Dear America - Lettere dal Vietnam

Dear America: Letters Home from Vietnam is a documentary based on the book which printed letters from the soldiers and nurses who served in Vietnam. This emotional and powerful film takes the viewer through the war from optimistic beginning to seeds of doubt to the bitter end and a postscript with the dedication of the Vietnam Memorial. While read by famous actors..some of whom you will recognize..it does not in any way detract from the raw power and emotion of the words of the soldier or nurse who having seen enough of the war, now wonders why and when they will make it back home. A true masterpiece that should be seen by all those in power before sending troops. This is the Very best film - fiction or non fiction - that i have seen. On a scale of one to ten..way up there...10

Letters and film footage from actual soldiers and nurses who fought in Vietnam are read aloud and shown in this "documentary." The letters are read by famous actors and actresses.

It turns out to be a sometimes-powerful moving saga of Vietnam through the eyes of those who were there but, remember, it's the filmmakers deciding what letters are read. That means you get an anti-Vietnam War bias, but it's not as blatant as one might think.

There is some good footage of bombings and nothing really gross, injury-wise, to view, most likely because this was made-for-TV.

The most moving part of the show was the last letter, from a mom to her son who had died 15 years earlier in Vietnam. That letter is a real tear-jerker. Overall, an excellent documentary, one of the better ones of its era.

I saw this movie during my English class about a week ago and I can say that it was the best documentary movie I have ever seen. Everyone's eyes were glued on the movie and that is very rare to see in my class. If was an emotional movie. Famous actors read the letters that men and nurses wrote during the war. You saw what it was like for the soldiers and what was going through their heads at the time. The music in the movie was connected to the time period of the war and it fit the movie really well. It helps you feel connected to the soldiers through their own words. The people who read these letters read them with such passion that you just listened and it felt as if the soldier themselves were reading them. You didn't pay attention at all to the people reading the letters but to the words they were actually reading. I would recommend this movie to everybody and anybody. It is so powerful and it has a really strong impact on the viewers.

For close to a decade we simply pretended that it never happened. We lost. It was a mistake. But by the Eighties, the United States, strengthened by distance from the event, spent a lot of cultural capital expatiating the Vietnam War: tell-all books; magisterial policy summaries; sordid and violent fiction; meticulous PBS documentaries; TV dramas (remember *China Beach*?); the magnificent work of art that is the Vietnam War Veterans Memorial; and, of course, movies. Aside from that great and powerful Wall, I believe that this humble HBO documentary, *Dear America: Letters Home from Vietnam* is perhaps the most artful and cogent assessment of the War. 86 minutes in length, it boasts entirely historical footage from both NBC News archives and soldiers' own video, the urgent and timeless rock music of the period, and, of course, the soldiers' letters to their loved ones back in The World.

The letters, ironically, reveal the only blemish to this wonderful film: the somewhat misguided decision to allow celebrity actors to read them. Funnily, most of these actors were "veterans" of Vietnam War movies: Tom Berenger (*Platoon*); Robert De Niro (*The Deer Hunter*); Michael J. Fox and Sean Penn (*Casualties of War*), Robin Williams (*Good Morning, Vietnam*), Martin Sheen (*Apocaylpse Now*), and so on. One can't shake the feeling that the stars must have felt a kinship -- unearned, obviously -- with the average joes who wrote the letters. When you suddenly hear the instantly recognizable voice of, say, Robert De Niro, you are necessarily taken out of the visceral experience that the movie creates. Although I honor the big shots' intentions (they took no pay for this), their services weren't really required, here.

Thankfully, the selections are brief enough so as to minimize any thespian showboating. And this brevity highlights, rather than diminishes, the eloquence, humor, desperation, and meaning of the soldiers' words. They write about the day-to-day routines of camp, the abject terror of hacking their way through elephant grass wherein the unseen enemy lurks, the beauty of an improvised fireworks show (miraculously caught on film, providing a visual accompaniment to the letter), the seedy delights that await the next R&R excursion in Saigon, the despair of losing your best friends in battle, and so much more. Visually, the film may be even more impressive: there's some amazing footage of bombardments, mortar attacks, firefights right in the midst of the action, and the day-to-day horseplay in camp. Perhaps the most stunning footage was shot in Khe Sanh: a group of besieged Marines, anxious to fight, depressed at being shut in, hair slowly growing to mop-top proportions, wax philosophically about their situation even as that situation grows worse day by day. (Ultimately, there were 77 of those days.) Occasionally, their forced calm gets rattled by a devastating mortar attack on their ramparts from the Viet Cong. Just amazing footage. Of real historical value, too. Speaking of amazing and historical, the North Vietnamese footage of American POWs gingerly celebrating Christmas while in custody will haunt you.

On the periphery of all this found footage, director Bill Couturie keeps a chronological record of the Big Picture, with the assistance of the archives of NBC News. (He somehow located the video of the first 3,500 troops who landed in country in 1964!) On each December 31, title cards inform us of the growing death and casualty tolls suffered by American troops -- by the end of 1968, these numbers have grown to horrifying proportions. Couturie doesn't delve into the background of the conflict, and rightly so: this is the soldiers' story, not a thesis paper by a policy wonk. What does emerge, however, is the utter helplessness of those in command, from LBJ to General Westmoreland to Richard Nixon. One gets the sense that our leaders were trapped in a policy of their own devising. No way out. No victory forthcoming, no matter how many bombs we dropped. A war feeding itself; a self-perpetuating machine. These small-minded men clearly had no solutions -- none, at least, that would salvage enough of the nation's honor to mitigate the whole misbegotten enterprise.

Boy, this all sounds familiar, doesn't it? -- read the news lately? Oh well. Santayana's advice about history is always cited and never followed. In any event, this Veteran's Day (three days from now as of this writing), I'll watch *Dear America* -- now on DVD -- with my father, a Vietnam veteran awarded the Bronze Star, Purple Heart, and even a yellowing certificate of Merit from the long-gone South Vietnamese government. For many years, he, like the rest of country, couldn't talk about the war. Now, he looks back on it with wonder, sadness, and pride. For those GenX children of surviving Vietnam Veterans, consider how lucky you are if your Dad was one of the lucky ones to get back to The World alive, and listen, listen, listen. These men and women have much to teach us, now more than ever. *Dear America: Letters Home from Vietnam* can help get that conversation started. Thank you, Mr. Couturie, for this important film.

9 stars out of 10.

Nothing can capture the hopes and fears of the brave soldiers who fought and died for freedom like their own words. Take that and add the documentary films and photos taken in Vietnam and you have a reality that no fictional movie can capture but that hundreds of thousands went through every day, doing what they do best in a place they'd rather not be. The actors reading the letters manages to capture the sincerity and the emotions of the people writing them.

Highly recommended.