Baby Killer III

A father fights for the right for his mutant child to live, the court grants that and his child plus another 4 are sent to an island to live.

It was Warners Brothers idea for a third It's Alive film, which would be shot back to back with Return to Salem's Lot. It was meant to be release straight to video with RTSL, but it got a limited theatrical release.

This film had a little bit more money than that of the 2 previous films, but this time around the film is an over the top black comedy compared to the bleak and serious tone of the first two films, which had subtle humour.

This film was far less effective in the horror and atmospheric department, but not the laughs and it's been more action packed than the previous films. Though it is a stupid and lightweight film, it was still quite fresh (with a different take on the Alive films) and enjoyable to watch… that's if you're in the right frame of mood.

Cohan has a knack of casting the right people, with reasonable performances or you can call them hammy from Karen Black playing the mother to one of the babies and James Dixon (only one in all 3) as Detective Perkins and the standout performance and scene stealer would have to be Michael Moriarty as the father. He brings a strong central character that has a weird sense of humour and goes suddenly bananas with his lunatic behaviour when the film goes along.

Not only is the casting good, but also the script is full of wit and satirical comments (like the other 2 films) on American and Cuban relations, people's emotions, Aids and the media. The pace of the film is perfect and Daniel Pearl (The Texas chainsaw massacre) brings another element with his cinematography and lighting. The score is alright and the same for the atmosphere. The effects are pretty lame, with stop motion, puppets and people in rubber costumes. Too much of the creatures are shown, making it laughable (especially the grown-up versions of the babies), but that's what makes this fun viewing.

The film seems to lose itself and becomes incredibly stupid when the grown up mutant's decide to leave the island and head back to the mainland. Some of those scenes and its humour is totally cringe-worthy, but for what its worth… It's nothing but over the top cheese, it's not great but otherwise quite amusing.

3/5

Never before has such an atrocity been sinned upon celluloid. The acting, writing, directing and special effects are so terrifyingly laughable that I hovered on the brink on insanity as I watched the "story" unfold. The microphone bobs into shot so many times it's almost a regular character, and it has more screen presence and charisma than the rest of the cast put together. Everyone responsible in any part for this film should never be allowed to work in the motion picture industry again.

Probably the best film ever made about bad stop motion mutant babies living on an island.

Personally,I didn't see a single boom shot in the whole extravaganza.There were some shots that were incredibly out of focus,but it turned out they were deliberate choices by the filmmakers.Parts of this film are actually wickedly funny,as all horror films should be.I couldn't help thinking though while watching this film that it might have actually been quite terrifying if the babies just looked like real babies!

IT'S ALIVE III: ISLAND OF THE ALIVE opens with the infamous "taxi cab delivery" scene. Then, it shifts to a courtroom, where a man named Stephen Jarvis (Michael Moriarty) is fighting for the life of his caged, mutant son. The judge spares the creature, and the titular island is made into a sort of sanctuary for the killer offspring.

Of course, it's not long before it all goes terribly wrong, resulting in bloody death. It seems that the "kids" have a plan of their own. Writer / Director Larry Cohen finishes off his trilogy with the weaker, less entertaining of the films, though there are some effective parts, such as the "baby hunt".

Moriarty is good, sort of replacing John P. Ryan as the concerned parent, and the wonderful Karen Black co-stars as Jarvis' estranged wife, Ellen...

It's full of outrageous speeches and monologues ripe with social commentary and dark humor. The violent scenarios are so outrageous as to be funny, intentionally or otherwise. I can't always tell wether I laughing at or with Cohen's material. From Maniac Cop to The Stuff Cohen's movies question America's laws, beliefs, and habits in not so subtle ways. I do think that horror and sci-fi films have an important use as a way of getting audiences to question the way society conducts itself. At the same time I don't know if Cohen is making fun of his own film with some of the more sentimental dialogue (Cubans, then enemies of the U.S. wishing Jarvis the best) and the over the top scenes (a dying baby monster trying to Baptise itself).

How about the babies? Well they have been banished too a Jurassic Park type island where they crawl about in well done stop-animation and dispatch a bunch of hunters in gorey fashion. Unfortunately, the latter half of the film takes place after the babies have matured and the impressive little demons are replaced by silly rubber suits. For some reason they strip their victims of clothes and then wear the tattered rags. Ultimately the conclusion is less spectacular than expected and we don't get to see many close-ups of the bigger monsters for obvious reasons.