Dopo essere stata piantata in asso, una babysitter deve riuscire ad affrontare una grande città con i ragazzi di cui si sta occupando.Dopo essere stata piantata in asso, una babysitter deve riuscire ad affrontare una grande città con i ragazzi di cui si sta occupando.Dopo essere stata piantata in asso, una babysitter deve riuscire ad affrontare una grande città con i ragazzi di cui si sta occupando.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Vincent D'Onofrio
- Dawson
- (as Vincent Phillip D'Onofrio)
John Davis Chandler
- Bleak
- (as John Chandler)
Lolita Davidovich
- Blonde
- (as Lolita David)
Recensioni in evidenza
A few Years Ago my Dad Bought it for me on tape and I used to watch it over and over I watched it so many times that I knew Every Word in the movie I really Like this movie And I know It's an Old movie But SEE IT!!!! its Good
The 1980s saw a proliferation of "teen movies". About 90% of them had nothing new to really say, starred teen "heart throbs" and were marketed ONLY to younger, dumber audiences. I was in my teens and twenties in this era, but even I thought these movies were awful==obviously I was the correct age but just "didn't get it". Uh, huh.
Many of these movies featured crude and dumb humor, ample boobies (which is odd, considering the audience technically was too young to be admitted to many of these dreadful films) and low production values. As I said before, the movies seemed to be marketed to dumb people. Don't believe me?! Well think back to such films as the PORKY'S movies, Freddy Kruger films, HALLOWEEN, the later ROCKY films, etc. These films truly were awful.
So, with all this dreck, it was nice to see a few teen-oriented films that didn't insult the audience or feature mind-rot. ADVENTURES IN BABYSITTING (as well as films such as BETTER OFF DEAD) was a decent film that actually had something to say to teens--and it could be enjoyed by adults as well (what a concept). While the story does have its sexy jokes, teens who know more than adults and silly escapades, it manages some originality and some genuine laughs. It's cute how an innocent little trek into the city results in a long series of unbelievable and dangerous consequences--many of which are quite funny. Give it a try--it's not "rocket science" or Masterpiece Theatre, but it's good old fashioned silly fun.
PS--watch ALL the movie--including the very end. Many times on TV they cut off the very end, but on video or DVD it's there. So, DON'T turn it off when the credits roll.
Many of these movies featured crude and dumb humor, ample boobies (which is odd, considering the audience technically was too young to be admitted to many of these dreadful films) and low production values. As I said before, the movies seemed to be marketed to dumb people. Don't believe me?! Well think back to such films as the PORKY'S movies, Freddy Kruger films, HALLOWEEN, the later ROCKY films, etc. These films truly were awful.
So, with all this dreck, it was nice to see a few teen-oriented films that didn't insult the audience or feature mind-rot. ADVENTURES IN BABYSITTING (as well as films such as BETTER OFF DEAD) was a decent film that actually had something to say to teens--and it could be enjoyed by adults as well (what a concept). While the story does have its sexy jokes, teens who know more than adults and silly escapades, it manages some originality and some genuine laughs. It's cute how an innocent little trek into the city results in a long series of unbelievable and dangerous consequences--many of which are quite funny. Give it a try--it's not "rocket science" or Masterpiece Theatre, but it's good old fashioned silly fun.
PS--watch ALL the movie--including the very end. Many times on TV they cut off the very end, but on video or DVD it's there. So, DON'T turn it off when the credits roll.
10simspace
This is a really funny movie because you never really know where it's going. Basically everything that happens in it happens by accident. It's not only funny but also exciting if you aren't that old. I think it's great.
It sort of reminds me about "Afterhours" (starring Griffin Dunne) but this is the family version of that movie. Anything can happen during a crazy night or so it seems. Elisabeth Shue is good in this movie and everyone in it seems to have had a good time making it. If you just want to see a cute movie which makes you feel good , or if you've had enough of over-dramatic epics , action that blows you out of your seat and bloody horror movies , check this out. It's sweet , funny , lovable and adventurous all at the same time. If you don't like it , there are more than enough of violence out there for you.
It sort of reminds me about "Afterhours" (starring Griffin Dunne) but this is the family version of that movie. Anything can happen during a crazy night or so it seems. Elisabeth Shue is good in this movie and everyone in it seems to have had a good time making it. If you just want to see a cute movie which makes you feel good , or if you've had enough of over-dramatic epics , action that blows you out of your seat and bloody horror movies , check this out. It's sweet , funny , lovable and adventurous all at the same time. If you don't like it , there are more than enough of violence out there for you.
Why does this movie have such a low rating on this site? This is such a good movie! Ok, I'll admit, the story is pretty odd, but it's still very good, and it's a great adventure.
All the actors do a great job in the film. Elizabeth Shue looks as beautiful as ever and does a great job as Chris Parker. Keith Coogan does a great job as well. Other notable cast members are Vincent D'Onofrio, Penelope Ann Miller, Geroge Newbern, Bradley Whitford, and Lolita Davidovich. Also, I have to hand it to director Chris Columbus, he did a superb job with this film. Amazingly enough, this was his first directorial effort too. Good job Chris! It's always good to see where directors come from, if you didn't know, he went on to do "Home Alone", "Home Alone 2: Lost in New York", "Mrs. Doubtfire", "Bicentennial Man", and "Harry Potter: The Sorcerer's Stone", just to name a few.
There are so many good things about this film! This movie's got action, adventure, and comedy. The comedy in the film is absolutely fantastic! There are a few scenes that crack me up just thinking about them. ...And there are a great number of quotable lines that everyone that has seen this movie will remember.
Anyhow, I strongly suggest you see this film! I really hope that you enjoy the film if you haven't seen it already. Thanks for reading,
-Chris
All the actors do a great job in the film. Elizabeth Shue looks as beautiful as ever and does a great job as Chris Parker. Keith Coogan does a great job as well. Other notable cast members are Vincent D'Onofrio, Penelope Ann Miller, Geroge Newbern, Bradley Whitford, and Lolita Davidovich. Also, I have to hand it to director Chris Columbus, he did a superb job with this film. Amazingly enough, this was his first directorial effort too. Good job Chris! It's always good to see where directors come from, if you didn't know, he went on to do "Home Alone", "Home Alone 2: Lost in New York", "Mrs. Doubtfire", "Bicentennial Man", and "Harry Potter: The Sorcerer's Stone", just to name a few.
There are so many good things about this film! This movie's got action, adventure, and comedy. The comedy in the film is absolutely fantastic! There are a few scenes that crack me up just thinking about them. ...And there are a great number of quotable lines that everyone that has seen this movie will remember.
Anyhow, I strongly suggest you see this film! I really hope that you enjoy the film if you haven't seen it already. Thanks for reading,
-Chris
"Adventures in Babysitting" is an awkwardly amusing movie centering around the many mishaps and pitfalls that occur when a single session of the movie's namesake spirals out of control. Though simple in principle, this narrative is ultimately the film's greatest make-or-break point, as it can be challenging to rectify at times what couldn't be described as anything less than a series of exceedingly unfortunate and coincidental events. As a feel-good flick that doesn't take itself seriously in this slightest, it still has an inherent degree of charm, however; especially for those who have a taste for the 80's aesthetic. At the end of the day, if enough suspension of disbelief can be granted, it is a solid watch for a more mature audience.
Concerning the plot, much of what happens after the main character, Chris, accepts a babysitting job can be best summarized as one hurdle after another; each requiring a leap of logic to clear, albeit with differing degrees. After receiving a distress call from her friend Brenda, Chris is subsequently blackmailed by the subjects of her sitting, Brad and Sarah, into taking them with her as she sets off for the city with neighboring acquaintance Daryl also in tow. One flat tire later, and the narrative slowly begins to unwind as it sends the four skipping from one tense scenario into the next; from the revenge plans of their tow driver and a den of chop shop criminals to a blues joint and a confrontation between rival gangs on a train, the fast and loose storytelling is a masterwork in plausible mayhem. This, for better or worse, sets an awkward tone in general as character interactions are generally lighthearted on one hand while the imminant death from the crime boss and his goons looms ever-present on the other. Though the pacing and flow of the scenes helps to hold the viewer's attention away from considering the odds of each new pitfall that occurs, it is still difficult to validate the story on a surface level when it comes down to it. This, combined with several contrivances that bail the group out of various predicaments make for a peculiar experience that feels both frustrating on a logical level and oddly relatable in terms of real-world applicability. Aside from one instance of jarring, unnecessary language and a repetitive use of crass innuendo, the overarching tone is overall enjoyable.
As for the characters, Chris was easily the highlight of film, due largely in part to the degree of maturity presented through her role and the perseverance she continued to display at each turn of the proverbial rollercoaster. Brad's overall arch was decent, alongside his sister Sarah. Both of which acted their age and were refreshing to watch, especially compared to how youth is commonly depicted in recent years. Similarly, Brenda's sporadic appearances were worth waiting for, as her colorful-yet-grounded personality leaned into both the serious aspects of the film and it's underlying humor in turn. Daryl, on the other hand, was a big question mark from start to finish, especially in terms of relevance. That is to say that he never truly contributes toward moving the plot forward, and is instead the squeaky fourth wheel whose only purpose is to insert crude humor wherever he can. As this can easily undermine enjoyability of the movie depending on personal preference, it would have likely been best if his role had been minimized to a side character.
In conclusion, "Adventures in Babysitting" has the potential for being a decent-to-good watch depending on if enough tolerance can be mustered to oppose the chaotic narrative and moderate use of innuendo. At it's core, it is a simple story with reasonable stakes that asks for little investment in exchange for a high degree of suspension of disbelief. While it is not the greatest feel-good flick around the block, it is still serviceable for providing a reasonable level of entertainment.
Concerning the plot, much of what happens after the main character, Chris, accepts a babysitting job can be best summarized as one hurdle after another; each requiring a leap of logic to clear, albeit with differing degrees. After receiving a distress call from her friend Brenda, Chris is subsequently blackmailed by the subjects of her sitting, Brad and Sarah, into taking them with her as she sets off for the city with neighboring acquaintance Daryl also in tow. One flat tire later, and the narrative slowly begins to unwind as it sends the four skipping from one tense scenario into the next; from the revenge plans of their tow driver and a den of chop shop criminals to a blues joint and a confrontation between rival gangs on a train, the fast and loose storytelling is a masterwork in plausible mayhem. This, for better or worse, sets an awkward tone in general as character interactions are generally lighthearted on one hand while the imminant death from the crime boss and his goons looms ever-present on the other. Though the pacing and flow of the scenes helps to hold the viewer's attention away from considering the odds of each new pitfall that occurs, it is still difficult to validate the story on a surface level when it comes down to it. This, combined with several contrivances that bail the group out of various predicaments make for a peculiar experience that feels both frustrating on a logical level and oddly relatable in terms of real-world applicability. Aside from one instance of jarring, unnecessary language and a repetitive use of crass innuendo, the overarching tone is overall enjoyable.
As for the characters, Chris was easily the highlight of film, due largely in part to the degree of maturity presented through her role and the perseverance she continued to display at each turn of the proverbial rollercoaster. Brad's overall arch was decent, alongside his sister Sarah. Both of which acted their age and were refreshing to watch, especially compared to how youth is commonly depicted in recent years. Similarly, Brenda's sporadic appearances were worth waiting for, as her colorful-yet-grounded personality leaned into both the serious aspects of the film and it's underlying humor in turn. Daryl, on the other hand, was a big question mark from start to finish, especially in terms of relevance. That is to say that he never truly contributes toward moving the plot forward, and is instead the squeaky fourth wheel whose only purpose is to insert crude humor wherever he can. As this can easily undermine enjoyability of the movie depending on personal preference, it would have likely been best if his role had been minimized to a side character.
In conclusion, "Adventures in Babysitting" has the potential for being a decent-to-good watch depending on if enough tolerance can be mustered to oppose the chaotic narrative and moderate use of innuendo. At it's core, it is a simple story with reasonable stakes that asks for little investment in exchange for a high degree of suspension of disbelief. While it is not the greatest feel-good flick around the block, it is still serviceable for providing a reasonable level of entertainment.
Lo sapevi?
- QuizBradley Whitford was allowed to use his own Camaro for the movie. It has the license plate "SO COOL," the actual license plate Bradley had on his car.
- BlooperWhen Sara is in Chicago's downtown looking for her parents' building, she walks by a closed Scotiabank. That is a Canadian bank, however, it has had a branch there since 1892.
- Citazioni
Albert Collins: Nobody leaves this place without singing the blues.
- Curiosità sui creditiShot of the thug who chased the little girl outside of skyscraper whimpering about being stuck out there.
- Versioni alternativeOn television broadcasts (most notably Disney Channel) and on Disney+, the scene where Brad calls Thor a homo was changed to where he now calls him a weirdo.
- ConnessioniEdited into Panggil Aku Ayah (2025)
- Colonne sonoreBabysitting Blues
Lyrics by Mark Mueller
Music by Robert Kraft
Performed by Albert Collins, Billy Branch (uncredited), Maia Brewton (uncredited), Keith Coogan (uncredited), Anthony Rapp (uncredited), and Elisabeth Shue (uncredited)
Produced by Robert Kraft
Courtesy of Alligator Records
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Una noche por la ciudad
- Luoghi delle riprese
- North LaSalle St., Chicago, Illinois, Stati Uniti(Driving underground to Dawson's Garage)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 34.368.475 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.901.297 USD
- 5 lug 1987
- Lordo in tutto il mondo
- 34.368.475 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Proporzioni
- 1.85 : 1
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