Hung cheuk wong ji

Despite reasonably pitiful special effects, this was still quite an entertaining martial arts movie. Quite a good amount of fighting, acceptable acting and an unremarkable plot, this was an acceptable way to pass the time.

If you like Yuen Biao or Hong Kong martial arts movies, you will probably get enough entertainment out of this without being blown away. The first time I saw this I think I must have been pretty tired as I fell asleep. The second time it seemsd a lot better...!!

I think it deserves a 6 out of 10 which is pretty good going.

A lot of people seem to misunderstand this type of film. It is fantasy, based on a famous Japanese Manga and various Japanese legends. It was very popular in Japan (making a huge star of Gloria Yip in this her first film), average in HK and poorly received in the rest of the world. Glad as I am to see it in such a good print I was surprised HK Legends released this film above others (like Pedicab Driver, still not released). It is not a straight kung fu film and to expect protracted one on one human fight scenes is to miss the point of such a film. Enjoy it for what it is, fantasy with reasonable (for the time) special effects and Yuen Biao as an actor.

Hong Kong adaptations of Japanese manga tend to hit differently, The Peacock King is no exception, always moving at a frantic pace. There's plenty of ambition sprinkled throughout the film, be it the incredible set design, insane practical effects or the stunning claymation work, the film certainly earns its keep. The problem that ultimately holds this film back from being an all-time classic of its industry is that unfortunately, the story is so unbelievably messy with the most minor of things derailing the experience, having six credited writers certainly gives you that impression. Regardless of that, director Lam Ngai Kai more than delivers plenty of his signature style even including a sequence where Yuen Biao battles a reanimated dinosaur, yes that happens, it just all feels a bit more on the cheaper side with its budget having been spent on its effects more than anything else. Backed by a great cast, including a sadly underused Gordon Liu, and a decent musical score, The Peacock King manages to keep an enjoyable tone despite the cheapness of the proceedings. I'll get to the sequel at some point.

This was one movie where acting of Hong Kong actors and Japanese actors interaction went extremely smooth. Usually in HK movie made in Japan have HK actor doing lion share of the dialog, and Japanese actors are relegated to small roles where they speak only few simple Japanese words. Not this movie. It's amazing that the actors just went playing their role as if it was done in their native language, and somehow it all looked natural.

When you look at this movie its really difficult to tell who's the Japanese actor and who's from Hong Kong. Genetically, all Asians must be pretty close to one another.

In Cantonese version Yuen Bao is the main character, but in the Japanese version Hiroshi Mikami is the main character. They wrote the script very cleverly that the two characters are interchangeable.

Based on a comic by Makoto Ogino, Peacock King, or Kujyaku Oo is a good translation of the original comic into a movie. The original comic's ordinary person, or situation suddenly morphing into a demonic entity is also translated well into this movie.

I liked Narumi Yasuda's acting as a department worker suddenly finding herself embroiled in the world of Vajirayana Buddhism vs demons of the underworld.

World looked really peaceful and healthy in Japan around the time this movie was made. It truly was the best of times.

Really well made movie of its kind. It's a treat to watch.

This is a rather fun little action fantasy film from Hong Kong and Japan, about two monk brothers, Kôngquè (Biao Yuen) and Kujaku (Hiroshi Mikami), separated at birth and later reunited to fight the King of Hell.

The pacing is not really fast, but there are some engaging and entertaining scenes where Kongque and Kujaku try to blend in the modern days in Hong Kong and fight off the evil witch Raga (Siu-Fung Wong) and save their friend, Ashura (Gloria Yip). Ashura is unwittingly the apprentice of Raga and is the daughter of the King of Hell.

There are plenty of mythical elements and magical action, though the special effects were pretty average to me. A nice good vs. evil story line nonetheless, and some decent martial arts action.

Grade B-