Ghoulies II - Il principe degli scherzi

Those hostile little beasts are at it again in this adequately entertaining sequel. It takes quite a while for it to really get started, but the final half hour is worth waiting for. It's actually played fairly straight for a while, with comedy elements getting introduced more and more as the movie goes on. The Ghoulies themselves are definitely cute in an ugly sort of way, and are a genuinely amusing bunch. Fortunately, some of the human characters manage to be almost as interesting.

After an attempt to kill the Ghoulies fails, they hitch a ride with a truck carrying the contents of "Satans' Den", a house of horrors for a travelling carnival. They hide out inside Satans' Den for a while, intermittently killing people, until the big finale when they finally break out. The place has been hurting financially, but when patrons get a look at the Ghoulies and assume them to be part of the act, business starts booming.

I have to be partial to any movie featuring the following elements: an appearance by old Hollywood pro Royal Dano, who's in fine form as drunken old Uncle Ned, a song by the metal band W.A.S.P. ("Scream Until You Like It"), old school effects (puppeteering, stop motion animation, etc.), a role for Italian exploitation veteran Romano Puppo ("2019: After the Fall of New York"), and a carnival atmosphere (even if done on a budget). Production design, by Giovanni Natalucci, and cinematography, by Sergio Salvati, are both well done.

The enjoyable cast features familiar faces from other horror films: Kerry Remsen ("Pumpkinhead"), Sasha Jenson ("Halloween 4"), Starr Andreeff ("Dance of the Damned"), William Butler ("Leatherface: Texas Chainsaw Massacre III"), and Donnie Jeffcoat ("Night of the Demons" '88). Damon Martin ("Pee-wee's Big Adventure") is our likable young lead, Phil Fondacaro (who played the title role in "Troll") the engaging Sir Nigel Penneyweight, and J. Downing the appropriately odious money man Mr. Hardin.

Overall, agreeable entertainment for genre fans; produced and directed by Albert Band, veteran director and father of Charles Band of Empire Pictures and Full Moon fame.

Six out of 10.

This is the rare case where a sequel is actually better than the original. Considering that original is the cheap and nasty Ghoulies, it's really not much of an accomplishment. Anyway the plot here is that the Ghoulies make their way to a carnival where business is poor. Their presence manages to help business pick up but of course they do what Ghoulies are meant to do and start killing people.

What makes this a better movie than the first? Well for starters the carnival setting is more interesting. The special effects for the Ghoulies is improved over the first. The cast is better, helped in large part by veteran Royal Dano and "little person" Phil Fondacaro. But ultimately it's the camp humor that this movie has that elevates it above the previous movie.

All this being said about how it's an improvement over the first Ghoulies, it's still not a very good movie. It's watchable enough for a movie of its kind. But let's not get carried away and say it's anything better than that. So, better than the first Ghoulies but still not very good.

Royal Dano ("Go back to the hell that spawned you!") is Uncle Ned, a sweaty old drunk who operates a spook house called "Satan's Den" at a traveling carnival with his teen grandson Larry (Damon Martin) and dwarf sidekick Sir Nigel (Phil Fondacaro). When an @$$hole businessman takes over and threatens to close them down, Ned uses a satanic book of magic to call up five little mutant monsters (gator, cat, rat, fish, bat) to help with business. They do, but naturally being the demons they are, can't help themselves in the killing department as characters bite it with a pendulum, switchblade, carnival ride, electric wires, bumper cars and other toned-down PG-13 silliness. A giant monster that looks like a rejected extra from HUMANOIDS FROM THE DEEP shows up at the end to burp and explode.

Dennis Poali's script attempts to create sympathetic characters, but there's too much juvenile humor and other than some brief stop-motion, the creature FX are cheap rubbery puppets. If you recognize names like Mickey Knox, Romano Puppo and Anthony Dawson, it's because this was, surprisingly enough, filmed in Rome.

Grade: 3 out of 10

Before you watch this flick, don't expect much from it. It's a sequel to "Ghoulies", which should, respectively to the series, lower your standards of what to expect. It's unrealistic. It's cheesy. But it's damn ENTERTAINING! What you get is some rubber puppets, who take over a ghost house in a carnival, attracting visitors who think they're part of the attraction. It starts off with some lovable characters, namely Nigel the dwarf. Anyway, the ghoulies start killing some people who go in there. Then, near the end, they come out and there's a carnival massacre. Some mean killings here, such as death by being run-over by a bumper car. That's about it. This flick, the only "Ghoulies" movie I currently own, rests easy in my collection. Overall: 9/10

GORE BONUS: You wouldn't expect this, but there was actually some gore in this movie, which was edited for both the US PG-13 rating and the UK '15s' rating. The two scenes were, when the girl who is leaving the carnival goes in to the ghost house, she is tied to the floor and the ghoulies stab her before pulling the ropes. And, when the left over teenager gets lost in the ghost house, and the axe is lowered, it shows his stomach being opened and (fake looking) blood spurting out for a while. In the cut version, you just see the axe being lowered. "0m55s" was cut from the original UK video release, but the TV version is completely uncut.

Rated 15s for horror violence and mild gore, and some language

My review was written in August 1988 after watching the movie on Vestron video cassette.

Assembly line filmmaking (in this case, Charles Band's former stomping ground Empire Studios in Rome) is the curse of "Ghoulies II", a lame followup belatedly debuting this fall in video stores.

First pic, a shameless "Gremlins" imitation that emerged as Empire Pictures' top box office attraction, was a west coast-lensed horror comedy spotlighting cutesy John Buecher hand puppets. Sequel features a few more puppets and is set in the Carolinas, but lensed on gaudy sets in Rome with a nondescript cast.

A priest (British thesp Anthony Dawson) tries to destroy the little title demon, but they escape, holing up in a failing carnival show run by Royal Dano and his nephew Damon Martinl Presence of the supernatural critters perks up attendance, staving off the foreclousr efforts of meanie J. Downing, but the ghoulies start killing people, a no-no even for a Grand Guignol attraction.

Preposterous climax has the good guys conjuring up an oversize monster (it doesn't look much better than its pintsized ghoulies) to knock off the beasties.

Albert Band (father of defunct Empire's majordomo Charles) directs with apparent disinterest, just cranking out another title in a production slate. These doll-like figures just aren't scary and the attempted black humor falls flat. The inherent contradiction of producing fantasy films without imagination is evident in bold relief.

Technical team, largely Italian, delivers competence within a creative vacuum. Dwarf actor Phil Fondacaro sticks out as way too talented for this material.