Gaby, una storia vera

As is often pointed out: the same theme, as in "my Left Foot", a life of handicapped person, Gabi. But I totally agree with jtur 88, this movie is better than "My Left Foot". The actors are superb. I would like to say, Everyone performs with conviction: Conviciton of not just performances, but of the way they see life. In "Gabi" there is nothing sentimental, nothing sensational, "No cheap pity for Gabi". This is the basic line of the movie. Because of this I was moved deeply and I would like to have this film at home, so that my daughter can watch it too. I wish, there would be more movies like "Gabi". A proof of conscience in the movie world. (Sorry for my restricted English ability)

This is one stunning drama that never misses a beat.

Gaby, suffering from cerebral palsy, overcomes enormous challenges with the help of a Mexican maid and supportive parents.

But this summary barely does justice to this perfectly directed and acted drama.

The score, by Maurice Jarre, is simply stunning, and the performances (all of them) are spot-on.

I adore this movie and count it as one of my Top Ten of All Time.

I loved this movie which was released in the same era as "My Left Foot". I consider "Gaby: A True Story" an equal in quality to that movie, and I hope that it will some day receive the attention it deserves. The performance by the female lead is as haunting as the story itself.

This film was released the same year as "My Left Foot"---and as so often happens, the Better film gets ignored and the inferior wins the Oscars. This is a genuinely quality performance by every member of the cast, and it deals with the same subject matter as MLF: a child who grows up with a mental gift, a disabled body, and all the tugged heartstrings that are essential to the cinema. Rachel Levin plays the Day-Lewis part even more convincingly, and Norma Aleandro is never less than superb.

This is an excellent film, with a well-written script and fine performances, particularly by Rachel Levin and Norma Aleandro. The comments that are placed at the front page for this film are incorrect factually on one point: My Left Foot was released two years after this film, not concurrently. For what it's worth, I have Cerebral Palsy. Both Levin and Day-Lewis deliver stunning work in their respective roles, but my view is that MLF is a slightly better film and both are magnificent and worth seeing. Anyone interested in either should by all means watch King Gimp as well, a documentary on Dan Keplinger, an artist with Cerebral Palsy. This film, and the other two, are most highly recommended.