VALUTAZIONE IMDb
6,2/10
4965
LA TUA VALUTAZIONE
Un'attrice alle prime armi viene attirata in una villa isolata per un provino per poi presto scoprire di essere prigioniera nel mezzo di un complotto di ricatto.Un'attrice alle prime armi viene attirata in una villa isolata per un provino per poi presto scoprire di essere prigioniera nel mezzo di un complotto di ricatto.Un'attrice alle prime armi viene attirata in una villa isolata per un provino per poi presto scoprire di essere prigioniera nel mezzo di un complotto di ricatto.
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Recensioni in evidenza
Once upon a time (1945 to be exact) there was a B-film from Columbia called MY NAME IS JULIA ROSS starring Nina Foch, Dame May Witty and George Macready. It caused quite a stir even though it played the lower half of double bills and lasted a mere 65 minutes.
DEAD OF WINTER is rather transparent in borrowing from MY NAME IS JULIA ROSS (the heroine's name is Julie Rose, for example), and it has taken the original material, expanded it with some clever additional plot lines, taken the Cornwall atmosphere and transported it to wintry New England for a weather-beaten effect, and turned out a smart little thriller that will give you plenty of winter chills no matter what the temperature is outside.
It's another one of those tales where nothing is what it seems. A pretty young actress (MARY STEENBURGEN) is a down on her luck gal who accepts the offer of a film test from a producer (RODDY McDOWALL) who invites her to his secluded mansion where the test will take place. Sure, it's an unbelievable plot contrivance, but that's part of the fun. Nothing is to be taken too seriously from this point on.
When a series of rather unpleasant incidents take place, the woman realizes she is in a trap, but neither she nor the audience understands why she is there and what the purpose is of keeping her prisoner.
STEENBURGEN is excellent as the frightened woman (who should have had more common sense than accepting such an offer), and McDOWALL's polite cat-and-mouse game with her is fascinating as it unfolds. It's a creepy film, filled with authentically wintry atmosphere and it builds toward a surprising and violent climax.
Under Arthur Penn's direction, this expanded version of the B-film is every bit as cleverly plotted and written, no matter what some of the other commentators here have said. It's an atmospheric mystery that's guaranteed to give you some satisfying wintry chills--and then some.
DEAD OF WINTER is rather transparent in borrowing from MY NAME IS JULIA ROSS (the heroine's name is Julie Rose, for example), and it has taken the original material, expanded it with some clever additional plot lines, taken the Cornwall atmosphere and transported it to wintry New England for a weather-beaten effect, and turned out a smart little thriller that will give you plenty of winter chills no matter what the temperature is outside.
It's another one of those tales where nothing is what it seems. A pretty young actress (MARY STEENBURGEN) is a down on her luck gal who accepts the offer of a film test from a producer (RODDY McDOWALL) who invites her to his secluded mansion where the test will take place. Sure, it's an unbelievable plot contrivance, but that's part of the fun. Nothing is to be taken too seriously from this point on.
When a series of rather unpleasant incidents take place, the woman realizes she is in a trap, but neither she nor the audience understands why she is there and what the purpose is of keeping her prisoner.
STEENBURGEN is excellent as the frightened woman (who should have had more common sense than accepting such an offer), and McDOWALL's polite cat-and-mouse game with her is fascinating as it unfolds. It's a creepy film, filled with authentically wintry atmosphere and it builds toward a surprising and violent climax.
Under Arthur Penn's direction, this expanded version of the B-film is every bit as cleverly plotted and written, no matter what some of the other commentators here have said. It's an atmospheric mystery that's guaranteed to give you some satisfying wintry chills--and then some.
I didn't know what to except, reviews didn't give a clue what I'm going to watch.
Well first of all, big minus for the beginning, somewhere in 10 minutes or so you get the idea of whole movie. Don't get me wrong, this was very interesting and very well acted and all, nicely put together, and the ending was little twist that saved a lot.
Few parts doesn't make any sense in the movie but that didn't bother me. It was lovely to watch the whole movie with huge interest for the ending.
Truly worth of watch if you can handle thrillers and 80's style doesn't bother you.
And for the last words, this was pretty original for a thriller.. legendary maybe. Now I got lost in nostalgic, enjoy!
Well first of all, big minus for the beginning, somewhere in 10 minutes or so you get the idea of whole movie. Don't get me wrong, this was very interesting and very well acted and all, nicely put together, and the ending was little twist that saved a lot.
Few parts doesn't make any sense in the movie but that didn't bother me. It was lovely to watch the whole movie with huge interest for the ending.
Truly worth of watch if you can handle thrillers and 80's style doesn't bother you.
And for the last words, this was pretty original for a thriller.. legendary maybe. Now I got lost in nostalgic, enjoy!
Even for 1987, "Dead Of Winter" still comes across as surprisingly old-fashioned. In fact, it reminded me a lot of those early 1970s made-for-TV movie thrillers. Those who enjoy such movies will find this seeming tribute nicely nostalgic.
However, unlike those made-for-TV movies of that era, DOW does not run a lean 75 minutes or so. It runs 100 minutes, and in this case less definitely would have been more - the movie clearly could have been tightened somewhat. However, there are hints that the rough unedited cut possibly had the answers to some glaring holes in the plot (like: Why does our heroine go outside at one point to hike for a long distance WITHOUT PUTTING ON A COAT?) There are also a few other instances where she could have saved herself from her predicament had she just used some common sense.
By the way, if anyone knows why this movie was rated "R", I'd appreciate hearing the explanation. Everything in the movie - even the blood and language - is pretty tastefully presented, and doesn't seem to deserve even a PG-13 rating.
However, unlike those made-for-TV movies of that era, DOW does not run a lean 75 minutes or so. It runs 100 minutes, and in this case less definitely would have been more - the movie clearly could have been tightened somewhat. However, there are hints that the rough unedited cut possibly had the answers to some glaring holes in the plot (like: Why does our heroine go outside at one point to hike for a long distance WITHOUT PUTTING ON A COAT?) There are also a few other instances where she could have saved herself from her predicament had she just used some common sense.
By the way, if anyone knows why this movie was rated "R", I'd appreciate hearing the explanation. Everything in the movie - even the blood and language - is pretty tastefully presented, and doesn't seem to deserve even a PG-13 rating.
The critics for this movie in the local newspaper and also on IMDB said this movie is a give away thriller. I totally disagree. It may be true that it takes too much time before we are confronted with the new personage Steenburgen has to play, but overall this is a nice Mousetrap. The actors are very well casted on I was sometimes surprised with the plot twists. Music helps keeping up an eerie atmosphere. Don't watch this movie if you're alone at night
Lo sapevi?
- QuizMalcolm McDowell: The celebrity whose photograph Dr. Lewis is "autographing" to add to his display. At the time of filming, McDowell was married to star Mary Steenburgen.
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Telephone Operator: There is no 311 area code.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.413.427 USD
- Fine settimana di apertura Stati Uniti e Canada
- 951.548 USD
- 8 feb 1987
- Lordo in tutto il mondo
- 2.413.427 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Omicidio allo specchio (1987) officially released in India in English?
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