Un delitto poco comune

Ruggero Deodato's Un Delitto poco comune aka Off Balance (1987) is an Italian thriller about a wealthy and happy pianist (Michael York) whose life turns upside down after the doctors find a very rare and lethal disease inside him. He starts to grow older very fast, having only few months to live or so and things turn even darker for him as someone starts to viciously murder those close to him. The plot follows police agent Donald Pleasance's attempts to find the killer before it's too late as well as the pianist's own efforts to return a some kind of balance to his life.

Film maker Ruggero Deodato has made one of the most challenging and important films of all time, Cannibal Holocaust (1979) which tells about rotten media violence and the animal species that consumes it. The film is notorious for its unspeakable acts of carnal violence but none of it is in vain or gratuitous which is way too much for some viewers to understand and admit as most of them can't face themselves on the screen. Deodato has also made pure exploitation trash like the 1980 La Casa sperduta nel parco aka The House at the Edge of the Park or Inferno in diretta aka Cut & Run (1985) both of which are mostly just extremely gratuitously violent but also have at least some thoughts and themes to make them more interesting than other nasty and gory Italian films of the period.

Off Balance is written by Gianfranco Clerici whose other credits include the mentioned masterpiece Cannibal Holocaust with Deodato as well as The House at the Edge of the Park but also Lucio Fulci's sadistic and misogynistic terror tale Lo Squartatore di New York aka The New York Ripper (1982) the last two of which are perfect opposites to the firstly mentioned and its subject matter. Off Balance is easily among their weakest works but, fortunately, has some brain too in addition to blood.

The film has a very promising beginning with the first murder scene taking place during the credits inter-cutting to calm scenes depicting the protagonist play piano in his concert. The film moves fastly from the beginning and the characters and their relations get introduced well too. But ultimately, after the first half or so the film loses its fire and becomes slower with plenty of talk and things that don't make too much sense, mostly involving the killer and his (absent) motives for his vicious acts. I can't name one single explanation for his acts and that is rather frustrating once one has realized that. The things that are discussed in the second part are also interesting and important but they are presented with too much contrast with the more lively first half.

The film's theme about aging and living one's life while it's offered and on hand is of course important and surprisingly well-concentrated on in the script and practically the whole last part is about this and not about the killings anymore. The film tries to make the audience understand how important it is not to let your life pass by without living it, as there may come times in the future that you start regretting it as life after all would have offered something interesting and worth living. It definitely doesn't say life or youth ends when your hair go off but it says that some things should be understood not by experience but for example by other people around us or art depicting these things.

The film works also as a pure giallo thriller as it has its moments of suspense and mystery and of course the graphic blood letting. There are few nasty murders in the film, both at the very beginning and they are definitely very "Italian like" with the huge amount of red color sprayed over the screen. The second one is very close to Dario Argento's style but serves not any other purpose than itself, unlike the great usage of similar effect in Argento's Tenebre (1982) for example. The effects are pretty good and the aging character becomes all the more tragic as we see the horrible face mutations of his in so little time. York does a believable role and never over-acts at all.

Off Balance is more promising and potential than some other films of the giallo/slasher genre and since it's Italian, it could've been so much more than it now is. Deodato and Clerici have once proved to be a very efficient couple but it seems they're ambitions are either not supported by the producers anymore or have just changed a little bit in themselves. 3/10

Italian horror/thriller director Ruggero Deodato gives us this somewhat introspective, blood and guts tame by Deodato standards film about an Italian pianist who contracts a very rare disease that makes him age at an incredible rate. The pianist has bouts of memory loss and periods of losing mental control in which he kills, naturally mostly beautiful young women. The deaths are bloody(I saw the Uncut version) but not over-the-top fortunately. In fact the movie really works best as a cat and mouse game between Michael York as the pianist and Donald Pleasance as a plodding policeman not so hot on his trail, as long as you can get past the point that York and Pleasance are supposed to be Italians. The film is in no way great, but I was pleasantly surprised with its effective pacing, decent acting, and heart. York is a man not wholly evil, in many ways a victim of circumstance. He ages before our very eyes. He kills with anger and spur of the moment passion rather than cold-blooded calculation(at least most of the time). He is almost a man to be pitied, and York plays on this for the second half of the film with some obvious talent. Pleasance is Pleasance. A steady presence on film. He does a good job, but he looks physically exhausted and old. The rest of the cast is very adequate with particular attention going to Edwidge Fenech as York's girlfriend. A beautiful woman! A tense thriller!

This thriller exists in two versions: One for TV and export that is quite tame, and an uncut version with extremely gory murder scenes which, as far as I know, was only released in parts of Europe (mainly Southern Europe). I have never seen the "clean" version, so this comment reviews the uncut (French) version.

Robert Dominici (Michael York) is a successful and attractive pianist whose life could not be better. But one day his doctor tells him that he suffers from a rare disease which makes his body grow old horrendously fast. No wonder that the disease throws Robert completely off balance (hence one of the export titles), he leaves public life and starts to kill young women in nasty ways (just before the goriest murder, Ruggero Deodato has a short cameo!). Police inspector Daddi (Donald Pleasence) has to solve the crimes.

York and Pleasence are tremendous, and the female lead is led by giallo cult actress Edwige Fenech. York's character is, despite his gruesome killings, rather truly tragic than villainous. With this film, Deodato made one of the best gialli of the 1980s, but it's a shame that the censored version is far better known in the German and English spoken parts of the world. Everybody who has the opportunity to get the uncut version should not hesitate and grab it.

A female doctor is murdered by a sword. The film makes some pretense of mystery about the identity of the killer, but it doesn't really do a very good job (and the video box gives it away completely). The killer has a rare disease that causes him to rapidly age and also causes the deterioration of his mind. Thus, one murder is thought to have been done by someone of about thirty years of age, and the next by a fifty-year-old.

The murder scenes aren't bad, but the rest of the movie does drag. The killer talks a lot, and what he says isn't of much interest. He also likes to call the police inspector played by Donald Pleasance. The police are all very bad at their jobs, fatally screwing up sting operations, letting suspects go before putting them in a lineup, and so on. Overall the movie is perhaps more of a drama musing about aging and death than it is a horror movie.

Like Psycho IV two years later, this film also has a mentally ill character concerned about passing on his genes. In Psycho IV, that made sense, since Norman had more or less become "normal" through treatment. Here, it's a little more surprising that the man whose mind is supposed to be quite deteriorated is worried about it.

I saw the uncut version of this on video. Can't say it's worth looking for - hold out for a widescreen DVD, and then it might be slightly more worthwhile.

Mediocre horror fare has good makeup effects (used to show the rapid aging of Michael York's character), but poor continuity (when a man says "...and all this in the course of a year", you're completely baffled: when did a whole year pass?). York does an acceptable job, but Pleasence has never looked more tired. (**)