Ispettore Morse

It is not without reason that Morse is held up as one of the finest television series ever made. It is therefore no wonder that after the tragic death of John Thaw efforts were made to keep the spirit of the show alive through Lewis and then Endeavour. Every single part of this show was perfection itself, the writing, production, music, and of course the impeccable performances of John Thaw and Kevin Whateley.

That quality began in The Dead of Jericho and ended in The Remorseful Day. Reading through the reviews it's great to see how different people love different episodes. Highest point for me was Masonic Mysteries, and I long for the day where de Vries turns up in Endeavour, an incredible episode, other highlights include driven to distraction and Death of the self. The quality is that high generally that you could almost pick any.

There aren't enough superlatives I can throw at this show, how wonderful that the elements, including John Thaw and the iconic Jaguar paved the way for a continuation of Endeavour's story.

Will we ever have such glorious viewing again?

Virtually perfect. 10/10

An all time classic; well acted, finely plotted and utterly addictive. In short outstanding. Not to put too fine a point on it, no series, in any genre, before or since, has managed to sustain such a high level of quality. It lays down the pillars adhered to by almost all t.v. detectives of today; a subservient side-kick, a lead character with a drinking problem but rather than establishing cliches, it creates archetypes. Without peers.

Based on average crime novels by Colin Dexter, this is truly one of the times that the television version actually surpasses the novels in quality and makes the stories come alive and touch the heart and the mind. What makes this series so compelling, like the Duchess of Duke Street, Rumpole and Foyle's War, is the main character and the actor who created this marvelous,complex and compelling character. John Thaw and the producers/writers who worked with him made this a timeless series in the only way possible: make the lead character charismatic and intriguing (and extraordinarily well acted). It is virtually impossible for a series to last beyond several episodes based only on plots (I know, many will argue with this, but I stand my ground). The series has to be character driven to maintain its brilliance, episode after episode--in this case 33 episodes. That is not to say that the plots are unimportant, but only that they are clearly secondary to Morse and his relationships with those around him--especially his sergeant and his superior. But most important are his relationship with life and his values and the way he chooses to live his life; these are especially enthralling for a t.v. series (or movie or play or novel for that matter). I highly recommend this show--even for those not normally inclined to watch mysteries. This transcends the genre spectacularly. By the way, I greatly enjoy the Midsomer Murder series, but they are merely entertaining. The Morse episodes not only entertain, but can considered to be art.

One of the things that has sustained my wife and I through half a century is our mutual love of mysteries. Our appetite for that fare has never been sated, but perhaps it came closest during a trip to England when fortunate circumstance led to our spending an afternoon at lunching and then strolling through Oxford in the company of Colin Dexter. The gracious nature and prickly wit of Morse seems a reflection of the author, whose tastes in the arts are expressed irreverently and inevitably through Morse. The intellect of the author is spelled out in the character, and though the books aren't autobiographical in plot,they seem to be in terms of the characterization of the central figure. Mr. Dexter uses his scholarship and his intellect in life in much the way Morse does--his wry comments on Oxford and its denizens during our visit seemed akin to Morse's views of them. John Thaw, Colin Dexter and Inspector Morse are to me the holy trinity of the mystery genre. Audiences have rarely been so fortunate in the bringing together of an author, a central character and a portrayer each of whom so brilliantly fulfilled his destiny in the same series of performances.

John Thaw will never have a better part than that of the crusty copper , Morse. Fans of the crime genre will love this as it usually is a great whodunnit every time with no car chases or fights and as such is always refreshingly different from the usual cop show. Just add in that Morse is a total loser with the ladies, likes a drink, enjoys listening to recordings of tragic operas. Great way to solve murders, sitting in the pub downing a beer in the middle of the day. It beats chasing armed assailants up back alleys or staking out clubs hiding in garbage cans any day.The only criticism of the show is that Oxford is portrayed as the murder capital of Europe when in real life it is probably one of the least criminal places in the world with parking offences probably being its most common crime.