VALUTAZIONE IMDb
6,2/10
13.093
LA TUA VALUTAZIONE
Una parodia dei film di fantascienza degli anni '50, intervallato da vari sketch comici riguardanti la televisione a tarda notte.Una parodia dei film di fantascienza degli anni '50, intervallato da vari sketch comici riguardanti la televisione a tarda notte.Una parodia dei film di fantascienza degli anni '50, intervallato da vari sketch comici riguardanti la televisione a tarda notte.
Donald F. Muhich
- Easterbrook (segment "Pethouse Video")
- (as Donald Muhich)
Debbi A. Davison
- Weatherperson (segment "Murray in Videoland")
- (as Debbie Davison)
Recensioni in evidenza
I guess it was perfect timing that I watch this late last night, because it goes hand-to-hand with its overall context and what it's trying to come across as. This star-studded production with the likes of John Landis and Joe Dante directing some of these gags and segments, come up with a compilation comedy that lampoons late-night American TV. The main focus is on a Z-grade 1950's Sci-fi film called 'Amazon woman on the moon', but it's the small comedy sketches of info-commercials that flooded proceedings. The majority of the film is filled with these comical ads and pointless interruptions and breaks, with the z-grade feature more so in the background. Which is quite sad as from what get out of this flick is a correct parody on late-night telly and some of it is mildly entertaining. It's just sometimes the one idea gimmick had me smiling while other times it had me rolling my eyes. Some skits worked with their ingenious side gags and self-referential humour, while others totally missed the point by overplaying its hand, or they were rather thin.
Some of my favourite segments would be the Video date, Don 'no soul' Simmons, Murray in videoland, critics corner and bullsh!t or not. Plus the z-grade mocking of 'Amazon woman on the moon' is neatly setup and done with great effect, with its dodgy sets, awful dialog, wooden acting, women in skimpy outfits (with Sybil Danning appearing), choppy editing and the many pointless interruptions that go through the flick. They just nailed it! The whole parody is interesting and it works in small slabs, but the whole execution was rather uneven and downright hectic. Maybe too many directors spoil the brew? As some segments and gags just don't fit in with others, that being the context or that of the humour. The narration is all over the place, but that was intended by mocking these type of productions and the clever script is done with enough panache and wit. You'll notice a lot of familiar faces popping up throughout, like Rosanna Arquette, Griffin Dunne, Michelle Pfeiffer, Steve Guttenberg, Dick Millar, Ralph Bellamy, Arsenio Hall, Phil Hartman and many more. But just don't think it's finish when the credits start rolling, as there's another send-up following involving Carrie Fisher called reckless youth. Pocking fun of the 30's when there was movie/TV propaganda about foolishness of teens and how your youth can destroy you by taking reckless temptations.
The feature did kinda remind me of Monty Python gags and definitely in the way the format was presented. These Python's films are 'And Now For Something Completely Different' and 'The Meaning of Life'. Although a friend of mine told me that this idea for this film is similar to 'The Kentucky Fried Movie' (1977), the same people who went on to create the spoof 'Airplane'. It supposedly was a catalyst for this type of picture.
Basically it's a fairly entertaining watch and true to its sources, but still rather forgettable when it came to shove.
Some of my favourite segments would be the Video date, Don 'no soul' Simmons, Murray in videoland, critics corner and bullsh!t or not. Plus the z-grade mocking of 'Amazon woman on the moon' is neatly setup and done with great effect, with its dodgy sets, awful dialog, wooden acting, women in skimpy outfits (with Sybil Danning appearing), choppy editing and the many pointless interruptions that go through the flick. They just nailed it! The whole parody is interesting and it works in small slabs, but the whole execution was rather uneven and downright hectic. Maybe too many directors spoil the brew? As some segments and gags just don't fit in with others, that being the context or that of the humour. The narration is all over the place, but that was intended by mocking these type of productions and the clever script is done with enough panache and wit. You'll notice a lot of familiar faces popping up throughout, like Rosanna Arquette, Griffin Dunne, Michelle Pfeiffer, Steve Guttenberg, Dick Millar, Ralph Bellamy, Arsenio Hall, Phil Hartman and many more. But just don't think it's finish when the credits start rolling, as there's another send-up following involving Carrie Fisher called reckless youth. Pocking fun of the 30's when there was movie/TV propaganda about foolishness of teens and how your youth can destroy you by taking reckless temptations.
The feature did kinda remind me of Monty Python gags and definitely in the way the format was presented. These Python's films are 'And Now For Something Completely Different' and 'The Meaning of Life'. Although a friend of mine told me that this idea for this film is similar to 'The Kentucky Fried Movie' (1977), the same people who went on to create the spoof 'Airplane'. It supposedly was a catalyst for this type of picture.
Basically it's a fairly entertaining watch and true to its sources, but still rather forgettable when it came to shove.
Greetings, one and all! "Amazon Women on the Moon" is one of my all-time favorite movies, not because it is perfect, but because it effectively yet respectfully lampoons so many genres, including 50s movies, late-night television of all sorts, and even different styles of literature available throughout a good portion of the 20th century. Find a trend in literature of the 40s and 50s, movies of the 50s and 60s, or television of the 50s through the 70s, and it is somehow made fun of in this movie.
Another reason that I like this film is the fact that everyone involved, and there are many, many recognizable names involved with this project, seems to be having so much fun doing it. Several of the best moments for me are those when actors are playing, tongue-in-cheek, the same types of roles for which they were famous in other "serious" movies.
The movie is incredibly funny if you are in the right mood, and with the right crowd. Even if not, however, there are enough funny moments to make this worth watching. The pacing and style are sometimes uneven, which I found worked toward a purpose, but that may make it hard for some to watch the movie straight through. If that is the case, watch it in two sittings; it's worth the extra effort.
One game you can play, if you know the times or are old enough to remember first-hand, is to find how many books, TV shows/icons, and movies are good-naturedly ridiculed throughout the movie.
Another reason that I like this film is the fact that everyone involved, and there are many, many recognizable names involved with this project, seems to be having so much fun doing it. Several of the best moments for me are those when actors are playing, tongue-in-cheek, the same types of roles for which they were famous in other "serious" movies.
The movie is incredibly funny if you are in the right mood, and with the right crowd. Even if not, however, there are enough funny moments to make this worth watching. The pacing and style are sometimes uneven, which I found worked toward a purpose, but that may make it hard for some to watch the movie straight through. If that is the case, watch it in two sittings; it's worth the extra effort.
One game you can play, if you know the times or are old enough to remember first-hand, is to find how many books, TV shows/icons, and movies are good-naturedly ridiculed throughout the movie.
It's really hard to give a score to this movie, as I have seen two or three different versions of the film. The original version appears to have been re-edited to remove some of the dirtier skits (and there were quite a few). Then, less funny skits that were apparently left on the editing room floor were substituted--with less than glowing results.
When the movie is funny, it is side-splittingly funny (especially the teenager buying condoms, the funeral, and Lou Jacobi re-appearing throughout the movie after he is sucked into the television set) but it also tends to fall flat from time to time. This unevenness is probably due to the fact that this movie had MANY different directors--each directing their own skits and then the movie was pieced back together. The end result is highly reminiscent of a better version of Kentucky Fried Movie.
My advice is, see the original un-edited version--but WITHOUT the kids! The edited version just isn't all that funny.
When the movie is funny, it is side-splittingly funny (especially the teenager buying condoms, the funeral, and Lou Jacobi re-appearing throughout the movie after he is sucked into the television set) but it also tends to fall flat from time to time. This unevenness is probably due to the fact that this movie had MANY different directors--each directing their own skits and then the movie was pieced back together. The end result is highly reminiscent of a better version of Kentucky Fried Movie.
My advice is, see the original un-edited version--but WITHOUT the kids! The edited version just isn't all that funny.
Boy, do i love this movie! Im not saying it didnt have any flaws. Id say about 80% of it was very funny. My absolute favorite sketches are the Harvey Pitnik critics corner/funeral sketches. The critics really tore Harvey a new one (LOL)! All the roasters (comedians) were great, but my favorite was Rip Taylor, especially when he says "you know the old saying in show business, get off quick, like Harvey on his wedding night!" When i heard that, I laughed so hard, that i probably have an uncured hernia to this day from it. Of course i cant leave out the blacks without soul/ Don no soul Simmons albums (my second favorite), Arnesio Hall, bs or not, pirates, titans, and every Vangoe must go, and the Amazon Women movie itself. These were all very funny. I cant wait to get this on dvd one day. 8 STARS OUT OF 10.
This is not a great film by any means, but there are some really hilarious, unforgettable sketches in this movie. There's the Playboy bunny who goes grocery shopping naked, goes to church naked and everyone else acts like its normal. The Amazon Women on the Moon sketch is a scream. David Alan Grier is fantastic as the man without soul. There's the Siskel and Ebert-style critique of a man's life. There's also Andrew Dice Clay's finest moment (not like he's had any others) as he screams from a TV set at someone watching his girlfriend's porn video. A very silly movie, but with lots of great moments.
Lo sapevi?
- QuizThe "Pethouse Video" segment was filmed twice. Monique Gabrielle was totally naked for the theatrical, videocassette and DVD versions, but wore lingerie in the television version.
- BlooperIn the "Mondo Condo" segment, while Arsenio Hall is struggling to get his necktie out of the garbage disposal unit, he knocks over the beer can. But in the next shot, the beer can is still on the counter.
- Citazioni
Rip Taylor: But I do feel for his widow, Bernice. That was a romantic marriage. She learned everything about sex from a manual. Immanuel was their gardener.
- Curiosità sui creditiThe very last credit before the copyright statement is Hi Sean!
- Versioni alternativeTelevision versions contain an additional sketch with Dick Miller as a ventriloquist whose dummy is switched with a French-speaking one. There is also an additional sketch featuring Jenny Agutter. Neither of these is found on the video version. The 'Pethouse Video' was completely re shot for television and features Monique Gabrielle walking around in lingerie rather than being naked. The "Bullshit Or Not?" program is retitled "Baloney Or Not?".
- Colonne sonoreIf This Is It
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Courtesy Chrysalis Records, Inc. ® & © 1983
Written by Johnny Colla (as J. Colla) / Huey Lewis (as H. Lewis)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 548.696 USD
- Fine settimana di apertura Stati Uniti e Canada
- 171.723 USD
- 20 set 1987
- Lordo in tutto il mondo
- 548.696 USD
- Tempo di esecuzione
- 1h 25min(85 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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