Appuntamento al buio

I've always loved Blake Edwards films and although this may not have been regarded as his best work, I feel it was highly underrated. Though thoroughly implausible in many ways, I have to say that this movie made me laugh harder than any movie I've ever seen. My sides literally hurt after watching it. Although I've only seen it a few times since it came out because none of the networks other than FX ever show it. Why I don't know because it's really great!!

The main reason I'd have to say was John Laroquette as Nadia's psychotic ex-boyfriend. I was cracking up in every single scene he was in with his standard line (I'll kill you). His physical comedy is totally brilliant. I don't know why he didn't end up with a film career of his own. But my favorite scene has to be at the end when Nadia sees David hanging from the balcony of the house and squeals as they both dive into the pool and meet at the bottom in a kiss as they come up for air, with David yelling; "Nadia, get your mouth off of him"!!

The movie is flawed in places though. What are the odds that a house moving company would be moving a house at the exact moment that Nadia decides to knock on the door. And it is never explained why Walter is facing 2 years in prison for his night on the town, yet David completely escapes any legal obligations for plowing his car into 3 seperate businesses.

Kim Basinger and Bruce Willis were great as well. Though I didn't understand why they dyed her gorgeous blonde hair brown. Maybe because her image was supposed to be that of a sweet girl looking for love and Edwards thought she'd look too much the vamp and would lack credibility without the dye job. It's also a good chance to see the late Phil Hartman early in his career. I also loved the love song played at the end by Gary Morris and Jennifer Warnes.

All in all, a fun ride from beginning to end. If you haven't seen it yet, go out and rent it now. You won't be disapointed, it's a 10+++!

The only other Blake Edwards I've seen is "10", but I do prefer this. "Blind Date" isn't wall-to-wall gut-busting, but there are all sorts of little things (touches, gags, what-have-you) that really make this an enjoyable movie. The two leads make for solid comedic actors (Basinger and her million dollar scream makes a great sillyass drunk, Willis playing against type as a high-strung business type . . . and he's hilarious when he loses his sh|t). And at some point along the way, William Daniels strolls in and owns the whole flick. Marvelous stuff.

One scene in particular had me geeking out pretty hard. John Larroquette's office looks out onto the (still under-construction) Fox Plaza, otherwise known as the Nakatomi Building. That was awesome.

7/10

One of my favorite 80's comedies. Many very funny and memorable scenes. It's a fun, light-hearted film about a blind date gone awry. Of course, everything that can happen DOES happen on this particular date, and many laughs are the result. The best scene is when Walter and Nadia go to a restaurant after Nadia has had too much to drink. Apparently, she has some sort of chemical imbalance to liquor, and things go haywire in front of Walter's business associates.

Blake Edwards once again turned to his bread-and-butter genre, and kept things nice and simple. However, for whatever reason, this downplayed treat was and is often panned by critics left and right. I submit to you that this is because most of us just don't get it.

I'll use the plot portent to tell you what this movie isn't, first of all. Despite appearances, it's not about up-and-coming, wannabe yuppie Walter Davis (Bruce Willis), not really about his blind date of the title with the beautiful and potentially deadly Nadia Gates (Kim Basinger), not about psychotic defense lawyer and jealous ex David Bedford's (John Laroquette) attempts to break the two up and steal back his first love, and not about the punches and rolls with which these people, along with their families and acquaintances, must deal.

It's just my theory, but I think most of us didn't get this movie because it was a humorous commentary on the time during which it was made. This movie is all about the '80s; the yuppie culture, the self-absorption, the repeated attempts of folks to find solace in getting and having things, and our near-tragic couple's struggle to be who they are, even if it doesn't fit with '80s yuppie culture, and embrace what's important. Consider it--during her drunken binge, Nadia assaults everything that could make Walter a yuppie as if it were a well-organized plan. Walter, in turn, tries his hand at the same thing, mostly upon David and car salesman brother Ted (late, great Phil Hartman). Sure the details give a chuckle or two, but there's an almost cerebral humor going on under the surface of the film, right at the core, which pokes fun at a cornerstone of life in the '80s.

This led to the movie's downfall in favor, since the very people at which the movie so heavily pokes fun were probably among the first ones to see it premiere in the '80s. Even if they got it, they probably didn't appreciate the joke. Essemtially, Edwards had spoofed the '80s DURING the '80s. A gutsy move, and witting or unwitting, this gave it a kind of staying power. It really is about more than you think.

So, if you're one of the lonely soldiers who likes the movie, try to view it in this context and see what you think of it. If you hated it, please try to observe this point of view, and again, see what you think. Blind Date is one of the most different comedies to emerge from this decade. No matter where you sit on the quality issue, perhaps it deserves a second look.

BLIND DATE (1987)*** Bruce Willis, Kim Basinger, John Larroquette, William Daniels, Phil Hartman. Willis in his first film during his "Moonlighting" hey-day is faced with the blind date from hell Basinger, a bombshell who "loses control" with one drink of alcohol, causing a night of slap-stick heavy consequences. Larroquette is a riot as her zealously jealous pinhead ex hellbent on destroying Willis. Best bit: Larroquette's car destruction. Directed with flair by ace Blake Edwards.