Counterforce

I had this VHS tape in my possession for years (where I got it, how, I don't remember, probably a convention for a buck if that) and didn't think to watch it till now as as I clear some out. I put it on and... This is not what I typically watch - obscure/probably better-forgotten practically DTV made-off-foreign-tax-credit action junk that would later be "homage" for Expendables (but before that was justly parodied in Hot Shots Part Deux to a certain unintentional extent). What you need to know about this is that this is overloaded with would-be political commentary regarding who can or can't be a dictator or make martial law or who commits the assassinations for what cause etc etc...

But really, this is most concerned with Isaac Hayes getting to rhyme a lot of his dialog (I know I heard a "hill" rhyme with "kill" at one point), and that the stuntmen who keep falling off balconies - seriously theres like thirty of them in this frickin thing - can have a path to fall comfortably when they do. Oh, and Robert Foerster plays a Middle Eastern Dictator, which just made me conflicted because I know reasonably this shouldn't be and why didn't they just get an Arab actor or someone of that descent... Yet he's also Robert Forster and can't help but be competent and intense and interesting in what he does. This movie is Grade-A as to why Tarantino did Forster a true service giving his career a blood donation (Hayes too being in this is just bizarre, but it get it I guess, paycheck's what it is).

I suppose the main point I want to make with Counterforce is this isn't a particularly engrossing movie by any stretch, despite it being full of bodies hitting the proverbial floor, but the problem is largely of my own making: watching this friends could at least bring some ok some lively commentary, and that can't happen right now during a statewide shutdown. I can only make so many comments by myself before I overdo the Ian Malcolm thing of "And now Im talking to myself that-that's chaos theory."

If you truly are into seeking out all of the Competent but Largely Dull Except when theyre Occasionally Schlock Action Thrillers That Feature Some Day-For-Night footage Co-Starring Hugo Stiglitz (speaking again of QT), then I get it. Hell, I even had a couple laughs at, say, the dummy on tbe wheelchair in free-fall off a building.... Otherwise, find something else to do with your life, please.

This i childhood for me. Objectively this i not a very good movie, but it was one om my favorite when i was young so i will always be a ten for me. The "weapon dressing" scene is epic.

This one sets up the plot rather easily with some US Intelligence commanders watching TV footage of a Arab tyrant (Robert Forster) as he rallies against the "Mad Cowboy in the White House":

Intelligence Commander #1: "We need to get that bastard."

Intelligence Commander #2: "How?"

Intelligence Commander #1: "I don't care."

That is all the set up you get, but what can you expect from a film where the villain is never given a name and merely billed as "The Dictator"? So they turn to Colby (George Kennedy), who gets his Counterforce team - who even have outfits with their own logo on them - on the job to protect Kassar (Louis Jourdan), the democratically elected President of this fictitious country. Counterforce consists of leader Harris (Jorge Rivero, billed as George Rivero), muscle Ballard (Isaac Hayes), zen karate guy Nash (Andrew Stevens) and rookie Sutherland (Kevin Bernhardt). Gee, can you guess which member of the team will be killed in action?

This is basically a low-rent DELTA FORCE knockoff, but it is not without its charms. The film is basically just two extended action scenes (protecting Kassar and saving his kidnapped wife and son) but it moves pretty fast and is exciting enough. The principals are all fine but Kennedy and Forster - who is obviously supposed to look like Gaddafi - get little screen time. The best character is a master of disguise hit-man played by a dubbed Hugo Stiglitz. I laughed when he disrobed in the elevator and was wearing an Iron Maiden shirt underneath his suit. The film ends with The Dictator getting away and sets up a COUNTERFORCE II, but that never happened for whatever reason. I like to think it was because Andrew Stevens discovered the softcore thriller genre and the filmmakers just felt it wouldn't be the same with a new team.

The credible, pyrotechnical director of the grossly undervalued 'Killing Man' (1984) is once again reunited with dynamic, muscular action man, Jorge Rivero, the most visually stimulating member of covert black ops outfit 'Counterforce', alongside notable Cult movie icons, Isaac 'Truck Turner' Hayes, Louis 'Swamp Thing' Jourdan, George 'Everything' Kennedy, Andrew 'Brood' Stevens, Hugo' City of The walking Dead' Stiglitz and the estimable character actor, Robert 'Vigilante' Forster as the dastardly dictator sowing the seeds of discontent in North Africa now that his honourable, freedom campaigning rival Kassar (Louis Jourdan) is reluctantly in exile.

As pressures continue to escalate in North Africa, the people oppressed by ceaselessly death dealing dictator and a failed assassination attempt increasing the volatile tensions, as the heavily armed, montage-trained Counterforce are tasked with their inevitably incendiary mission to protect freedom fighter Kassar and his family from the savagely scheming despot, Forster, who proves himself to be one especially tenacious S. O. B, abusing his power for means nefarious to assassinate Kassar, thereby putting Counterforce's considerably awesome talents to the test! Loma's boisterous, ceaselessly locomotive 80s B-actioner entertainingly delivers an uncommonly zesty barrage of noisome gun play, audacious vehicular carnage, and a righteous overload of entertainingly explosive, Boy's Own, macho mayhem!

In lesser hands 'Counterforce' could well have been an altogether flaccid, low grade 'Delta Force' knock off, but, happily, the capable, no nonsense director is only too aware what the beery demographic for such unrepentantly formulaic fare expects to see! Plentiful explosions, frantically squib-heavy gun battles, high tension escapes, a communally sweaty homoerotic flexing montage, excessively 'bro-dacious' B-Movie banter, and cartoon evil, freedom-baiting terrorist skells getting it royally in the ear, and, rewardingly, ace director, José Antonio de la Loma generously provides uproariously escapist retrograde entertainment with his galloppingly Gung ho, hardwired-to-thrill, Alpha Bros save the world shoot 'em up, 'Counterforce'.

The B-Movie icing on this scrumptiously calamitous celluloid confection, the 'Bicing' if I might be so precious, is the extraordinarily vivid, heart-thumpingly magnificent score by master composer, Joel Goldsmith, the film being additionally blessed by one of the more memorable performances by Euro-cult boss, Hugo Stiglitz since his memorable turn in 'Cemetery of Terror'; with his glacial hit man 'The Blond' even sporting a gnarly-looking Iron Maiden Powerslave T-shirt. Right on!

I've been looking for this movie for quit some time. A couple of weeks ago I found it on e-bay on a VHS-tape, together with a movie called "Mines of Kilimanjaro". Now what exactly made me want to see Counterforce? The cast! For such a cheap, standard action movie it's extremely impressive. We find Louis Jourdan, the once promising Andrew Stevens, Isaac Hayes, Mexican superstar Jorge Rivero, Oscar-winner George Kennedy, Indian star Kabir "Sandokan" Bedi, Robert Foster and for fans of Italian B-horror there is Hugo Stiglitz (with Iron Maiden T-shirt!) who starred in Lenzi's "Incubo sulla città contaminata". Yesterday I watched it and although my expectations were really not that high, it was a disappointment. At best, this movie can be described as a cheap mixture of Delta force and The A-team, but that is not doing these 2 justice. There is not very much action, people just seem to go from here to there. The final tries to bring some suspense, but it's downright boring. Well actually, the entire movie is boring. The actors really can't save this movie, but give it a flair that it doesn't deserve. The editing is sometimes quit dynamic and the music by Joel Goldsmith (yes, Jerry's son) is not bad. 03/10