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IMDbPro

Fiori nell'attico

Titolo originale: Flowers in the Attic
  • 1987
  • T
  • 1h 33min
VALUTAZIONE IMDb
5,8/10
11.810
LA TUA VALUTAZIONE
Kristy Swanson, Victoria Tennant, Ben Ryan Ganger, and Lindsay Parker in Fiori nell'attico (1987)
Guarda Trailer
Riproduci trailer1: 37
2 video
99+ foto
DrammaMisteroThriller

Aggiungi una trama nella tua linguaChildren are hidden away up in an attic by their conspiring mother and grandmother.Children are hidden away up in an attic by their conspiring mother and grandmother.Children are hidden away up in an attic by their conspiring mother and grandmother.

  • Regia
    • Jeffrey Bloom
  • Sceneggiatura
    • Virginia C. Andrews
    • Jeffrey Bloom
  • Star
    • Louise Fletcher
    • Victoria Tennant
    • Kristy Swanson
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,8/10
    11.810
    LA TUA VALUTAZIONE
    • Regia
      • Jeffrey Bloom
    • Sceneggiatura
      • Virginia C. Andrews
      • Jeffrey Bloom
    • Star
      • Louise Fletcher
      • Victoria Tennant
      • Kristy Swanson
    • 184Recensioni degli utenti
    • 54Recensioni della critica
    • 25Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Video2

    Trailer
    Trailer 1:37
    Trailer
    Flowers In The Attic: Where Have You Been?
    Clip 3:06
    Flowers In The Attic: Where Have You Been?
    Flowers In The Attic: Where Have You Been?
    Clip 3:06
    Flowers In The Attic: Where Have You Been?

    Foto457

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 451
    Visualizza poster

    Interpreti principali17

    Modifica
    Louise Fletcher
    Louise Fletcher
    • Grandmother
    Victoria Tennant
    Victoria Tennant
    • Mother
    Kristy Swanson
    Kristy Swanson
    • Cathy
    Jeb Stuart Adams
    Jeb Stuart Adams
    • Chris
    Ben Ryan Ganger
    Ben Ryan Ganger
    • Cory
    • (as Ben Ganger)
    Lindsay Parker
    Lindsay Parker
    • Carrie
    Marshall Colt
    Marshall Colt
    • Father
    Nathan Davis
    Nathan Davis
    • Grandfather
    Brooke Fries
    Brooke Fries
    • Flower Girl
    Alex Koba
    Alex Koba
    • John Hall
    Leonard Mann
    Leonard Mann
    • Bart Winslow
    Bruce Neckels
    Bruce Neckels
    • Minister
    Gus Peters
    Gus Peters
    • Caretaker
    Clare Peck
    Clare Peck
    • Narrator
    • (voce)
    • (as Clare C. Peck)
    Virginia C. Andrews
    Virginia C. Andrews
    • Window Washing Maid
    • (non citato nei titoli originali)
    Bob 'Swanie' Swanson
    • Wedding Guest
    • (non citato nei titoli originali)
    Rosemary Swanson
    • Wedding Guest
    • (non citato nei titoli originali)
    • Regia
      • Jeffrey Bloom
    • Sceneggiatura
      • Virginia C. Andrews
      • Jeffrey Bloom
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti184

    5,811.8K
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    Recensioni in evidenza

    6emhdolphin13

    it was not that bad

    I completely disagree with the previous summary. Granted I have not read the book, however this movie is a good movie. It might not be the best adaptation of a book but it is a very interesting & scary thriller. I first saw this movie in 1988 when I was 8 & it was scary then. I have seen it since & though a bit sappy it is a scary movie. There are hundreds of other movies that came from the 80's that I would not suggest however this is a pretty good one. Keep in mind the era it was made, but overall it is NOT a bad movie. Maybe we should look at the movie for what it is a movie & not just an adaptation of a book. This movie is truly scary & worth a cheap rental on a rainy Saturday night.
    5bujinbudoka

    Just re-watched this the other day

    As a young child I remember my mother watching this movie and having the titles in book form. V.C. Andrews book, when I read it myself wasn't that bad, actually it was very good! Sadly as in most cases the movie just wasn't as good as the book.

    The story revolves around a family who at one time was very happy indeed. However as this movie shows they hit hard times. I won't say how because that would give away major plot points for you. After these unhappy turn of events they, I mean the four children and their mother, all have to return in poverty and destitution to their grandmother's home for help. The mother has a plan to win back her father's love to inherit a fortune the likes the kids had never dreamed. When the group enters the grounds of the ornate mansion we are treated to the main villain of the movie....Grandmother, and her bodyguard/servant John The Butler. Needless to say Grandmother is less than thrilled to see her daughter after umpteen years and bringing four unwanted "Spawn of the Devil" with her. This, sadly is what she refers to them as.

    Grandmother, as she is called is played wonderfully by Louise Fletcher. Granted I'm a fan of Kristy Swanson, but this is a movie made before she really got good roles such as Buffy. However this movie has only Mrs. Fletcher to lean back upon as the ONLY person who really CAN act.

    Grandmother makes life hell for the children, and punishes the mother for leaving with her husband years earlier. Eventually Mother as she is referred to tells the children of an attic above their room. For months they use this place to escape the harsh reality around them. As time continues pressing on they realize Mother doesn't love them as much as they had originally thought, and decide its time once and for all to make a break for it.

    The movie is very depressing, and I think this is what the film is supposed to do. I believe the director wanted you to feel as they did, hopeless and trapped in that attic as the kids were. For that I give it a 5/10, because in some areas it does succeed, and Mrs. Fletcher's acting really does get you angry at her character. Otherwise I count off for bad-acting, scenes which made no sense at times, and plot points which were utterly useless (the list of rules which was never expounded upon, certain other key moments as well) if you watch you'll understand what I mean. Also the time frame for which these events took place also seem out of order, which if I remember correctly were very detailed in the book.

    To me its good for a one time watch but there are better movies which succeed at doing what this one tries to do. I re-watched it the other day and remembered it being very good when I was younger. However now it seems more like a straight-to-video diatribe which I could've easily bypassed completely.
    catherine_dah1

    Good Movie, Great Book

    While not up to the book's par, the film version of Flowers in the Attic was well-written, and well acted out. The actors portrayed their characters brilliantly, and the most obviously missing scene is understandable in that it's probably illegal or at least wrong to depict in the US.

    When watching this movie, you sympathize with the locked up, neglected and abused children, hating those torturing them so. It makes you feel, and has you wondering what you might do in a similar situation. Realistic as it is, a lot of people, including me, were conviced it was based on a true story. After seeing Flowers in the Attic, many viewers were probably thankful for their relatively normal families and lives.

    Want to know the rest of the story? Read the other books. Flowers in the attic was the first in a series which includes 3 sequels (what happened after the Cathy, Chris and Carrie left, and how did all this affect the next generation of Foxworths?), and a prequel (why was the Grandmother so crazy?). The movie ending was nowhere near as interesting as the 2nd book in the series.

    The movie was good, but the books were even better. They told the whole story and thus had more substance.
    7Sober-Friend

    Example On How Test Audience Can RUIN A FILM

    "Flowers" is a film based on the cult novel by VC Andrews. There are secrets Chris (Jeb Stuart Adams) and Cathy (Kristy Swanson) never knew about their parents. After their father dies, the teenage siblings, along with their younger brother and sister, are sent to live with their cruel grandmother, Olivia (Louise Fletcher). Olivia is disgusted by the children -- she knows their mother (Victoria Tennant) and father were actually cousins -- and locks the brood in the attic. The kids then try to keep their spirits high in spite of their bleak situation.

    Now this film was re-shot and re-edited without the directors approval. The producers harmed the narrative of the story because the test audience was appalled by the incest theme-however that is what drove the book sales and made it almost mandatory reading for the JR High Set.

    Now the original version did "Stick close" to the source material. However when they tested the the film to girls around 13 they hated the scenes with incest themes. THE FILM SHOULD OF BEEN FILMED AS A R RATED FILM. Well that is understandable but the book had already been around for over 5 years and the girls that first read the book were now old enough to see an R RATED FILM.

    For years people have wanted to see the original directors cut. What is not known is who owns the film now? New World Cinema? MGM? Now if they own the film do they own the outtakes? Most importantly if a company wants to fund the restoration of the directors cut can they? Is the footage still around?
    mercuryix

    EAT THE COOKIE, MOTHER!

    This movie has one of the strangest, classic climactic lines of any movie I've seen, with the old, dependable, wrap everything up in 15 seconds endings.

    I haven't read the book this is based on, but have to ask why readers find the theme of incest more appropriate in print than in a movie. The plot revolves around a seemingly perfect family, two parents, four children (all of them unrealistically beautiful)and their happy life - until the father dies. Instantly, they are destitute and all of their furniture is respossessed. Why is it that every B movie follows the theme of instant poverty when someone dies? Apparantly, concepts like having life insurance, owning furniture, etc, don't apply in filmland. Whenever tragedy strikes in a film, we discover that every house is double-mortgaged to the hilt. Maybe this is a subtle comment on American consumerism. Mother's only recourse after this turn of events is to take her children back to her relatives she has alienated by marrying her own uncle. She actually encourages her children to sleep in the same bed, as if "normalizing" her own act of incest by perpetuating it in her children who don't know any better. Naturally, the relatives are evil and twisted, and lock the children in the attic, and we discover that mother is definitely from the same family stock. There are too many reviews that give a blow by blow description of the plot for me to repeat them, but my main observation is that this is a typical copout "provocative" movie, with a sicker-than-usual theme; it "alludes" to incest, without actually confronting it, which causes the story to fall between the cracks in a bad way. It becomes irrelevant to the story, and there isn't much of a story here to begin with. Either the incest theme should have been eliminated entirely, or dealt with frankly. Instead, we are shown scenes of brother washing his sister's back in the tub, undressing in front of each other, etc. Sex is never shown, though it is left up to our imaginations whether they are actually in a sexual relationship or just never taught that brothers and sisters don't undress in front of each other. The only thing that works is the way the characters don't know that what they are doing is wrong, in fact are innocent to the implications. The movie tries to have its cake and eat it too, i.e. imply incest and then chicken out, but gives us insulting implied scenes as if we are being nudged in the ribs by a pervert in the local porn shop, only not as subtle. Implying incest without confronting it in an honest way makes us feel as if we are being manipulated into having perverted fantasies about these characters ourselves, which is the most disgusting aspect of this film, and is my biggest problem with it. An intelligent script could have dealt with incest in a psychological way, as we understand these characters' relations with each other, and eliminated all the sudsy bath sequences (which true pervs will be dissappointed in, as they don't actually show anything) that makes us feel like we are peeking in someone's bathroom window.

    An intelligent script would also deal with the idea of family betrayal (by the mother) in an intelligent way; but this isn't an intelligent script. It relies entirely on atmosphere and images of betrayal, which don't work or are extremely heavy-handed. This is a very depressing movie about depressing ideas, depressingly presented. Only the final line "Eat the cookie, mother!" gives it a surreal hilarity for a moment.

    The saddest part of this movie is that the actors are all very good; but they are completely wasted, because the script and direction isn't there to support them. Four out of ten stars.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Virginia C. Andrews: the author of the novel appears as a maid cleaning a window, just after 0:44:23. She died before the movie's release. Tribute is paid to her in the end credits.
    • Blooper
      When Cathy throws herself on the floor in her attempt to catch the ballerina figure, she is wearing knee pads.
    • Citazioni

      Cathy: Why are you just standing there, Mother? Cory needs to be taken to a hospital. There is no other decision to make!

      [the mother just stands there looking and quivering]

      Cathy: What's wrong with you, Mother? Are you going to just stand there and think about yourself and your money while Cory lies there and dies? Don't you care what happens to him? Have you forgotten that you're his mother?

      Mother: Always, it's you.

      [slaps Cathy]

      Cathy: [slaps her mother back]

      Chris: Cathy!

      Cathy: [shouts] Damn you to hell, Mama, if you don't take Cory to a hospital right now! You think you can go on doing whatever you want with us and nobody will ever find out? If Cory dies, Mama, you'll pay for it! One way or another, I will find a way. I promise you that.

    • Connessioni
      Featured in Troldspejlet: Episodio #1.6 (1989)

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    Dettagli

    Modifica
    • Data di uscita
      • 12 maggio 1988 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Flores en el ático
    • Luoghi delle riprese
      • Castle Hill, Crane Estate - 280 Argilla Road, Ipswich, Massachusetts, Stati Uniti(Exterior)
    • Aziende produttrici
      • New World Pictures
      • Fries Entertainment
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 15.151.736 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 5.020.317 USD
      • 22 nov 1987
    • Lordo in tutto il mondo
      • 15.151.736 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 33 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.85 : 1

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