Aggiungi una trama nella tua linguaHawken is a rugged drifter and loner who meets and comes to rescue a young Shawnee woman, named "Spirit" whom he leaves after saving her from a rouge group of Shawnee Indians.Hawken is a rugged drifter and loner who meets and comes to rescue a young Shawnee woman, named "Spirit" whom he leaves after saving her from a rouge group of Shawnee Indians.Hawken is a rugged drifter and loner who meets and comes to rescue a young Shawnee woman, named "Spirit" whom he leaves after saving her from a rouge group of Shawnee Indians.
- Regia
- Sceneggiatura
- Star
- Walleye
- (as Charles Gibbons)
Recensioni in evidenza
This is an independent film made with a former major maverick film star (Peter Fonda), former major supporting player (Jack Elam), and former starlet (Sue Ann Langdon) supported by some solid character actors (Bill Thurman). I suspect all were working cheap or cheaper than they had in their prime.
And "cheap" is the operative word. Things are filmed on a small(er) budget. That does not diminish the film but you have to accept that what you are going to watch has that limitation. There are many films made on similar limitations that transcend them and outdo much bigger budget films but this isn't one of them. There is, however, enough here to keep one interested and enough to admire when it comes to film making on a shoe string.
At its heart this is a revenge themed frontier western. The story is simple and what is perhaps most obvious is the isolation of people in frontier times. A step the wrong way off a track or meeting up with strangers who are no good could end your life. The elements, the wild life, the Native Americans, other frontiersmen, all could leave you dead or dying in the middle of nowhere.
The director Charles Pierce (The Town That Dreaded Sundown (1976)) loved the frontier pre-wild west and post Civil war west and this film as well as Chasing the Wind (1998), The Winds of Autumn(1976), Winterhawk (1975), Sacred Ground (1983) and Grayeagle (1977) are all westerns that deal with individuals or couples against the elements or external forces, looking for a better life or seeking revenge against those who have taken that away from them. He has a rough consistency of themes, at least in his westerns.
Maybe because of budgetary constraints maybe because of temperament the action is short and sharp and a lot of scenes seem to be almost like "mood pieces". And, whether it is intentional or not, they work as a reminder that the old west wasn't all excitement and daring do.
On the negative there are some clumsy camera angles that don't show off the actors to their best, a couple of peripheral background actors that don't look authentic, and a out of place music score, which would have worked in an ironic comic 70s western but not here.
Also, through no fault of the filmmakers the video transfer is only average which is a pity as there are some great Tennessee landscapes The principal leads are all fine and Fonda's character especially fits in with his screen persona.
It may miss the mark but it is not the worst by a country mile.
6/10
It is a Western that one can just sit back and relax with.. no big long loud gun fights (they happen quite quick in this film, so if you like a lot of action, this isn't the film for you).
It's easy watching as you don't have to put any thought into anything. A film that one can watch and relax to when tired while in bed just before sleep or fall asleep to and then get up the next day and finish watching it. Someone commented they didn't like the music in it but I liked the peaceful music.
I do agree thou that there is some very bad acting in this film eg in one part there was someone with life threatening injury and his son had a bit of a smile/smirk on his face when the guy is talking about it and of wanting revenge.
I didn't at all mind the story line thou it was quite a typical one.
Worth a watch if you aren't watching with high expectation of action and just want to veg out in bed or on a sofa and relax to a western and can over look some faults.
As a DVD it makes a good drinks coaster.
"Hawken's Breed" is an "Eastern"; a 19th-century tale of frontiersmen set in Tennessee. Minor pic played briefly last fall on its home turf in Nashville and currently is a home video title.
Peter Fonda is comfortably cast as a beaver trapper who falls in love with the beautiful Shawnee girl Serene Hedin. Unfortunately, she already "belongs" to mean trading post owner Jack Elam. A feud erupts when Hawken steals her away.
Atmospherically lensed story is slowly paced, and there is an unfinished quality about the film, which relies too heavily on voice-over to spin the yarn.
Bearded Fonda perfectly fits his role. Character actors Seamon Glass, Elam and Bill Thurman do a fine job building authenticity.
Nobody's performance in this movie can be called acting. Jack Elam is brought in just to bring up the star count here, but all he does is looking startled in a very dark and awfully shot scene in some kind of bar. Not to mention the "Indians", the girl was so godawful I wanted to shoot her just to end her misery and mine as well. If I could give this a 0, I would. Shame that mark doesn't exist here. This truly reminds of a bad joke or an amateur footage made just for fun. This should serve as a proof of how bad B-movies can get.
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[first lines]
Noel Hickman: [voice-over] I don't know who started all this talk about good always being mixed up with bad, and bad with good. All I know is, when people are alone, when there's no law to see to it that they got to stand inside the bounds; then they're either all good or all bad. And it's a tough thing for a boy to find out that his pa is one of the bad.
- ConnessioniFeatured in Sven Uslings Bio: 2021 års sämsta filmer Del 2: Plats 10-1 (2022)