Best Seller

Best Seller is directed by John Flynn and written by Larry Cohen. It stars James Woods, Brian Dennehy and Victoria Tennant. Music is by Jay Ferguson and cinematography by Fred Murphy.

Cop Dennis Meechum (Dennehy) survives being shot during a robbery at the police evidence storage and writes a well received book about the events. Years later he's widowed, raising his daughter on his own and suffering from writers block as he tries to write another novel. Into his life comes Cleve (Woods), a mysterious man who saves Meechum's life and announces that he is a paid assassin and wishes Meechum to write a book about his work for a top name in industry......

Only in America Dennis.

It's a lovely hook is this, a cop and a killer paired together, their relationship explored via an uneasy buddy buddy formula, where the fruits of their partnership will bring very differing rewards. Along with the crackerjack turns from Dennehy (lovable burn-out) and Woods (cold-blooded calm), it's the smart screenplay from Cohen that makes Best Seller worthy of a rental at least. How it is going to pan out always keeps one interested in the tale, while there's clearly some snarky observations on America's lust for capital gain. Violence flits in and out to add some bloody pulp to proceedings, but ultimately it's the dialogue, the suspicious mood crafted by Flynn and characterisations that give the film its vitality.

Released in the same year as Lethal Weapon, it appears that Best Seller got lost in the slip-stream of that higher octane fuelled picture (in fact Dennehy gets to say the same "too old for this" line that Glover trademarked in Lethal Weapon). It's not on a par with Donner's movie, and it's far from perfect; the ending is a bit tamer than we would perhaps like and Paul Shenar's villain is a standard suit job, but there's good craft here on the page and on both sides of the camera. 7/10

What looks like a b-grade buddy film (there were plenty around this time and usually looking to be humorous), is far from it. Director John Flynn's 'Best Seller', which was written by Larry Cohen (who makes a crackerjack combination), is actually a stark, stinging and darkly witty and violent crime caper with an out-the-shadow concept. Novel writing (mainly the sharp exchanges and character inserts) and its zesty tempo couldn't be faulted. Even with its talky core, Flynn keeps it gustily hard-boiled and rancorous with its occasional action sequences and lean suspense. Knowing that it heavily relies on the performances to be successful, Flynn sets-up the film around the pairing of James Woods and Brian Denneby. Woods effortlessly vivid and unbalanced performance frighteningly commands attention and Denneby is sensationally rock-steady. The two worked off each other impeccably and build a sympathetic, but also conflicting edge that never feels forced. Cohen's biting script illustrates and develops quite a stimulating, random and unusual relationship between the two. While his usual social commentary (quite a familiar one) and plot devices playing second fiddle to the complex arrangement. The rest of the support cast don't quite have the same impression, but Paul Shenar and Victoria Tennant are good in their roles. The weak points would have to be that of Jay Ferguson's ugly sounding synthesiser score and a mishandled conclusion. A solidly rewarding crime thriller drilled home by two tremendous lead performances.

James Woods plays a hit man named Cleve, who contacts a successful true crime author & former cop Dennis Meechum(played by Brian Dennehy) who got his start after he was the sole survivor of a deadly holdup at the police evidence department years earlier. Cleve wants Dennis to write his life story, which he feels is most interesting, and as a way to get back at his former employer, a powerful corporation he helped build. Meechum is intrigued but also skeptical, so Cleve takes him on a tour of his past, both with his parents and also his "assignments". Dennis learns that Cleve has a deeper connection to him than he realizes, and that some powerful forces don't want this proposed book published...

Little-seen thriller is quite well done, with fine acting by the leads, and efficient direction and story. Almost goes wrong toward the end with the expected violent finale, but is still exciting enough to compensate, with the well-plotted story unfolding most effectively.

Worth catching on DVD.

I watched this because imdb users rated it well, and I wasn't disappointed. The casting of woods and brian dennehy is perfect which helps to make the story of an ex-hitman telling his story to cop-turned-author believable. Scenes at woods" boyhood home, and his parents also help; Woods" ex-hitman character is written and played as a real, multi-dimensional person, not as a stereotype.. The scene about the gift in the plane and his wanting to befriend dennehy, are quite touching.

Writer Larry Cohen concocts this interesting, entertaining movie that mainly hinges on the often antagonistic relationship between two strong personalities. Brian Dennehy stars as Dennis Meechum, a cop who also writes books based on true crime stories, who is approached by Cleve (James Woods), a professional hit-man for an unscrupulous businessman, David Madlock (Paul Shenar). The hit-man feels inadequately compensated for his years of service, and is now an incredibly disgruntled ex-employee, enough to approach the cop / author to propose writing a book that reveals all the ugly details of the businessman's rise to the top. Capably directed by action specialist John Flynn ("Rolling Thunder", "Lock Up", "Out for Justice"), "Best Seller" tells a pretty good story in slick enough fashion, with some effective moments of very nasty violence. It also has very strong subtext about portraying a dark side to capitalism and corporations, as well as Cleve's own very dark version of The American Dream. It's well paced, with some potent scenes that establish what kind of man Cleve is. Yet, for a man who most of the time comes off as pure scum, he has definite intelligence and a real presence, and in the end does have a redemptive quality; it's the kind of role meant for an actor of Woods's abilities, and he plays it for all it's worth. But Dennehy is equally his match as the dedicated cop both disgusted with and intrigued by his new associate. Appealing Allison Balson plays Dennis's daughter, although supporting players Shenar and Victoria Tennant ultimately end up with not that much to do, and Shenar's character is not what you'd call subtle. Other fine players in the movie include George Coe, Anne Pitoniak, Mary Carver, Sully Boyar, Kathleen Lloyd, and Charles Tyner, with a too brief, uncredited appearance by Seymour Cassel as one of the bodyguards. Reasonably engrossing, with an ending that at least isn't 100% predictable, although some viewers may not find it terribly satisfying. But the interplay between two experienced and reliable movie stars makes it all worthwhile. Seven out of 10.