La solitudine di una notte di un uomo sposato torna a tormentarlo quando quell'amante inizia a perseguitare lui e la sua famiglia.La solitudine di una notte di un uomo sposato torna a tormentarlo quando quell'amante inizia a perseguitare lui e la sua famiglia.La solitudine di una notte di un uomo sposato torna a tormentarlo quando quell'amante inizia a perseguitare lui e la sua famiglia.
- Candidato a 6 Oscar
- 10 vittorie e 24 candidature totali
Ellen Latzen
- Ellen Gallagher
- (as Ellen Hamilton Latzen)
Sam Coppola
- Fuselli
- (as Sam J. Coppola)
Trama
Lo sapevi?
- QuizGlenn Close still has the knife she used in the movie hanging in her kitchen, stating: "It's beautiful, made of wood and paper. It's a work of art! And it's nice for our guests to see it. It lets them know they can't stay forever."
- BlooperAlex rips Dan's shirt open. We hear buttons pop and cloth rip. When he buttons it the second time, the shirt is not ripped anywhere and all the buttons are present.
- Citazioni
Alex Forrest: [to Dan] Well, what am I supposed to do? You won't answer my calls, you change your number. I mean, I'm not gonna be ignored, Dan!
- Curiosità sui creditiBarbara Harris is sometimes credited under the name Barbara Iley. In the final credits here, under 'Party Guests,' she is credited under both names.
- Versioni alternativeIn the network version shown on TNT in the scene where Alex phones Dan at 2:13 a.m., there is additional dialogue between Dan and Beth after Dan hangs up the phone that is not in the theatrical/DVD version. Beth asks, "Who in the hell was that?" Dan says that it was a client calling and that this happens when you're a lawyer (being called at odd hours). Beth says that it's the middle of the night, still wondering why someone would call at 2:15 a.m. Dan justifies this by saying it's only 11:00 or so in L.A.
- Colonne sonoreSelections from Puccini's Madama Butterfly
Music by Giacomo Puccini (as Puccini)
Performed by Mirella Freni, Luciano Pavarotti, and Christa Ludwig
Conducted by Herbert von Karajan (as Herbert Von Karajan)
Courtesy of London Records, a division of Polygram Classics, Inc.
Recensione in evidenza
Given that I see about 150-200 movies a year (mostly in the theater, but also on demand), it is absolutely amazing that I had never seen "Fatal Attraction", originally released in 1987 (119 min.), yes 33 years ago! So the other night I was channel-surfing for something good to watch, and there it was about to start on SHO. I decided to tune in.
No point in introducing the film's plot, which everyone knows. So let me just add a couple of general observations. First, I was surprised how good the film actually was. I'm not sure where I had gotten the idea in my head that this probably wasn't going to be all that good, but it is an intense, very intense, stalker-drama. Second, the three lead performances are rock solid, led by a believable crazy-over-the-top Glenn Close. Her transformation from lover to stalker to hater is absolutely spine-tingling. Third, the movie of course feels a bit dated when you see not a single communication exchange on mobile devices. Instead, old landline phones actually ring out loud. No texting of course. Fourth, after watching this the other night, I read up a bit on the movie's history and legacy, and it was then that I learned that the movie's original ending was changed drastically into what we now know as the ending. The original ending sounds sounds more logical to me that what it eventually would become, although I can certainly see the shock value in the new ending.
Bottom line, this movie was a pleasant surprise all around, and these 2 hours just flew by. Glad that I finally joined the rest of the cinema-loving crowd and now have seen "Fatal Attraction", 33 years after the facts. If you are one of those who like me hadn't seen this yet. I'd readily suggest you check it out and draw your own conclusion.
No point in introducing the film's plot, which everyone knows. So let me just add a couple of general observations. First, I was surprised how good the film actually was. I'm not sure where I had gotten the idea in my head that this probably wasn't going to be all that good, but it is an intense, very intense, stalker-drama. Second, the three lead performances are rock solid, led by a believable crazy-over-the-top Glenn Close. Her transformation from lover to stalker to hater is absolutely spine-tingling. Third, the movie of course feels a bit dated when you see not a single communication exchange on mobile devices. Instead, old landline phones actually ring out loud. No texting of course. Fourth, after watching this the other night, I read up a bit on the movie's history and legacy, and it was then that I learned that the movie's original ending was changed drastically into what we now know as the ending. The original ending sounds sounds more logical to me that what it eventually would become, although I can certainly see the shock value in the new ending.
Bottom line, this movie was a pleasant surprise all around, and these 2 hours just flew by. Glad that I finally joined the rest of the cinema-loving crowd and now have seen "Fatal Attraction", 33 years after the facts. If you are one of those who like me hadn't seen this yet. I'd readily suggest you check it out and draw your own conclusion.
- paul-allaer
- 11 feb 2020
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Atracción fatal
- Luoghi delle riprese
- 135 Mianus River Road, Bedford, New York, Stati Uniti(exteriors: Gallagher country-house)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 156.645.693 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.602.740 USD
- 20 set 1987
- Lordo in tutto il mondo
- 320.145.693 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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