Hung cheuk wong ji

This is a rather fun little action fantasy film from Hong Kong and Japan, about two monk brothers, Kôngquè (Biao Yuen) and Kujaku (Hiroshi Mikami), separated at birth and later reunited to fight the King of Hell.

The pacing is not really fast, but there are some engaging and entertaining scenes where Kongque and Kujaku try to blend in the modern days in Hong Kong and fight off the evil witch Raga (Siu-Fung Wong) and save their friend, Ashura (Gloria Yip). Ashura is unwittingly the apprentice of Raga and is the daughter of the King of Hell.

There are plenty of mythical elements and magical action, though the special effects were pretty average to me. A nice good vs. evil story line nonetheless, and some decent martial arts action.

Grade B-

Yuen Biao is a great, underrated martial artist, and personally I prefer to see him fighting against human opponents with his body (which he does ONLY ONCE, after a full hour, in this film) rather than weird stop-motion animated creatures with supernatural fireballs (which he does a lot more often here). The ambitious, large-scale special effects and sets of "The Peacock King" are worth seeing (even if they show their age sometimes, and they're not as good as those of the same director's "Seventh Curse"), and when the Hell King himself appears at the end, he looks pretty impressive. But the story, which has Biao as a sort of adventurer-exorcist-demon hunter who tries to prevent the end of the world with the help of his equally skilled brother, is just incomprehensible claptrap. (**)

This was one movie where acting of Hong Kong actors and Japanese actors interaction went extremely smooth. Usually in HK movie made in Japan have HK actor doing lion share of the dialog, and Japanese actors are relegated to small roles where they speak only few simple Japanese words. Not this movie. It's amazing that the actors just went playing their role as if it was done in their native language, and somehow it all looked natural.

When you look at this movie its really difficult to tell who's the Japanese actor and who's from Hong Kong. Genetically, all Asians must be pretty close to one another.

In Cantonese version Yuen Bao is the main character, but in the Japanese version Hiroshi Mikami is the main character. They wrote the script very cleverly that the two characters are interchangeable.

Based on a comic by Makoto Ogino, Peacock King, or Kujyaku Oo is a good translation of the original comic into a movie. The original comic's ordinary person, or situation suddenly morphing into a demonic entity is also translated well into this movie.

I liked Narumi Yasuda's acting as a department worker suddenly finding herself embroiled in the world of Vajirayana Buddhism vs demons of the underworld.

World looked really peaceful and healthy in Japan around the time this movie was made. It truly was the best of times.

Really well made movie of its kind. It's a treat to watch.

A lot of people seem to misunderstand this type of film. It is fantasy, based on a famous Japanese Manga and various Japanese legends. It was very popular in Japan (making a huge star of Gloria Yip in this her first film), average in HK and poorly received in the rest of the world. Glad as I am to see it in such a good print I was surprised HK Legends released this film above others (like Pedicab Driver, still not released). It is not a straight kung fu film and to expect protracted one on one human fight scenes is to miss the point of such a film. Enjoy it for what it is, fantasy with reasonable (for the time) special effects and Yuen Biao as an actor.

Peacock King is about two monks who are on a quest to stop some demon from entering the earth realm, I think. Eh! The story was relatively comprehensible but I was still somewhat perplexed for some unknown reason. Nam Nai Choi is one of my favorite directors ever because of his other films Story Of Ricky, 7th Curse and The Cat so I am going to be lenient with this one. Why i like this one is because of the cinematography in which is Choi's greatest strengths considering he was a cinematographer for Shaw Brothers, the special effects were actually cool as ****, the monsters were creative and the action was fun. And Gloria Yip, too, which I have a desire to put my nuts in her adorable face and butt! The pacing was sluggish but I don't care. Not his best movie but it is wacky fun.