Lo zoo di vetro

When it comes to Tennesse Williams, I am more familiar myself with Cat on a Hot Tin Roof and A Streetcar Named Desire, but when studying The Glass Menagerie for A Levels three years ago I was struck by how moving the story and the character of Laura was. And apart from a few close-ups that distracted from the momentum of some scenes, I loved this version and consider one of the better, perhaps even the best, version(s) of The Glass Menagerie. The production values look striking, and even with the close ups the photography is not half bad. I will be honest in saying that Paul Newman is a better actor than he is as director. That is not to say that he didn't do a good job, he did(in fact it is for me one of his better directorial efforts), but this is the same Paul Newman who has been responsible for some of the finest performances I've seen like in Butch Cassidy and the Sundance Kid, Cool Hand Luke, The Hustler and Cat on a Hot Tin Roof(where he played Brick) and for me his directing while impressive is not quite up to the same standard. What is impressive here though is that, from his work as Brick no doubt, he does capture the basic core of The Glass Menagerie instead of missing the point of it. Back to the rest of the film's assets, the story is still moving and the script is just as beautifully written and thoughtful as Williams' own writing. And there are great performances too, James Naughton is excellent as Jim and John Malkovich's Tom is wonderfully fey and gives his monologues a suitably dream-like quality. The best two performances though come from Karen Allen as a heartbreaking Laura and especially the superb Amanda(one of Williams' juiciest characters) of Joanne Woodward. In conclusion, a great, well-acted version of The Glass Menagerie. 9/10 Bethany Cox

Under-rated beautifully realized version of a famous play - everything is just right and Karen Allen's work as the tragic Laura is deeply moving - one of the best screen performances never to have been nominated for an Academy Award.

i just watched "the glass menagerie" on video, and was just blown away by the three main characters...(john malkovich, joanne woodward, and karen allen.)performances. i know that tennessee williams writing was exceptional, but the actors made the writing come alive. john malkovich especially touched me,he is by far one of the finest actors today. his narration really brought the film together, the final segment made me realize just how wonderful he is... and made we want to see everything he has ever done!!!

exploration of nuances. this is the basic point for admire this admirable adaptation. the precise acting . the new senses of a well known play . and the portraits of the characters who, in vulnerability, force, hate and need of sense are realistic reflections of social facts. Paul Newman does more than a great job but the inspired translation of the essence of Tennesee Williams universe. a great film . for the science to use delicacy for create a powerful - touching world. for the art to give to the each character a special light for understand the motivation and the fight. and Tom Wingfield of John Malkovich is real impressive.

The depth of feeling manifested in the acting on display here easily trumps both the (wildly miscast)Gertrude Lawrence and the (vastly overrated) Katherine Hepburn versions of this celebrated play.

Though everyone involved (on both sides of the camera) does a first rate job, special accolades are due to Joanne Woodward, who is perhaps the first actress to really understand Amanda, since the role's originator--Laurette Taylor.

The pathos in Miss Woodward's delineation of the character is almost unbearable on some occasions, as in the famous jonquil soliloquy, in which she conveys, with hushed voice and beatific eyes, a sentimental recollection for lost time (and lost love) that is not only wholly personally convincing, but also manages to imprint her sentiment onto the audience with all the deja vu of Proust's madeleine.

Her Amanda is never less than fully persuasive.

And Mr. Malkovitch, in his final address to the camera, ("blow out your candles Laura") achieves effects of the same high order, with emotions so confiding, intimate, and genuine that he leaves viewers of any sensitivity as heartbroken as he is.

All told a devastating achievement not to be missed by admirers of Mr. Williams.