Lo zoo di vetro

When it comes to Tennesse Williams, I am more familiar myself with Cat on a Hot Tin Roof and A Streetcar Named Desire, but when studying The Glass Menagerie for A Levels three years ago I was struck by how moving the story and the character of Laura was. And apart from a few close-ups that distracted from the momentum of some scenes, I loved this version and consider one of the better, perhaps even the best, version(s) of The Glass Menagerie. The production values look striking, and even with the close ups the photography is not half bad. I will be honest in saying that Paul Newman is a better actor than he is as director. That is not to say that he didn't do a good job, he did(in fact it is for me one of his better directorial efforts), but this is the same Paul Newman who has been responsible for some of the finest performances I've seen like in Butch Cassidy and the Sundance Kid, Cool Hand Luke, The Hustler and Cat on a Hot Tin Roof(where he played Brick) and for me his directing while impressive is not quite up to the same standard. What is impressive here though is that, from his work as Brick no doubt, he does capture the basic core of The Glass Menagerie instead of missing the point of it. Back to the rest of the film's assets, the story is still moving and the script is just as beautifully written and thoughtful as Williams' own writing. And there are great performances too, James Naughton is excellent as Jim and John Malkovich's Tom is wonderfully fey and gives his monologues a suitably dream-like quality. The best two performances though come from Karen Allen as a heartbreaking Laura and especially the superb Amanda(one of Williams' juiciest characters) of Joanne Woodward. In conclusion, a great, well-acted version of The Glass Menagerie. 9/10 Bethany Cox

Under-rated beautifully realized version of a famous play - everything is just right and Karen Allen's work as the tragic Laura is deeply moving - one of the best screen performances never to have been nominated for an Academy Award.

I just viewed this movie and have to agree fully with jslack-2 from Granstburg, Illinois. I've played Tennessee Williams myself (Laura in THE GLASS MENAGERIE and later in my career Blanche in A STREETCAR NAMED DESIRE) and I think Newman really got to the "core" of Williams with this production. The acting is superb and touching...it draws you into the story as Williams intended. This isn't for the "faint of heart" who only seeks "light entertainment"...this is raw and very real. I lived in the South at a time when the old conventions were struggling against giving way to the new. I met many "Amanda Wingfields" and know just how "true" this really is. Kudos to Newman and his cast...and yes, where WERE the Oscar nominations that year for this production?!

I don't usually watch movies like this ... you know ... which is more on the artistic side. I could've just not watched ... but somewhere through it ... I was captivated. I don't know about the other things ... like directing... So I can't say much about that ... but technical stuff apart, I can say ... it is excellent. The theme of three different characters trapped in their different visions... and yet so connected ... We don't have to question Tennessee Williams gift for writing. Aside from that, the characters are played out beautifully. Karen Allen was effective as Laura, subtle and quiet and fragile ...... And John Malkovich ... he makes it so GOOD ... And I'm entirely willing to believe he IS Tom Wingfield himself, regardless of what I've read of critics. He intrigues and captures through every word and action... Or just his presence ... After watching this movie, I actually WANTED to read the play ... out of my own free will. Which is really something! Just watch this movie and let the story and characters overwhelm you.

the play. the cast. the atmosphere. short, a splendid adaptation , exploring, with grace and precision, the nuances of text. the entire tension, the fragility of Laura, the heavy-gray emotions of Tom, the Joanne Woodward's Amanda are pieces of a great science to remind the beauty of play, the South flavor, the failure and the impossibility of hope. the right sound of image and acting - that is the great virtue of the film. a film who has all the ingredients to be more than inspired adaptation but perfect support for reflection about a small universe and its borders. John Malkovich does an admirable role and that is important for the link between viewer and the close universe. the fragility of the scenes. and the voice of Malkovich as its frame.