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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA New York cop becomes obsessed with finding his wife's rapist.A New York cop becomes obsessed with finding his wife's rapist.A New York cop becomes obsessed with finding his wife's rapist.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Glenn Plummer
- Willy Johnson
- (as Glenn Earl Plummer)
Recensioni in evidenza
Although it is a shade on the long side, "Hands Of A Stranger" is a distinctly superior crime thriller with an unusual though plausible plot. A senior detective is assigned to crack a gang who are raping women and videoing them while doing so, then his own wife is raped, not by one of the gang but by a two-bit crook whose usual pastime is robbery coupled with blackmail. His modus operandi is taking embarrassing photographs of adulterers in one of those room-by-the-hour hotels. Our hero's wife has been flattered by a younger man who takes her to one of these places on impulse after a liquid lunch - who says romance is dead? She changes her mind at the last moment, then the crook walks in. Embarrassing or what?
The plot develops from there with Detective Hearn slowly waking up to the full truth; she tells him about the rape but gives him a cock and bull story about how it happened. What now? Well, quite a lot. One question, was it really possible to determine the sex of a person from a strand or two of hair in 1987?
The plot develops from there with Detective Hearn slowly waking up to the full truth; she tells him about the rape but gives him a cock and bull story about how it happened. What now? Well, quite a lot. One question, was it really possible to determine the sex of a person from a strand or two of hair in 1987?
1st of all whoever said this movie was only 2 hours & 10 minutes long must have seen a Butchered severely Edited version of it because I just saw the entire film and including the credits it's 3 hours,5 minutes and 46 seconds long.
A 2 part miniseries about a cop who's bent on solving his wife's rape. even without her wanting him to . This film has twists and turns and things you wont expect but is written like real life .They don't make movies like this often . this is not a cookie cutter clone like so many. it is a well written well acted TV movie worth a watch .
If one is inclined to see a movie that has about everything, romance, good detective development and raw scenes - you have hit the jackpot in Hands of a Stranger. The U.S. Version which was done for TV - and then put on VHS is featured in two parts, and it's kind of long, almost 3 hours. However, I found it so intriguing that time flew by. The casting was excellent, Armand Assante, and Beverly D'Angelo are at their best. Each and every player did a great job - extremely convincing. The story line is great, and you'll want to see the whole thing at one time. In today's world, many movies lack convincing story lines and sensible scenes - not so with this one, done in 1987. If you haven't seen it - go for it, you won't be disappointed.
Armand Asante must have gained more of an understanding of gender roles from his Italian father than from his Irish mother because he is so much more believable as a hard-boiled macho cop than he would be as a drunken poet. He's got the cop down pat here.
The story starts promisingly enough. Asante doesn't understand or pay attention to his wife, DeAngelo. She dyes her hair and asks him what he thinks about it. "Your hair? What did ya do to your hair?" The guy is genuinely puzzled.
Subsequently, in a wanton moment, DeAngelo agrees to go to the sort of motel room usually called "seedy" with her son's narcissistic basketball coach. She backs out of the affair at the last moment but as she opens the door to leave, a stranger enters with a gun. He robs them both, has them strip, gags and blindfolds them, and then rapes Mrs. Asante. When he's gone, the handsome coach makes an abrupt departure, telling her, "I was never here."
That is, roughly, a half an hour into the film and constitutes its most interesting part. What follows makes "Gone With the Wind" look like a technical manual. Mrs. Asante feels guilty about having been in the motel room with the coach so she concocts a story about having been abducted while alone on the street. Asante becomes suspicious. He begins to tape his wife's phone conversations and follow her around. Meanwhile he has an overly warm relationship with Blair Brown who is in the movie for that sole purpose. Let's not get into it. Several hours later the story gets back on the rails. The rapist, who is given the spiciest lines of dialogue and has a most engaging way of delivering them, kind of while looking like Hume Cronyn, finally reappears and tries blackmailing the wife and the coach. He fails. Assante has a pistol pressed against his neck and the rapist asks, rather reasonably, I thought, "Sir. I mean no offense, but shouldn't it be your wife you shoot instead of me?" And, "I can see, sir, that there is a part of you that is conflicted over killing me. It is that part of your character I would like to address." (Doesnn't do him any good.)
This is a long movie and could, and should, have been cut almost in half without losing a thing. Langeurs are okay if the time is taken up with character development. There are plenty of soft spots in good movies like "Chinatown," where nothing much happens except that Nicholson gets a shave in Barney's barber shop. A five-minute sequence of Nicholson getting shaved, having an argument with another customer, and listening to a joke. There are no such five-minute sequences here to breathe life into what is, in the end, another rather routine cop thriller with a lot of domestic drama padding it out.
The story starts promisingly enough. Asante doesn't understand or pay attention to his wife, DeAngelo. She dyes her hair and asks him what he thinks about it. "Your hair? What did ya do to your hair?" The guy is genuinely puzzled.
Subsequently, in a wanton moment, DeAngelo agrees to go to the sort of motel room usually called "seedy" with her son's narcissistic basketball coach. She backs out of the affair at the last moment but as she opens the door to leave, a stranger enters with a gun. He robs them both, has them strip, gags and blindfolds them, and then rapes Mrs. Asante. When he's gone, the handsome coach makes an abrupt departure, telling her, "I was never here."
That is, roughly, a half an hour into the film and constitutes its most interesting part. What follows makes "Gone With the Wind" look like a technical manual. Mrs. Asante feels guilty about having been in the motel room with the coach so she concocts a story about having been abducted while alone on the street. Asante becomes suspicious. He begins to tape his wife's phone conversations and follow her around. Meanwhile he has an overly warm relationship with Blair Brown who is in the movie for that sole purpose. Let's not get into it. Several hours later the story gets back on the rails. The rapist, who is given the spiciest lines of dialogue and has a most engaging way of delivering them, kind of while looking like Hume Cronyn, finally reappears and tries blackmailing the wife and the coach. He fails. Assante has a pistol pressed against his neck and the rapist asks, rather reasonably, I thought, "Sir. I mean no offense, but shouldn't it be your wife you shoot instead of me?" And, "I can see, sir, that there is a part of you that is conflicted over killing me. It is that part of your character I would like to address." (Doesnn't do him any good.)
This is a long movie and could, and should, have been cut almost in half without losing a thing. Langeurs are okay if the time is taken up with character development. There are plenty of soft spots in good movies like "Chinatown," where nothing much happens except that Nicholson gets a shave in Barney's barber shop. A five-minute sequence of Nicholson getting shaved, having an argument with another customer, and listening to a joke. There are no such five-minute sequences here to breathe life into what is, in the end, another rather routine cop thriller with a lot of domestic drama padding it out.
Lo sapevi?
- QuizThe film cast includes three Oscar winners: Forest Whitaker, Ben Affleck and Sarah Polley; and one Oscar nominee: Michael Lerner.
- BlooperAbout fifty minutes in, when the Inspector follows his wife to the antique shop, it has a red awning, so it is very noticeable, and she parks her station wagon outside, and a view can be seen from his car across the space between the parallel road he is on to where her car is, but in the film leading up to it, when he is following her to the antique shop, before she is supposed to get there, as he is driving, in the background one can clearly see the antique shop and the tree near it, and her station wagon already outside - before she parked there.
- Colonne sonoreIntroduction To The Blues
Composed and Performed by Jim Byrnes
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