VALUTAZIONE IMDb
6,4/10
6805
LA TUA VALUTAZIONE
Un killer si avvicina a uno scrittore per aiutarlo a creare il prossimo best seller della sua carriera, ma il mondo violento di cui faceva parte ha altri piani.Un killer si avvicina a uno scrittore per aiutarlo a creare il prossimo best seller della sua carriera, ma il mondo violento di cui faceva parte ha altri piani.Un killer si avvicina a uno scrittore per aiutarlo a creare il prossimo best seller della sua carriera, ma il mondo violento di cui faceva parte ha altri piani.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Charles Tyner
- Cleve's Father
- (as Harold Tyner)
Recensioni in evidenza
What looks like a b-grade buddy film (there were plenty around this time and usually looking to be humorous), is far from it. Director John Flynn's 'Best Seller', which was written by Larry Cohen (who makes a crackerjack combination), is actually a stark, stinging and darkly witty and violent crime caper with an out-the-shadow concept. Novel writing (mainly the sharp exchanges and character inserts) and its zesty tempo couldn't be faulted. Even with its talky core, Flynn keeps it gustily hard-boiled and rancorous with its occasional action sequences and lean suspense. Knowing that it heavily relies on the performances to be successful, Flynn sets-up the film around the pairing of James Woods and Brian Denneby. Woods effortlessly vivid and unbalanced performance frighteningly commands attention and Denneby is sensationally rock-steady. The two worked off each other impeccably and build a sympathetic, but also conflicting edge that never feels forced. Cohen's biting script illustrates and develops quite a stimulating, random and unusual relationship between the two. While his usual social commentary (quite a familiar one) and plot devices playing second fiddle to the complex arrangement. The rest of the support cast don't quite have the same impression, but Paul Shenar and Victoria Tennant are good in their roles. The weak points would have to be that of Jay Ferguson's ugly sounding synthesiser score and a mishandled conclusion. A solidly rewarding crime thriller drilled home by two tremendous lead performances.
Brief Synopsis - A detective who wrote a best selling novel about a crime he helped foil is approached by a man who wants to be the focus of his next book since he claims to be a hitman who has killed hundreds for his boss.
My Take on it - This is yet another film that I recall really enjoying as a kid when I saw it numerous times on cable.
Unfortunately, it doesn't stand up so well nearly 30 years later.
The premise is actually a very good one, but the performances and script feel quite subdued.
I would have expected a story with this kind of premise to be more thrilling and exciting to watch, but instead it moves along at a pretty slow pace.
I have always been a fan of both Brian Dennehy and James Woods, but neither does enough here to grab our attention.
The premise of a writer living out the story of his next book isn't a new one and there are numerous films that have done this much better than they have managed to do here.
There are some scenes that feel quite 1980's which must have made it better back then,but couldn't carry over to now.
It was funny to see Alisson Balson who played Nancy Oleson from Little House on the Prairie featured here as Dennehey's daughter.
My Take on it - This is yet another film that I recall really enjoying as a kid when I saw it numerous times on cable.
Unfortunately, it doesn't stand up so well nearly 30 years later.
The premise is actually a very good one, but the performances and script feel quite subdued.
I would have expected a story with this kind of premise to be more thrilling and exciting to watch, but instead it moves along at a pretty slow pace.
I have always been a fan of both Brian Dennehy and James Woods, but neither does enough here to grab our attention.
The premise of a writer living out the story of his next book isn't a new one and there are numerous films that have done this much better than they have managed to do here.
There are some scenes that feel quite 1980's which must have made it better back then,but couldn't carry over to now.
It was funny to see Alisson Balson who played Nancy Oleson from Little House on the Prairie featured here as Dennehey's daughter.
People rush over themselves to praise Al Pacino and Robert De Niro so much that some other great actors who made an impact in the 1970s get overlooked. James Caan is one name that immediately springs to mind, and James Woods is another. Both have appeared in some sub-standard stuff over the years (as have Pacino and De Niro for that matter), but at their best they were/are as good as anybody working today. Twenty years ago Woods starred in one of my all time favourite movies David Cronenberg's stunning 'Videodrome'. He'd already been around for years getting solid character parts but I thought after 'Videodrome', and subsequently co-starring with De Niro in Sergio Leone's 'Once Upon A Time In America', he was going to be recognized as one of the greatest actors of his generation. Sadly for some reason this just didn't happen. Even so I highly recommend underrated 1980s Woods movies like 'Cop', 'The Boost' and this one, 'Best Seller', for some of his greatest performances. The movie itself occasionally gets a bit cheesy in an 80s kind of way, especially the synth score from Jay Ferguson, but overall it's a cut above a lot of similar movies from the period. Director John Flynn had previously made the seriously underrated revenge classic 'Rolling Thunder', and the movie was scripted by exploitation legend Larry Cohen ('Black Caesar', 'Q', 'Maniac Cop', 'The Stuff'). 'Best Seller' isn't quite as good as 'Rolling Thunder', but it's a must see because of Woods, who is just terrific. No-one can play intense like Woods with the possible exception of Christopher Walken. Brian Dennehy is also very good, and Paul Shenar (Sosa from 'Scarface') makes a great villain. Also keep an eye out for a blink and you'll miss it cameo by Seymour Cassel ('In The Soup') as a hired goon. I can't say that 'Best Seller' is one of the greatest thrillers I've ever seen, but it's definitely worth your time, and James Woods playing misunderstood psycho hitman Cleve is an experience not to be missed!
6. BEST-SELLER (action, 1987) In 1972, Policeman Meechum (Brian Dennehy) survives an armed robbery, which in turn inspires him to write a book about his ordeal. It becomes a best seller. Years later he meets Cliff (James Woods), a mysterious loner who saves his life. Cliff knows many personal things about Meechum's life and tells him that he can provide him with another assured best seller. In order for Meechum to believe him, Cliff takes him on a tour of his previous work as a hit-man. An uneasy alliance is formed, as Cliff's darkest secrets reveal his own.
Critique: There are many reasons to like Best-Seller. It has a good, entertaining premise (a rogue assassin on the loose), the moody cinematography (another Adam Greenberg job), and displays a strong performance from the always reliable Brain Dennehy. But best of all, it has what I consider to be James Woods' best role to date.
This capriciously underrated 1-time character-actor has given excellent performances in many films including: the sleazy TV-producer in David Cronenberg's interesting, albeit obscured masterpiece 'Videodrome' (1983), his red-neck southerner in 'The Onion Field' (1979-his breakthrough film), and in Oliver Stone's sadly neglected 'Salvador' (1986- for which he received an Academy Nominee).
In most of his films, Woods has specialized in playing low-life has-beens, who have few redeeming qualities. The only fault I saw in his earlier roles was immaturity, and the lack thereof of making his characters work. In Best-Seller, he plays it cool. The character of Cliff knows what he wants and how to get it, and proves himself worthy of Meechum's respect. What better actor to give us a tour through the life of a criminal, hit-man, sleaze-ball, all-nice guy?
QUOTES: Cliff: "Will power is what distinguishes the amateur from the professional. Do you have it Dennis? Will power?..Let's hope so."
Critique: There are many reasons to like Best-Seller. It has a good, entertaining premise (a rogue assassin on the loose), the moody cinematography (another Adam Greenberg job), and displays a strong performance from the always reliable Brain Dennehy. But best of all, it has what I consider to be James Woods' best role to date.
This capriciously underrated 1-time character-actor has given excellent performances in many films including: the sleazy TV-producer in David Cronenberg's interesting, albeit obscured masterpiece 'Videodrome' (1983), his red-neck southerner in 'The Onion Field' (1979-his breakthrough film), and in Oliver Stone's sadly neglected 'Salvador' (1986- for which he received an Academy Nominee).
In most of his films, Woods has specialized in playing low-life has-beens, who have few redeeming qualities. The only fault I saw in his earlier roles was immaturity, and the lack thereof of making his characters work. In Best-Seller, he plays it cool. The character of Cliff knows what he wants and how to get it, and proves himself worthy of Meechum's respect. What better actor to give us a tour through the life of a criminal, hit-man, sleaze-ball, all-nice guy?
QUOTES: Cliff: "Will power is what distinguishes the amateur from the professional. Do you have it Dennis? Will power?..Let's hope so."
I watched this because imdb users rated it well, and I wasn't disappointed. The casting of woods and brian dennehy is perfect which helps to make the story of an ex-hitman telling his story to cop-turned-author believable. Scenes at woods" boyhood home, and his parents also help; Woods" ex-hitman character is written and played as a real, multi-dimensional person, not as a stereotype.. The scene about the gift in the plane and his wanting to befriend dennehy, are quite touching.
Lo sapevi?
- QuizJames Woods had just quit smoking prior to filming. When it came time to shoot the cigarette on the palm scene, Woods suggested he take an already lit cigarette off of a patron--that way he wouldn't have to light and smoke a cigarette.
- BlooperWhile the robbery at the beginning of the movie was set in 1972, the robbers are driving a 1975-1978 Ford Econoline van.
- ConnessioniReferenced in Il Saturday Night Live: James Woods/Don Henley (1989)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Palabras que matan
- Luoghi delle riprese
- Los Angeles City Hall - 200 North Spring Street, Downtown, Los Angeles, California, Stati Uniti(Interior and exterior shots. 1972 flashback robbery scenes- As Police Depository Building.)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.278.150 USD
- Fine settimana di apertura Stati Uniti e Canada
- 905.399 USD
- 27 set 1987
- Lordo in tutto il mondo
- 4.278.150 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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