Le ali di Honneamise

An old anime classic. Not what many would expect from anime, there isn't heaps of guns or robot or weird mythology, it's just a simple story.

The two combating nations in the parallel world to ours, remind me of a cross between the US & USSR (although cooling, the Cold War was still alive & well when this film was made in 1987) mixed with a cross between North & South Korea.

The animation is very good, & holds up well even in 2004, though the soundtrack while very catchy, shows the age of the film with the 1980's synthesizer.

For all the flaws in this movie (actual or perceived), I have to admit that ending has stuck with me since I first saw the dubbed version five years ago. All that fighting, all that posturing--for what? No one end up caring, no one listens to their pleas for the end of violence. It is very easy to understand how these moviemakers were able to later make Neon Genesis Evangelion, which has many of the same issues (religion, an examination of the belief that some people have that "the way justifies the means," technology and the use and misuse of it by humans, etc.).

The biggest problem I have with the movie is the attempted rape scene and the victim's subsequent forgiveness of the perpetrator (the hero of the movie). I couldn't tell whether the filmmakers were being sarcastic of her religion or if they really felt it was a good thing for her to forgive him--or if they needed that scene at all. I bought the DVD, hoping that the director's commentary would shed more light on the subject--they spend more time discussing how the cels (of the girl naked) were stolen before they could give them to friends than they did explaining the purpose of the scene in the movie.

Another thing is that Wings doesn't completely break out of the anime mold to become a mainstream film--it occasionally slips into anime-style slapstick and there's a few too much insider talk (both in technological aspects and inside jokes).

Beyond that, it is a daring, engrossing but deliberately-paced animated film.

The only way I can describe how this film makes me feel is to compare it to a child watching My Neighbor Totoro. It is animation but not quite what you see everyday. It has a plot but it has subtle and even hidden depth.

To me this film is so good that it ceases to be "just anime" to become film art in the truest sense: it conjures up an imaginary world and makes it real, people have troubles and tribulations and we identify with them, everything comes to conclusion and we are changed by it and for the better.

For people think this is just sunday network cartoons two hours long I recommend watching this alongside Apollo 13 and/or Forrest Gump and try to find the analogies, you'll be surprised.

My favourite animated film and sadly unappreciated is Royal Space Force: Wings of Honneamise. The story is set in a fictional world where space travel has not yet been achieved and based around a cadet from the Royal Space Force who wants to see that change despite his peers thinking it is a suicide mission as all previous attempts have resulted in death. Royal Space Force and Akira were the two big Anime that marked the rise of that subculture in the West during the late eighties. Unfortunately, it was Akira that received all the attention from the fan base as it catered to an adolescent audience more than Royal Space Force, which is a drama and has a slower pace… and it's a shame. Admittedly, I didn't get into Royal Space Force on the first watch – however, repeated viewings have made me realise this film is not only better than most Anime – it is one of my top ten favourite films along side 2001: A Space Odyssey. The story has a rich number of themes being explored – knowing your place in the world and then understanding how trivial we are in the context of the universe, it looks at religion, the military-industrial complex, the relationship between men and women, loyalty, self-respect and most importantly – following one's dreams. The soundtrack is perfect for this as is the wonderful animation by GAINAX, the studio behind Neon Genesis Evangelion – there's an amazing montage sequence towards the end of the film that is so ambitious it is up there with the jump cut from the bone to the space station in 2001. I love this film, it is my favourite science fiction and it is the film I would recommend first from this list. Watch it once, give it day then watch it again.

Wings of Honneamise is what you'd call a work of "higher" science fiction; just like the fantasy genre is divided into swords-and-sorcery books (such as the Dragonlance series or the crap David Eddings writes - sorry, couldn't help myself) and more mature writings, such as A Wizard of Earthsea by Ursula Le-Guin and the works of Lord Dunsany and J.R.R. Tolkien, so the SF genre can be divided into "higher" and "lower" SF. Lower SF consists of large ships, big lasers, mechas, and is epitomized in the works of Edward "Doc" Smith, George Lucas's Star Wars trilogy and most animes out there. Higher science fiction, in my eyes, ,means Philip K. Dick, Stanislaw Ulam, and Wings of Honneamise, or WOH for short.

WOH focuses on man's first attempt to launch a manned satellite into orbit around the earth; only it's not our earth, but rather a similar parallel world. The space program is ridiculed by almost everybody, including the main hero, until he meets a religious young woman who changes his mind. We follow the hero's training for the program and watch as he slowly matures from the apathetic dropout he begins out as.

This movie is about a lot of things: war, religion, politics, courage, friendship and more. It's much more than a "man goes to space" sort of film, like "Apollo 13" (starring Tom Hanks) is.

The depth and realism of this movie is astounding. During one scene where there's an explosion and water flies everyway, you can notice a rainbow in the background, which fades as the water scatters. The world is highly detailed and even the physics is correct (I always suspend belief when watching SF movies, but this one does a good job of getting the science right, as opposed to almost every other movie).

The weakest part of this movie is the music. It's well written but poorly executed in parts - it's always embarrassing to hear 1987 synthesizers attempt to mimic orchestral instruments. Ugh.

Regarding the rape scene, which seems to upset so many people: this can be understood based on her faith. Blaming Shirotsugh would on the part of Requinni (I hope the name is spelled that way) be admitting that even as he goes to the stars man is imperfect, an admission she is not willing to make. So instead she decides to take the blame on herself. The scene is unrealistic perhaps in today's PC America, but Requinni is anything but today's PC America. Whether or not it suits the tastes of the viewer - that's another question.