Ghoulies II - Il principe degli scherzi

I was very young when I saw this the first time and it really gave me the creeps then. Now a few years later I saw it again and I think it´s cool. The little monsters are pretty funny and scary actually. I especially like the "toilette" scene. Ghoulies II is a 5/10

This is the rare case where a sequel is actually better than the original. Considering that original is the cheap and nasty Ghoulies, it's really not much of an accomplishment. Anyway the plot here is that the Ghoulies make their way to a carnival where business is poor. Their presence manages to help business pick up but of course they do what Ghoulies are meant to do and start killing people.

What makes this a better movie than the first? Well for starters the carnival setting is more interesting. The special effects for the Ghoulies is improved over the first. The cast is better, helped in large part by veteran Royal Dano and "little person" Phil Fondacaro. But ultimately it's the camp humor that this movie has that elevates it above the previous movie.

All this being said about how it's an improvement over the first Ghoulies, it's still not a very good movie. It's watchable enough for a movie of its kind. But let's not get carried away and say it's anything better than that. So, better than the first Ghoulies but still not very good.

A paper-thin plot: Ghoulies II picks up a short time after the first movie, a few of the little nasties stow away on an amusement park ride and bring big bucks to a dying fair. The creatures are mad after an attempt to kill them, so the creatures go on a rampage through the fairgrounds, ultimately leading to an explosive conclusion.

Sounds corny? No matter what anyone says, this is utterly fantastic. I refuse to totally dismiss this, because I find it quite engaging, in a guilty pleasure sense. I have to say it blew me away! This might all sound corny, like a bad B-movie, but that is not the case. My rating: 7/10.

Before you watch this flick, don't expect much from it. It's a sequel to "Ghoulies", which should, respectively to the series, lower your standards of what to expect. It's unrealistic. It's cheesy. But it's damn ENTERTAINING! What you get is some rubber puppets, who take over a ghost house in a carnival, attracting visitors who think they're part of the attraction. It starts off with some lovable characters, namely Nigel the dwarf. Anyway, the ghoulies start killing some people who go in there. Then, near the end, they come out and there's a carnival massacre. Some mean killings here, such as death by being run-over by a bumper car. That's about it. This flick, the only "Ghoulies" movie I currently own, rests easy in my collection. Overall: 9/10

GORE BONUS: You wouldn't expect this, but there was actually some gore in this movie, which was edited for both the US PG-13 rating and the UK '15s' rating. The two scenes were, when the girl who is leaving the carnival goes in to the ghost house, she is tied to the floor and the ghoulies stab her before pulling the ropes. And, when the left over teenager gets lost in the ghost house, and the axe is lowered, it shows his stomach being opened and (fake looking) blood spurting out for a while. In the cut version, you just see the axe being lowered. "0m55s" was cut from the original UK video release, but the TV version is completely uncut.

Rated 15s for horror violence and mild gore, and some language

My review was written in August 1988 after watching the movie on Vestron video cassette.

Assembly line filmmaking (in this case, Charles Band's former stomping ground Empire Studios in Rome) is the curse of "Ghoulies II", a lame followup belatedly debuting this fall in video stores.

First pic, a shameless "Gremlins" imitation that emerged as Empire Pictures' top box office attraction, was a west coast-lensed horror comedy spotlighting cutesy John Buecher hand puppets. Sequel features a few more puppets and is set in the Carolinas, but lensed on gaudy sets in Rome with a nondescript cast.

A priest (British thesp Anthony Dawson) tries to destroy the little title demon, but they escape, holing up in a failing carnival show run by Royal Dano and his nephew Damon Martinl Presence of the supernatural critters perks up attendance, staving off the foreclousr efforts of meanie J. Downing, but the ghoulies start killing people, a no-no even for a Grand Guignol attraction.

Preposterous climax has the good guys conjuring up an oversize monster (it doesn't look much better than its pintsized ghoulies) to knock off the beasties.

Albert Band (father of defunct Empire's majordomo Charles) directs with apparent disinterest, just cranking out another title in a production slate. These doll-like figures just aren't scary and the attempted black humor falls flat. The inherent contradiction of producing fantasy films without imagination is evident in bold relief.

Technical team, largely Italian, delivers competence within a creative vacuum. Dwarf actor Phil Fondacaro sticks out as way too talented for this material.