The Gunfighters

A good movie to watch when you're stuck at home in a blizzard, there's nothing else on TV, and you've seen everything else in your collection. The dialogue is bad, the plot unbelievable, and the ending beyond comprehension, but other than that, it's not bad.

Level-headed rancher Art Hindle, his hot-headed younger brother, and their Dutch immigrant cousin are forced into a confrontation with evil land-baron George Kennedy, when Hindle's brother shoots a man in self-defense and is framed by the local authorities under Kennedy's instruction. Soon, the ranch is torched and the whole family is turned into desperadoes.

There's really nothing new here and some of the performances are a little overwrought at times, but the story is straight-forward, unpretentious and entertaining, with a few timeless themes that are worth repeating. If you're expecting something slick though, you may be disappointed.

It's nice to see Canadian character actor Art Hindle in a starring role for once, instead of his usual appearance as second or third banana to some other star.

Some interesting moments involve a duel with whips, the outlaws being forced to birth a baby, and the satisfying, though open-ended finale that looked to me like a setup for sequels, or perhaps a TV series that never materialized.

Canadian-filmed television western which fails to make the most of its lush location and attractive cast. In Kansas, hunky young Tony Addabbo (as Matt Everett) visits a girlfriend; there, in self-defense, he shoots the man he finds in her boudoir. Unfortunately, the lass happens to be the sheriff's daughter, which contributes to Mr. Addabbo's becoming the outlaw known as "The Kansas Kid". Soon, he is joined by brother Art Hindle (as Cole Everett) and cousin Reiner Schoene (as Dutch Everett). The Everett Gang's main adversary is gravitas-lending veteran George Kennedy (as Deke Turner). Addabbo and duplicitous pal Howard Kruschke (as Jake Morant) lead the players in having excellent hair days.

**** The Gunfighters (10/27/87) Clay Borris ~ Tony Addabbo, Art Hindle, George Kennedy, Reiner Schoene

One of the best westerns I have seen in a long time. Makes you wonder who was worse the outlaws or the law. The story was very convincing and makes you want to know more about the western families. The Everetts were able to understand what would happen when they took the law into their own hands. It tells how the rich were able to get the law to work for them. The common rancher has no chance against another rich rancher. The common rancher was not believed even when he had facts to back him up The rich rancher could pay the law to do what he wanted done. The Everetts did not want to kill and only wanted to be treated right and not cheated out of their land. The youngest was accused of murder only when he was defending himself and was framed by the law.

Look at any western and you can tell when it was made. How? Simply look at the haircuts and judge when they were in style. Two of the protagonists in this movie have eighties-style hockey-hair, and the older protagonist has kept his hippie-days hair. That means the film was made in the eighties. The costumes and makeup are also terribly anachronistic with Matt wearing a Levi's low cut jean jacket and tight jeans and his old girlfriend wearing lip gloss. And is that Ronnie Hawkins singing a nauseating bluesy crossover country tune from the start of the film to the end? Did they sing like that in 1870 which this film is trying to depict? The story jumps from one melodrama to the next, bouncing from a power hungry evil villain stopping honest cowpunchers from watering their cattle, to a bar fight with whips, to a self-defense killing, to stage-coach robbing, to train robbing, to jail-train breaks, to... well, when the three are assisting a birth for a hapless woman on a runaway stagecoach you get the feeling you are watching a combination of ER and the Titanic, with horses floating around in the background. One asks when they might resort to yelling "Code Blue, Ranch Shack Six, Stat" with the jiggle-cam jumping to odd corners of the room at violent jerky angles. Everything in this movie was done before, in several genres! Like Sam Goldwyn said, "Gimme some new cliches." I must find a hobby. One which requires the usage of glue and unusable DVD's. It would be a better way to spend my time.