VALUTAZIONE IMDb
4,7/10
5948
LA TUA VALUTAZIONE
I Ghoulies sono tornati e nel sequel prendono possesso di una fiera itinerante che regalerà a un gruppo di teenaeer una notte che non dimenticheranno.I Ghoulies sono tornati e nel sequel prendono possesso di una fiera itinerante che regalerà a un gruppo di teenaeer una notte che non dimenticheranno.I Ghoulies sono tornati e nel sequel prendono possesso di una fiera itinerante che regalerà a un gruppo di teenaeer una notte che non dimenticheranno.
- Regia
- Sceneggiatura
- Star
Jon Pennell
- Bobby
- (as Jon Maynard Pennell)
Donald Hodson
- Barker
- (as Don Hodson)
Recensioni in evidenza
Those hostile little beasts are at it again in this adequately entertaining sequel. It takes quite a while for it to really get started, but the final half hour is worth waiting for. It's actually played fairly straight for a while, with comedy elements getting introduced more and more as the movie goes on. The Ghoulies themselves are definitely cute in an ugly sort of way, and are a genuinely amusing bunch. Fortunately, some of the human characters manage to be almost as interesting.
After an attempt to kill the Ghoulies fails, they hitch a ride with a truck carrying the contents of "Satans' Den", a house of horrors for a travelling carnival. They hide out inside Satans' Den for a while, intermittently killing people, until the big finale when they finally break out. The place has been hurting financially, but when patrons get a look at the Ghoulies and assume them to be part of the act, business starts booming.
I have to be partial to any movie featuring the following elements: an appearance by old Hollywood pro Royal Dano, who's in fine form as drunken old Uncle Ned, a song by the metal band W.A.S.P. ("Scream Until You Like It"), old school effects (puppeteering, stop motion animation, etc.), a role for Italian exploitation veteran Romano Puppo ("2019: After the Fall of New York"), and a carnival atmosphere (even if done on a budget). Production design, by Giovanni Natalucci, and cinematography, by Sergio Salvati, are both well done.
The enjoyable cast features familiar faces from other horror films: Kerry Remsen ("Pumpkinhead"), Sasha Jenson ("Halloween 4"), Starr Andreeff ("Dance of the Damned"), William Butler ("Leatherface: Texas Chainsaw Massacre III"), and Donnie Jeffcoat ("Night of the Demons" '88). Damon Martin ("Pee-wee's Big Adventure") is our likable young lead, Phil Fondacaro (who played the title role in "Troll") the engaging Sir Nigel Penneyweight, and J. Downing the appropriately odious money man Mr. Hardin.
Overall, agreeable entertainment for genre fans; produced and directed by Albert Band, veteran director and father of Charles Band of Empire Pictures and Full Moon fame.
Six out of 10.
After an attempt to kill the Ghoulies fails, they hitch a ride with a truck carrying the contents of "Satans' Den", a house of horrors for a travelling carnival. They hide out inside Satans' Den for a while, intermittently killing people, until the big finale when they finally break out. The place has been hurting financially, but when patrons get a look at the Ghoulies and assume them to be part of the act, business starts booming.
I have to be partial to any movie featuring the following elements: an appearance by old Hollywood pro Royal Dano, who's in fine form as drunken old Uncle Ned, a song by the metal band W.A.S.P. ("Scream Until You Like It"), old school effects (puppeteering, stop motion animation, etc.), a role for Italian exploitation veteran Romano Puppo ("2019: After the Fall of New York"), and a carnival atmosphere (even if done on a budget). Production design, by Giovanni Natalucci, and cinematography, by Sergio Salvati, are both well done.
The enjoyable cast features familiar faces from other horror films: Kerry Remsen ("Pumpkinhead"), Sasha Jenson ("Halloween 4"), Starr Andreeff ("Dance of the Damned"), William Butler ("Leatherface: Texas Chainsaw Massacre III"), and Donnie Jeffcoat ("Night of the Demons" '88). Damon Martin ("Pee-wee's Big Adventure") is our likable young lead, Phil Fondacaro (who played the title role in "Troll") the engaging Sir Nigel Penneyweight, and J. Downing the appropriately odious money man Mr. Hardin.
Overall, agreeable entertainment for genre fans; produced and directed by Albert Band, veteran director and father of Charles Band of Empire Pictures and Full Moon fame.
Six out of 10.
Larry (Damon Martin) and Uncle Ned (Royal Dano) are driving a truck to an amusement park with their attraction Satan's Den. They have to stop in a repair shop and four demons sneak and hide in the truck. They arrive at the carnival and hide inside the Satan's Den. The arrogant owner of the carnival P. Hardin (J. Downing) threatens to fire the employees if their attractions are not profitable and assigns the dwarf Sir Nigel Penneyweight (Phil Fondacaro) to work with Larry and Ned in the Satan's Den. He also hits on Larry's girlfriend Nicole (Kerry Remsen). When the audience sees the demons in the Satan's Den, they believe that they are part of the attractions and the entertainment becomes a sensation. But when people are attacked by the demons, there is panic in the carnival. Now Larry, Nigel and Nicole try to use an incantation to get rid of the creatures.
"Ghoulies II" is a funny and cheesy franchise similar to "Critters" and other "evil toys" in the late 80's and early 90's. The plot is silly with one dimensional characters and gruesome scenes, but entertains and is cult. My vote is six.
Title (Brazil): Not Available
"Ghoulies II" is a funny and cheesy franchise similar to "Critters" and other "evil toys" in the late 80's and early 90's. The plot is silly with one dimensional characters and gruesome scenes, but entertains and is cult. My vote is six.
Title (Brazil): Not Available
A paper-thin plot: Ghoulies II picks up a short time after the first movie, a few of the little nasties stow away on an amusement park ride and bring big bucks to a dying fair. The creatures are mad after an attempt to kill them, so the creatures go on a rampage through the fairgrounds, ultimately leading to an explosive conclusion.
Sounds corny? No matter what anyone says, this is utterly fantastic. I refuse to totally dismiss this, because I find it quite engaging, in a guilty pleasure sense. I have to say it blew me away! This might all sound corny, like a bad B-movie, but that is not the case. My rating: 7/10.
Sounds corny? No matter what anyone says, this is utterly fantastic. I refuse to totally dismiss this, because I find it quite engaging, in a guilty pleasure sense. I have to say it blew me away! This might all sound corny, like a bad B-movie, but that is not the case. My rating: 7/10.
My review was written in August 1988 after watching the movie on Vestron video cassette.
Assembly line filmmaking (in this case, Charles Band's former stomping ground Empire Studios in Rome) is the curse of "Ghoulies II", a lame followup belatedly debuting this fall in video stores.
First pic, a shameless "Gremlins" imitation that emerged as Empire Pictures' top box office attraction, was a west coast-lensed horror comedy spotlighting cutesy John Buecher hand puppets. Sequel features a few more puppets and is set in the Carolinas, but lensed on gaudy sets in Rome with a nondescript cast.
A priest (British thesp Anthony Dawson) tries to destroy the little title demon, but they escape, holing up in a failing carnival show run by Royal Dano and his nephew Damon Martinl Presence of the supernatural critters perks up attendance, staving off the foreclousr efforts of meanie J. Downing, but the ghoulies start killing people, a no-no even for a Grand Guignol attraction.
Preposterous climax has the good guys conjuring up an oversize monster (it doesn't look much better than its pintsized ghoulies) to knock off the beasties.
Albert Band (father of defunct Empire's majordomo Charles) directs with apparent disinterest, just cranking out another title in a production slate. These doll-like figures just aren't scary and the attempted black humor falls flat. The inherent contradiction of producing fantasy films without imagination is evident in bold relief.
Technical team, largely Italian, delivers competence within a creative vacuum. Dwarf actor Phil Fondacaro sticks out as way too talented for this material.
Assembly line filmmaking (in this case, Charles Band's former stomping ground Empire Studios in Rome) is the curse of "Ghoulies II", a lame followup belatedly debuting this fall in video stores.
First pic, a shameless "Gremlins" imitation that emerged as Empire Pictures' top box office attraction, was a west coast-lensed horror comedy spotlighting cutesy John Buecher hand puppets. Sequel features a few more puppets and is set in the Carolinas, but lensed on gaudy sets in Rome with a nondescript cast.
A priest (British thesp Anthony Dawson) tries to destroy the little title demon, but they escape, holing up in a failing carnival show run by Royal Dano and his nephew Damon Martinl Presence of the supernatural critters perks up attendance, staving off the foreclousr efforts of meanie J. Downing, but the ghoulies start killing people, a no-no even for a Grand Guignol attraction.
Preposterous climax has the good guys conjuring up an oversize monster (it doesn't look much better than its pintsized ghoulies) to knock off the beasties.
Albert Band (father of defunct Empire's majordomo Charles) directs with apparent disinterest, just cranking out another title in a production slate. These doll-like figures just aren't scary and the attempted black humor falls flat. The inherent contradiction of producing fantasy films without imagination is evident in bold relief.
Technical team, largely Italian, delivers competence within a creative vacuum. Dwarf actor Phil Fondacaro sticks out as way too talented for this material.
Royal Dano ("Go back to the hell that spawned you!") is Uncle Ned, a sweaty old drunk who operates a spook house called "Satan's Den" at a traveling carnival with his teen grandson Larry (Damon Martin) and dwarf sidekick Sir Nigel (Phil Fondacaro). When an @$$hole businessman takes over and threatens to close them down, Ned uses a satanic book of magic to call up five little mutant monsters (gator, cat, rat, fish, bat) to help with business. They do, but naturally being the demons they are, can't help themselves in the killing department as characters bite it with a pendulum, switchblade, carnival ride, electric wires, bumper cars and other toned-down PG-13 silliness. A giant monster that looks like a rejected extra from HUMANOIDS FROM THE DEEP shows up at the end to burp and explode.
Dennis Poali's script attempts to create sympathetic characters, but there's too much juvenile humor and other than some brief stop-motion, the creature FX are cheap rubbery puppets. If you recognize names like Mickey Knox, Romano Puppo and Anthony Dawson, it's because this was, surprisingly enough, filmed in Rome.
Grade: 3 out of 10
Dennis Poali's script attempts to create sympathetic characters, but there's too much juvenile humor and other than some brief stop-motion, the creature FX are cheap rubbery puppets. If you recognize names like Mickey Knox, Romano Puppo and Anthony Dawson, it's because this was, surprisingly enough, filmed in Rome.
Grade: 3 out of 10
Lo sapevi?
- QuizThe original ending was re-written on set.
- BlooperWhen kids who got attacked inside Satan's Den come back with the police they are in the back seat of the police car and get out at the same time the cop exits from the driver's seat. This should not be possible since the rear passenger doors of police cars are designed to only be opened from the outside.
- Versioni alternativeWhen originally submitted for video release to the BBFC in the UK in its uncut form, it was 87m 14s long (which was then cut for violence and weapons by the BBFC by 55 seconds) The only version available on DVD now (even in the UK) is the American 85m 59s cut.
- ConnessioniFeatured in W.A.S.P.: Scream Until You Like It (1987)
- Colonne sonoreScream Until You Like It
Written by Paul Sabu, Charles Esposito, Neil Citron
Performed by W.A.S.P.
Courtesy of Capitol Records, Inc.
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 606 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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