a horror and a comedy at the same time, though I'm not sure which I preferred. Any movie that features both Corey Haim and Corey Feldman is going to be one that you can't take very seriously. If you don't know who these two guys are, better you never find out. Just watch the movie. Keep an ear out for INXS, Run DMC and The Doors.
The premise of this movie is great. I love Santa Carla and how it portrays the "beach culture" and the "punk culture." If you want to see nostalgia for the 80s this is the movie to watch. The chemistry between the two main characters, Sam and Michael is great. The film blends comedy and horror perfectly. Kiefer Sunderland was great as the antagonist. It portrays teenage vampires as cool and not cheesy. There was also a little twist at the end which I thought worked.
Lo sapevi?
- QuizSanta Cruz, where Santa Carla takes place, was once plagued with the reputation of being "The Murder Capital Of The World" because of a series of very brutal murders by three different very disturbed men in the early 1970's. Because of John Linley Frazier, Herbert Mullin and Ed Kemper, Santa Cruz endured 28 murders over a 30 month period between 1970 and 1973.
- BlooperWhen Michael is in his room and he begins to float, his harness is visible.
- Versioni alternativeWhile the 1984 Warner Bros. Pictures logo is retained in the pre-2004 prints, 4K Ultra HD Blu-ray and remastered Blu-ray, it is plastered with the 2003 variant in the two-disc special edition DVD and 2008 Blu-ray.
- ConnessioniEdited into The Lost Boys: The Lost Scenes (2004)
- Colonne sonoreGood Times
Written by George Young and Harry Vanda
Performed by INXS and Jimmy Barnes
Produced by Mark Opitz
Re-produced by Bob Clearmountain
Jimmy Barnes courtesy of Geffen Records and Mushroom Records
Inxs courtesy of Atlantic Records, Polygram International B.V. and WEA Records Pty. Ltd.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Los irremediables
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 32.315.444 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.236.318 USD
- 2 ago 1987
- Lordo in tutto il mondo
- 32.539.703 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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