Lo squalo 4 - La vendetta

On the island Amity during the Christmas break, Mrs. Ellen Brody's younger son Deputy Sean is taken by a great white shark one night after being called out to move a piece of wood tangled up with a buoy. After this happens Michael who lives in the Bahamas with his wife and daughter studying sea snails, visits his mother and asks her to come down there with him and the family. Ellen wants Michael to not go near the water, but he convinces her that it's all fine, since great whites don't like the warm water. But hold on as the shark that killed Sean is now stalking the family and has only one thing on mind - to wipe out the Brody family.

Leave those Brody's alone! Err, what crud… yeah reading the outline above you'll be just rolling your eyes at how ridiculous this film does get. The last sequel "Jaws 3" was a bad film, but I actually enjoyed it to some degree, but here the personal agenda format was just rubbish and the special connection between the Brody's and the shark was just plain risible. I just found this clunker quite lacklustre with it's melodramatic, soap opera of a story and it's lack of thrills and suspense. It was quite a drag and it did have that cheap TV feel about it, despite it's more than capable cast. The only thing that I thought was decent was the terrifyingly, bloody and macabre opening death. Although, few of the performances ( mainly Lance Guest in the key role of Michael Brody and Michael Caine's happy- go-lucky pilot character Hoagie ) made sure that the film didn't sink too fast. While, the rest were simply one-note and Mario Van Peebles' Jamaican accent was just so dodgy. But what was in need of a life-jacket was the dire script that threw out many awful lines of dialogues. "I've always wanted to make love to an angry welder. I've dreamed of nothing else since I was a small boy." What?! The repetitively, diluted story is full of crock with many implausible situations and it doesn't leave too much up to the imagination. Was the writer and the director drinking sea water on this project? Maybe so, because Michael's wife's supposed piece of art resembled… what? I just don't see it. Well, the sprawling beach lines and crystal blue waters were a nice sight. Too bad that the mechanical, but crooked plastic shark slowly got in the way. The ramshackle design looked dreadful, but the makers didn't seem to notice because they constantly kept showing the abomination in it's full glory. I even got the feeling that the shark just couldn't stop grinning. The (few) shark attacks are rather furious and quite graphic, but I found the latter ones to be laughable because of the execution. Really, it goes all out to outdo itself, but this puddle turns out to be simply inept in mostly every single department. Overall, a fatally disastrous novel production that never should have seen open waters and you won't be laughing too much, but you'll be a daze of bemusement to how this franchise fell apart.

It's definitely as bad as its reputation. This is one shark that just won't let go!

I am completely dumbfounded. What in the world were the people behind this mess thinking? When the movie was over, Jaws: The Revenge left me with more questions than answers. Here's a laundry list of my questions:

1. How did a movie as good as Jaws spawn this junk?

2. Regardless of where the shark is in the ocean, how is it capable of knowing the moment a Brody sticks so much as a big toe into the water?

3. If you attributed your husband's and son's deaths to a great white shark, wouldn't you want to go to someplace like Oklahoma instead of the Bahamas?

4. Do all Bahamians slip in and out of their accents the way Mario Van Peebles does in Jaws: The Revenge?

5. Could they have possibly made the shark look any more fake?

6. Snails?

7. You mean that piece of welded together scrap metal was supposed to represent all that is good about the Bahamas?

8. Do sharks really jump out of the water like Shamu and roar like a lion?

9. What's more frightening - a great white shark or Ellen Brody's hair?

10. Is there a bigger acting whore on the planet than Michael Caine?

The best way to watch a movie like Jaws: The Revenge is with a group of friends. There's plenty here to make fun of.

Ok, to sum it up. The shark roars and stands on it's tail for more than 5 seconds. It purposely hunts down members of the Brody family. Thea is annoying and should have been swallowed whole by Bruce. The shark somehow explodes when being punctured by a sharp piece of wood. ?????? A bad film, I think so!

It's personal because I hate this audience-insulting movie. This has got to be the stupidest horror flick of all times. The ending (all of them) alone would be enough to justify this film's place on the bottom 100 list. I mean the premise (shark is after the Brody family for revenge. It chases (and beats) the Brody's to Jamaica to harrass them and snack on a few extras).

The effects went WAY downhill for this one. The shark on the Universial Studios tram tour is more convincing then this duct-taped-at-the-seams roboshark. The acting is atrocious (especially Mario Van Peeble and his grating "hey mon" accent)

Another Great White stalks the Brody family, this time from Amity Island to The Bahamas.

This is worth watching for the entertainment value of its story and attempted visual spectacle. It also functions as a lesson to movie executives (like Sheinberg) about when to let go of a franchise.

In a movie that is so universally panned for its story and effects it would be pointless for me to put the boot in further, so I will highlight what I think are positives.

Personally, I think the actors do their best with bad material. Lorraine Gary, Lance Guest, Karen Young and Michael Caine have moments when they make their characters feel genuine as opposed to just players in a dodgy production. These for me are the scenes of interaction between characters that do not involve shark horror. I am not saying many are strong, but I think some of them work.

Gary would have been capable of carrying a better story, as her emotions and strength shine through in various moments, but overall there is very little material that showcases her ability.

You can tell the filmmakers are clutching at straws for entertainment at times by sexualising Young's character in certain scenes, but at least she does make the character alluring. In fact, I think the scene where Michael looks out of the bedroom window, with shadows of the rain cast on him, and Carla flicks an item of clothing to get his attention is quite cinematic.

Caine plays his usual persona and his charismatic presence is enough to lift certain scenes but not the overall viewing experience. You have to admire the honesty of anyone who can see the positive by focussing on the house built with the acting fee.

I think Michael Small's musical score does a good job of enhancing certain sequences and making it more tense than deserved given the premise and footage captured.

Visually, I like the location shots in The Bahamas, as it makes for a suitably tropical backdrop for the action taking place. If anything it is a reasonably good advert for the Nassau area. I am not going waste any time restating all flaws associated with roaring sharks, the infamous finale and other generally dodgy nautical horror. It appears the actors and editor had very little material to work with in a rushed production.

It made a relatively good profit at the box office so I guess the Universal executives had the last laugh.