Una moglie per bene

What a heart-rendering plot! Throughout the movie, I kept wondering if there was the faintest chance that any close-knit community under the stars harbored secrets similar to the plot...

Both brothers scruples, Marge's sexual appetite and the manner in which the town takes everything in step...

It is sickeningly-refreshing to see this small town's women enjoy their sexuality as much as they do...

To think all it takes is one male catalyst (Sam Neill's character, Neville) to turn women loose! Every guy's fantasy role...

How am I to imagine the emotional toll this movie shoot took both on Rachel Ward and Bryan Brown (married to each other)?...

Wow!

I saw this movie for the second time again after having seen it when it first came out in 1987. I enjoyed it just as much now as I did then. The characters are interesting and thought-provoking especially the main character, Marge Hills played by Rachel Ward. It's about a woman who lives in a small town in Australia ca.1939. She has a loving husband but feels that life is passing her by and that exciting things only happen to other people. Enter Sam Neill. He comes to town and things change drastically for her. I felt sorry for her character which rapidly becomes pathetic. This is a movie for people who don't need a whole lot of action and special effects. I also liked seeing Bryan Brown and Rachel Ward teamed up again. The first time was in The Thorn Birds where I believe they actually met and, sometime afterward, eventually got married.

(1986) The Good Wife DRAMA

Originally called "The Umbrella Woman" in Australia, a movie that plays like one of the worst soap operas ever made, starring Rachael Ward as Marge Hills the wife of real life husband of Bryan Brown, playing as her faithful husband Sonny Hill, the time is sometime during "The Great Depression" and chops trees down as a way of getting by, along with his younger brother Sugar Hills (Steven Vidler) who eventually gains consent in hitting puberty with Sonny's wife. Eventually, she becomes selfish and gets tired living the life she's always accustomed in doing, which is the cleaning and the cooking, that she's willing to get herself humiliated by some of the townspeople just so she can be with a much wealthier sleazeball who takes pride in sleeping around with other peoples wives and his name is Neville played by Sam Neil. The movie is so bad one can know whatever happens if s/he were to use the fast forward button while playing since the dialogue is so uninspiring and emotionally draining. Oh yeah, although the movie is given the "R" rating on my commercial copy, it's only given that rating because of it's subject matter since their is no nudity nor any offensive language, at least as far as I know anyway.

Although it has been quite some time since I have seen this film, I recall it being very intense, realistic, and well-acted. Rachel Ward in one of her best roles. Provocative subject matter, great setting/backdrop. Just a really good picture, NOT to be confused with a chick-flick. Even the husband truly enjoyed it.

After seeing this movie, I was prompted to write and comment, once again, about the roles that husbands are afforded in almost every movie w/ a love triangle. This film offers a stark illustration of this fact. For the sake of the story, we are asked to suspend disbelief and watch as every husband portrayed in the film, is cuckolded- & offers no instance of protest, or resistance. So let me get this straight- the " GOOD WIFE" in the film, is a lustful, amoral character- who presumably destroys her marriage to pursue a worthless cad. By itself, this isn't an unbelievable tale. My pet peeve however, is how the women's spouses are portrayed, in movies of this sort. The B. Brown character not only doesn't get angry, he offers his wife to his brother, excuses her behavior w/ the barman, and willingly, immediately, and w/out reservation, offers "instant forgiveness" to his cheating wife- another predictable staple for this character. The other husband in the movie who catches his wife w/ another man, reacts the same way. In other words, every husband is weak, ineffectual & too inadequate, to show anger, towards their straying wives! No, the women are all capable of destructive actions, but the husbands?- their reaction to these actions, is reserved, measured, & minimal at best. This character is essential to filmmakers, but is so prevalent, that it's becoming a cliché' within itself! The first film that actually offers a sympathetic, strong portrayal of a betrayed man, which by the way is the usual portrayal given to betrayed wives, will be a revelation. An actual male character who doesn't whine & weakly accepts his wife's cheating. One who decides that SHE is not worthy of him- would be a first! Instead we are faced w/ the same character- gutless, weak, no balls, and willing to accept any & all humiliations, for the sake of fantasy. By no means am I one of these right-wing, "defenders of families" freaks- but it's not hard to see that the portrayal of husbands in these movies, would give one pause. What reality are these filmmakers living in- & maybe, just once, they'll join ours!