VALUTAZIONE IMDb
5,6/10
3441
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA pair of siblings must choose whether to pursue their dream of touring with their rock band or support their family and stay in Cleveland, Ohio.A pair of siblings must choose whether to pursue their dream of touring with their rock band or support their family and stay in Cleveland, Ohio.A pair of siblings must choose whether to pursue their dream of touring with their rock band or support their family and stay in Cleveland, Ohio.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Billy L. Sullivan
- Benji Rasnick
- (as Billy Sullivan)
Recensioni in evidenza
Light of Day was a pretty good film. I liked Michael J. Fox in this movie even though I'm more used to him in a comedy role but the REAL STAR of this film was Joan Jett. This woman can act (unlike Madonna) while she was on screen,no one else mattered. Another plus was the great Gena Rowlands who shined just like she did in the movie Gloria.
Joe (Michael J. Fox) and Patti (Joan Jetti) play in the band `The Barbusters'. They use to play in bars in the suburbs. Patti is the singer of the band and a single mother, has a beautiful son and is very rejected by her mother Jeanette (Gena Rowlands). They do not accept and understand each other. The father of Patti's son is unknown by her family. Patti wants to follow the career of musician, but her brother uses the band indeed as an alternative for the lack of job. Joe is the link between Patti and Jeanette, trying to resolve and absorb their problems. A terminal cancer in Jeanette changes the relationship among the family and cruel revelations are presented in the end, with a final redemption of the characters. The melodramatic screenplay of this movie looks like a Mexican soap opera, but the soundtrack is great. There is a minor participation of Jimmie Vaughn, as the singer of another band (`The Fabulous Thunderbirds'). This movie is not a masterpiece, but entertains, especially if the viewer watches it without any expectation, just for killing time. My vote is five.
I thought this film had an original story and a great script. Michael J. Fox puts forth a wonderful attempt to make us believe he is Joe Rasnick, aspiring rock performer, and, as always his acting is on the level and heartfelt. Joan Jett, while trying really hard to play the wild and sometimes estranged sister Patti, just can't seem to find the emotion needed to make her role believable (her musical performance doesn't disappoint, though). Gena Rowlands, as usual, is superb in her attempt to make us buy her as Joan Jett's righteous and disapproving mother. All in all entertaining, yet not quite believable.
I never enjoyed the cutesy characters they always have Fox portray. Here he does a great job as a "regular", decent guy who is loyal to his family and just wants to know what his dream is. I think that Joan Jett did a fantastic job -- not too many musicians can cross over so well into movies. Fox and Jett are believable as brother and sister and Gena Rowlands is always incredible.
I think this movie was panned because people expect Mr. Fox to be silly and boyish (two things that he wasn't in this movie.) Good for you, Michael.
I think this movie was panned because people expect Mr. Fox to be silly and boyish (two things that he wasn't in this movie.) Good for you, Michael.
Back when I was 21, I went with a few friends to see another film (I forget which, now) that had sold out, leaving us with this film as an option that we took.
I was so pleasantly surprised that a film I would otherwise never have bothered with turned out to be so resonant with me.
I expected a teenybopper rock'n'roll picture. This film is nothing close to that. This is a gritty, hard-edged slice of life. It is full of realistic human emotion and genuine observation of actual "rock'n'roll" lifestyle, which for the vast majority of rockers means nightly sharing of a van and a motel room and splitting up a few hundred bucks five or six ways before expenses. The scene in "Motel Hell" where Fox doles out the money (after enumerating the expenses including "forty-five dollars for that tire, and eighteen for the Chinese feast") just struck such a ringingly true chord with me.
The secondary drama, which plays out as you understand that the primary drama (will the band make it?) is already moot (Fox knows that the Barbusters have no chance; Jett continues to chase the dream regardless) commences with the discovery of their mother's illness.
The interplay between Jett and her mother in the hospital as the mother lays dying and they reconcile their long-hardened differences is surprisingly well-played, especially on Joan Jett's part. I expected great acting from the superb Gena Rowlands; I expected zero from Jett and was blown away instead. I'm surprised she never got any other real roles; I found her to be extremely easy on the eyes and quite a lovely and talented actress. Whatever.
The film has a terrific ending. No, they don't make it to the big-time, but you never expect that to happen anyway. It is simply a satisfying ending that matches the size and scope of this terrific film, which was never intended to be anything more than a look at a Cleveland family who has two members who happen to play in a road band.
Catch it once in your lifetime.
I was so pleasantly surprised that a film I would otherwise never have bothered with turned out to be so resonant with me.
I expected a teenybopper rock'n'roll picture. This film is nothing close to that. This is a gritty, hard-edged slice of life. It is full of realistic human emotion and genuine observation of actual "rock'n'roll" lifestyle, which for the vast majority of rockers means nightly sharing of a van and a motel room and splitting up a few hundred bucks five or six ways before expenses. The scene in "Motel Hell" where Fox doles out the money (after enumerating the expenses including "forty-five dollars for that tire, and eighteen for the Chinese feast") just struck such a ringingly true chord with me.
The secondary drama, which plays out as you understand that the primary drama (will the band make it?) is already moot (Fox knows that the Barbusters have no chance; Jett continues to chase the dream regardless) commences with the discovery of their mother's illness.
The interplay between Jett and her mother in the hospital as the mother lays dying and they reconcile their long-hardened differences is surprisingly well-played, especially on Joan Jett's part. I expected great acting from the superb Gena Rowlands; I expected zero from Jett and was blown away instead. I'm surprised she never got any other real roles; I found her to be extremely easy on the eyes and quite a lovely and talented actress. Whatever.
The film has a terrific ending. No, they don't make it to the big-time, but you never expect that to happen anyway. It is simply a satisfying ending that matches the size and scope of this terrific film, which was never intended to be anything more than a look at a Cleveland family who has two members who happen to play in a road band.
Catch it once in your lifetime.
Lo sapevi?
- QuizThis film is best known as the first real attempt for Michael J. Fox to take on more serious roles after establishing himself as a comedic star. This is also one of the very few projects that Fox has smoked in front of the camera; although a chain smoker, he avoided being photographed with a cigarette, out of fear that this would encourage smoking.
- Citazioni
Patti Rasnick: Music is all that matters. One hour on stage makes up for the other 23.
- Colonne sonoreLight of Day
Published by Bruce Springsteen Music
Written by Bruce Springsteen
Performed by The Barbusters
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 10.489.617 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.536.309 USD
- 8 feb 1987
- Lordo in tutto il mondo
- 10.489.617 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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