Il cielo sopra Berlino

Digging deep into the thoughts and dreams of mortals and the angels who look after them, WINGS OF DESIRE is a masterfully-made work of art and Germany's finest. It matches lavish cinematography, flawless direction by Wim Winders, impressive performances and a simple plot told with such brilliance, symbolism and will.

The first half of the film resembles more like a beautifully-painted mosaic or an avant-garde film showing empathy for every character brought about by the screen even showing traces of the Nazism era. Here, the idea of supernatural beings that indirectly assist humans in day-to-day life is introduced. The mystifying beings are unseen to everyone except to the young-at-heart. Hovering atop statues or wandering inside public libraries or apartments, they see and know everything as Winders etches the black-and-white world of the angels. The story evolves when one angel Damiel (Bruno Ganz) wonders what it is like to be human, how it is like to be able to feel, to hold or to be seen. Once he comes to the aid of attractive trapeze artist Marion (Solveig Dommartin), he feels a spiritual devotion he has never felt before.

Winders' slow-but-steady rate gives time for the viewer to contemplate on the questions a child asks ("Why am I me and why not you? Why am I here and not there? When did time begin and where did space end?"). He allows the audience members think what they want to think in a new light instead of manipulating them. The scenario of a ghostly being falling for a human may seem overworked now (GHOST, JUST LIKE HEAVEN) but WINGS OF DESIRE is a fresh, innovative piece of cinema with remarkable photography and unbelievable performances. Henry Alekan's cinematography is both insightful and visually dazzling. Every camera angle takes on a new connotation. Ganz and Dommartin are equally irresistible as two different "people", who worlds apart from each other; both characters are looking for love, no matter how close Damien is from Marion. Peter Falk, playing himself, is an amusing attribute to the cast being "Columbo" in the popular TV show. Being a mysterious character himself, he metaphorically adds a little color to the film amidst all the spellbinding drama and discloses an entertaining revelation that helps the film progress.

This revolutionary masterpiece of craftsmanship is considered by many as the greatest non-US movie ever and it deserves all of its praise entirely. WINGS OF DESIRE breaks new ground in romantic and dramatic film making. Every scene in this movie offers a chance for hope, understanding and compassion. Unbearably creative, outstanding and poignant, this superbly-made motion picture is not another art-house flick. Astounding.

WINGS OF DESIRE was remade in Hollywood as the sleek yet disappointing CITY OF ANGELS(1997).

A calm and wonderful fantasy with such a simple vision that makes you want to believe in angels. Perhaps they are there... whenever my mood changes, seemingly unprompted, I always wonder.

Hijacked and debased by people who don't know any better (even U2, I'm afraid, and the American remake must be avoided at all costs - ideally it should be wiped from the record and the memories of all who saw it) this film has become iconic and has infected the imaginations of countless filmmakers. Look carefully and you will see its influence in the most unexpected places.

I always thought that one masterpiece is all that anyone can aspire to in life. Wim Wenders has made several but for me this one stands out above all others. My favourite film.

If my grandchildren ever ask me what it was like back in the Cold War, I'll tell them to watch this movie. It is both frighteningly bleak and lyrically beautiful. It captures the spirit of the times (Western civilization immediately before the fall of the Berlin Wall) better than any movie I've ever seen. And it manages to be a love letter to those times while also showing the place and time in all its inescapable ugliness.

The overall plot moves forward pretty nicely for a movie where plot doesn't seem to matter all that much, and there are some beautiful vignettes, beautifully photographed, acted, and directed. I'm not sure how anyone can make it through the movie without falling in love with Bruno Ganz's angel. I think the movie's lyricism holds up well on multiple viewing -- as long as you liked it the first time. If the self-consciously art-house form bugs you, however, or you find the screenplay's "poetry" to be too facile, you'll probably find this movie grating. I, however, have never seen people reading silently in a public library without thinking of this movie . . . .

There are so many comments written about this movie, I almost don't want to write anything - but here I am anyway :)

Though everyone is entitled to their own opinion, it disturbs me to read negative comments that WOD is 'too slow' or that Wenders should have been a still life photographer. I think that some people are missing the point of this movie. Wenders filmed this after having been part of the Hollywood machine for several years, and had grown sick of the cookie cutter films that were (and still are) being made in that tradition to produce ticket sales. Yes, this movie doesn't have loads of action and car chase scenes and guns and sex. It does offer some interesting perspectives. The consistent third person view and 'objectification' of the viewer is one aspect. Watching WOD, you don't feel the typical draw into the movie as so often is the case, but rather are a bystander, looking through a window, with your own thoughts and ideas a part of the movie, not the other way around. WOD doesn't allow you to become a subjective part of the film; it 'pushes' you away from empathizing. Even the camera angles and shots motivate this sentiment. The goal and direction of the film are presented without struggle or thought; you know that Damiel wants to be with Marion. He tells Cassiel this, and the only question is - how will he achieve this goal?

WOD belies a sense of traditional film-making. Peter Falk is presented as perhaps the 'idea' of history as fans call out 'Colombo!' The angels are bound to Berlin, existing in a purgatory neither heaven or hell, unable to communicate. The trapeze artist from a traveling circus representing freedom - not only freedom from an everyday lifestyle, but also the key to Damiel's freedom. This movie contains so many interesting ideas and perspectives, that when watched with an open, curious mind, it is fascinating, mesmerizing, calming and inspirational. Filmed entirely in Berlin, the city is not a traditional definition of beautiful. But the industrial, modernist, post WW II reconstructed Berlin is stunning and diverse, providing the perfect background for this modern classic. I cannot recommend this movie enough. But please watch it with open eyes. In the same sense you cannot listen to the music of Schoenberg or Stravinsky as you would Mozart, you cannot watch Wings of Desire as you would a Spielberg movie.

Only 3 years after the unforgettable "Paris, Texas" (1984), Wim Wenders presented us with another masterpiece: "Wings of Desire" (or "The Sky Above Berlin" in the original German title), a mesmerizing film about the joy of life, partially inspired by Rainer Maria Rilke's (1875-1926) poetry.

The story of the angel Damiel (the excellent Bruno Ganz, who'd play Adolf Hitler 17 years later in the Oscar-nominated "Downfall"), who falls in love with a mortal circus acrobat, Marion (Solveig Dommartin, Wenders's then-girlfriend, who died last January) and wishes to become human is told by breathtaking images (cinematographer Henri Alekan's courtesy - he worked on Cocteau's "La Belle et la Bête") - the angels see in black and white, humans see in colors; philosophical, analytical observations about human life (and death); scenes of beauty in the simplest things in a masterful way that never becomes corny or boring. More than a film director, Wim Wenders is a film poet; his films are fabulous intersections of image and sound (dialogue, music) crafted in a way that only some other masters achieved.

"Dedicated to all the former angels, but especially to Yasujiro, François and Andrej", "Wings of Desire" is a gorgeous celebration of life who should be seen by people aged 8 to 80. My vote: 10/10.

P.S.: Avoid at all costs the ridiculous Hollywood remake, "City of Angels" (1998), with Nicolas Cage and Meg Ryan.