Prendiamo due reporter televisivi rivali: uno bello, uno di talento, entrambi maschi. Aggiungi un produttore, femmina. Mescola bene e guarda le scintille volare.Prendiamo due reporter televisivi rivali: uno bello, uno di talento, entrambi maschi. Aggiungi un produttore, femmina. Mescola bene e guarda le scintille volare.Prendiamo due reporter televisivi rivali: uno bello, uno di talento, entrambi maschi. Aggiungi un produttore, femmina. Mescola bene e guarda le scintille volare.
- Regia
- Sceneggiatura
- Star
- Candidato a 7 Oscar
- 15 vittorie e 23 candidature totali
Joan Cusack
- Blair Litton
- (as Joan Cusak)
Recensioni in evidenza
"Broadcast News" deals with news journalists who are all trying to keep their sanity in an insane business. William Hurt (Oscar-nominated) is the man who will do anything to become the head news anchor with his television network. He knows that the top anchor (Jack Nicholson) will be retiring soon and he must have that seat in front of the camera. Holly Hunter (also Oscar-nominated) is the smart producer who realizes that not everything in the news business is just black and white. Albert Brooks (Oscar-nominated as well) is the reporter who does not take anything too seriously. He is a great newsman, but does not have the drive or charisma to make a splash like Hurt does. This is definitely a black-comedy because the comedy comes to a screeching halt throughout the film to make way for heartrending drama that is both realistic and sometimes difficult to take. Brooks' screenplay is smart for the most part, but the film is flawed in several areas. Sometimes the direction is not clear. I think that Brooks was going for something like "Network". He comes close, but this film is in a lower class than that movie. The performances are top-notch. However, Jack Nicholson's token appearance is somewhat wasted here. He shows up for one or two minutes at a time and his character is never explored. More Jack Nicholson would have provided more insight into Hurt's character and his motives. Though flawed, "Broadcast News" is still a very good film that is a winner for the most part. 4 stars out of 5.
It's been over 20 years since I've seen this film. Like others on this site, I lament how 'forgotten' it is. I remember liking it a lot, but found it to be absolutely terrific. The writing and direction are first-rate, but I cannot remember seeing three interwoven performances as good as these. It's easy to minimize Hurt's work because his character is the least likable of the three. That would be a mistake. Hurt is wonderful here and leaves us wondering if maybe he's not as dim as he appears to be. Hunter and Brooks, on the other hand, just shine. This is career defining work for all of them. The ending (which I won't reveal here) is powerful in the least-clichéd way possible. The movie has aged very well. See it if you can - either again or for the first time.
BROADCAST NEWS marks the first time I saw Holly Hunter and I was mesmerized at her focus, quickness, passion, and finally her eccentric prettiness and sex appeal. The movie is hers from start to finish, and makes the 'love triangle' subplot almost unnecessary. She's so smart in the film (a rarity for a lead female) that you almost think if her only romantic choices are William Hurt's style-but-no-substance anchor or Albert Brooks's neurotic but intellectually arrogant reporter, she'd be better off with Robert Prosky. Though I can best relate to Albert Brooks (the guy who loves the smart, alluring girl who only sees him as a 'brother'), he still ticked me off a bit. My favorite scene in the film is him pouring his heart out to Hunter on a front porch confessing his love, then taking her by surprise and kissing her romantically (the only time he gets the chance). When he goes petulant later in the story, it's a bit hard to take. Fortunately, the James Brooks script and direction are a joy throughout, culminating in two perfect scenes: one with Joan Cusack unraveling seconds before a tape feed, and a marvelous 360 (?) pan thru the studio showing a live news feed from producer to anchor in one shot.
9chua
For me this wonderful rollercoaster of a film bears repeated pleasurable viewings. Its about the tangled lives of three very different people. Holly Hunter is the obsessive workaholic producer. Albert Brookes plays the unprepossessing but brilliant journalist. William Hurt is the affable but dumb new kid on the block, news anchor.
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
James L. Brook is one of those directors who always seems to take a quirky look at life. He isn't only the producer for "The Simpsons," he has some classic comedies under his belt -- "Broadcast News" is one of them.
Although it doesn't match his later effort "As Good As It Gets," "Broadcast News" is still a very clever, funny and witty movie about a television broadcasting station and all the problems they suffer. There's a great comedic sequence of physical humor where Joan Cusack is running around the building trying to rush a news tape to the editing room in a matter of mere minutes before it is to be broadcast live on TV.
This isn't only very truthful in terms of how hectic broadcasting stations are operated, but also a skillful and honest portrayal of human beings.
A low-key, subtle movie with good acting (especially from Hurt, who I don't always like so much) and apt direction.
Although it doesn't match his later effort "As Good As It Gets," "Broadcast News" is still a very clever, funny and witty movie about a television broadcasting station and all the problems they suffer. There's a great comedic sequence of physical humor where Joan Cusack is running around the building trying to rush a news tape to the editing room in a matter of mere minutes before it is to be broadcast live on TV.
This isn't only very truthful in terms of how hectic broadcasting stations are operated, but also a skillful and honest portrayal of human beings.
A low-key, subtle movie with good acting (especially from Hurt, who I don't always like so much) and apt direction.
Lo sapevi?
- QuizAlbert Brooks revealed that when he first read the script, the scene where Aaron does a weekend broadcast simply noted "Something bad happens to Aaron on the air." Albert was watching CNN when a reporter he'd never seen before (and hasn't seen since) began sweating badly. Albert phoned writer and director James L. Brooks at three in the morning, and stated that Aaron HAD to start sweating profusely.
- BlooperAs Jane approaches the restaurant to meet the gang for drinks, William Hurt (Tom) peeks around the corner early and realizes he jumped his cue. He quickly pulls back, then he and Jennifer walk around the corner as if they had just left.
- Citazioni
Paul Moore: It must be nice to always believe you know better, to always think you're the smartest person in the room.
Jane Craig: No. It's awful.
- Curiosità sui creditiAlbert Brooks' singing of "L'Edition Speciale" from the film also briefly appears in the end credits.
- ConnessioniEdited into Armageddon in Effect (2008)
- Colonne sonoreÉdition Spéciale
Music by Francis Cabrel
Lyrics by Francis Cabrel
Performed by Francis Cabrel
Courtesy of Editions 31 (Paris)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Detrás de las noticias
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 51.249.404 USD
- Fine settimana di apertura Stati Uniti e Canada
- 197.542 USD
- 20 dic 1987
- Lordo in tutto il mondo
- 67.331.309 USD
- Tempo di esecuzione2 ore 13 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Dentro la notizia (1987) officially released in India in English?
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