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Beautiful

Titolo originale: The Bold and the Beautiful
  • Serie TV
  • 1987–
  • T
  • 19min
VALUTAZIONE IMDb
3,5/10
8658
LA TUA VALUTAZIONE
POPOLARITÀ
1889
298
Heather Tom, Thorsten Kaye, and Katherine Kelly Lang in Beautiful (1987)
Guarda Sneak Peak Trailer
Riproduci trailer0: 17
6 video
99+ foto
DrammaRomanticismoSoap opera

Una soap opera che racconta le vicende di una ricca famigliaUna soap opera che racconta le vicende di una ricca famigliaUna soap opera che racconta le vicende di una ricca famiglia

  • Creazione
    • William J. Bell
    • Lee Phillip Bell
  • Star
    • Katherine Kelly Lang
    • Ronn Moss
    • John McCook
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    3,5/10
    8658
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1889
    298
    • Creazione
      • William J. Bell
      • Lee Phillip Bell
    • Star
      • Katherine Kelly Lang
      • Ronn Moss
      • John McCook
    • 189Recensioni degli utenti
    • 2Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 139 vittorie e 474 candidature totali

    Episodi9580

    Sfoglia gli episodi
    InizioI più votati

    Video6

    Sneak Peak Trailer
    Trailer 0:17
    Sneak Peak Trailer
    The Bold and the Beautiful
    Trailer 0:27
    The Bold and the Beautiful
    The Bold and the Beautiful
    Trailer 0:27
    The Bold and the Beautiful
    Conflicted
    Video 2:11
    Conflicted
    Friends
    Video 2:22
    Friends
    Track Record
    Video 2:34
    Track Record
    His Idea
    Video 2:26
    His Idea

    Foto3118

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 3112
    Visualizza poster

    Interpreti principali99+

    Modifica
    Katherine Kelly Lang
    Katherine Kelly Lang
    • Brooke Logan…
    • 1987–2025
    Ronn Moss
    Ronn Moss
    • Ridge Forrester
    • 1987–2015
    John McCook
    John McCook
    • Eric Forrester…
    • 1987–2025
    Susan Flannery
    Susan Flannery
    • Stephanie Douglas Forrester…
    • 1987–2018
    Hunter Tylo
    Hunter Tylo
    • Dr. Taylor Hayes…
    • 1990–2019
    Jacqueline MacInnes Wood
    Jacqueline MacInnes Wood
    • Steffy Forrester…
    • 2008–2025
    Scott Clifton
    Scott Clifton
    • Liam Spencer…
    • 2010–2025
    Thorsten Kaye
    Thorsten Kaye
    • Ridge Forrester…
    • 2012–2025
    Don Diamont
    Don Diamont
    • Bill Spencer Jr.…
    • 1993–2025
    Heather Tom
    Heather Tom
    • Katie Logan…
    • 2007–2025
    Darlene Conley
    Darlene Conley
    • Sally Spectra…
    • 1988–2006
    Winsor Harmon
    Winsor Harmon
    • Thorne Forrester…
    • 1996–2023
    Jack Wagner
    Jack Wagner
    • Dominick Marone…
    • 2003–2025
    Annika Noelle
    Annika Noelle
    • Hope Logan…
    • 2018–2025
    Kimberlin Brown
    Kimberlin Brown
    • Sheila Carter…
    • 1992–2025
    Adrienne Frantz
    Adrienne Frantz
    • Ambrosia Moore…
    • 1997–2012
    Bobbie Eakes
    Bobbie Eakes
    • Macy Alexander Forrester…
    • 1989–2003
    Daniel McVicar
    Daniel McVicar
    • Clarke Garrison
    • 1987–2017
    • Creazione
      • William J. Bell
      • Lee Phillip Bell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti189

    3,58.6K
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    Recensioni in evidenza

    dingoberserk

    Glamorous, glitzy and cheesy

    Two things tickle me in relation to this never-ending saga: the illogicality of many situations, and the blatant inconsistencies, hypocrisies, contradictions and double standards displayed by most characters. These two ingredients combine to make up an insidiously alluring cocktail, which may explain why B & B, in spite of its cheesiness, has the potential for becoming addictive, as exemplified by so many testimonials, both within my own social circle and elsewhere (for example, on this website). The principal characters, who are rarely seen engaged in normal activities (such as work), are prone to proclaim their undying loyalty to one another, backed by strong moral principles, family values, marriage etc., then break their promises and behave like alley cats, just a few weeks down the track. One example amongst hundreds: when Brooke is confronted by Taylor with the question: 'How could you sleep with Nick the night you thought your husband had died?', she contrives to look dutifully repentant and says something like 'I don't know how to explain it'. Not very convincing. The endless proclamations of belief in the sanctity and permanence of marriage are contradicted with monotonous regularity by the behavior of most characters. In spite of this, all second, third etc. weddings take place in a chapel in the presence of an (ostensibly Christian) celebrant. Christianity of course, or at least the traditional view of it, is frequently set aside when characters indulge in bitching about one other, undermining the reputation of others, cheating in various ways, etc. The most common method of rumbling the frequent conspiracies is by eavesdropping behind a half-closed door, then charging into the conspiratorial environment and confronting the conspirators with dramatic remarks. Again, not very convincing. There seems to be a tendency, on the part of the scriptwriters, to demonize female characters to a greater extent than male ones. There are no male counterparts to Sheila, Stephanie or Sally Spectra, just to name a few. The glitzy ambiance and would-be glamorous surroundings are an obvious smokescreen, designed to hide the basically vacuous lives of the majority of characters, deprived as they are of any authentic ideals. The mirage works quite well. And one could continue ... in spite of all the above (and more), B & B remains an entertaining soapie which will be missed when, inevitably, the final curtain falls. PS. Incidentally, have any of the characters ever heard of contraception?
    Esmollin

    Drivel

    I can't believe how bad this is. I've only been tuning in about twice a week for about four months. I find the writing predictable and the characters annoying. It's almost as if someone decided to try to come up with the worst soap ever. Well, they succeeded. Wait - I think the ill - fated Passions might have been a tie, but that at least was funny. This is like soap opera 101, maybe geared to the junior high crowd. The men are all controlling and the women are like characters from the 1950s.

    I'm sad to see Jacob Young here. I was a big fan of All My Children, we all know what's happening with that. AMC was everything that this is not; it had great writing, it was classy and the actors made the characters come alive.

    Also I'm surprised that Bell also produces Young and the Restless, which is far superior to this drivel.
    3maryninvt

    BORING.... DRAWN OUT WAY TOO LONG

    I used to like the show but the way it's drawn out with this soap and the Hope/baby story is boarding on absurdity. Week after week goes by and finally someone gets a conscience to tell the truth and then they change their mind. Are the creators and writers of this program so unimaginative that they can't come up with the new storyline, and therefore drag this on and on and on for months? I used to watch it faithfully but now I just tune in once in a great while to see if the truth has come out., but no dice. I guess maybe that'll happen when the kid goes to college. End this stupid storyline and get on with it!!!!
    JJSM22

    One of the biggest insults to women on tv

    This show is a pathetic excuse for a soap opera filled with lackluster repetitive storylines and clunky dialogue. The majority of scenes are just women fighting each other over a man, losing all sense of self-respect by debasing themselves to make him happy. First it was Brooke and Taylor over Ridge and then their daughters Hope and Steffy over Liam.

    Then there's the never ending slut shaming for any woman who wishes to be sexually active and nothing to be said for the men who cheat on them. There's nothing new or groundbreaking being explored, some soap operas can be used to raise awareness for important issues but all B&b wants to do is stick to the same calcified status quo it's had since the 80s and not introduce anything progressive.
    elshikh4

    "Oh Mom ! You Slept With My Brother !!"

    ..And that's maybe not the worst yet!

    Since the 1950s, soap operas, in radio and TV, had their lovers. However, (Dallas) came out in (1979) to make a great effect on the TV soap operas with its wicked formula of manipulating everybody and everything just for having you on your seat for years! Watch that effect on next soaps like (Knots Landing - 1979) or (Falcon Crest - 1981). But some goods, when outlive for more than their competence, transform into envenomed!

    At first, (B & B) was another, late 80s, so TV-ish, daytime soap. Namely hot, melodramatic and yeah.. boring! But after that, it turned - while keeping itself outwardly glossy - into ugly huge farce.

    I can't say it's a diary of a family. I can't say it's fine thrilling melodrama. I just can say that it's a living exploitation of soap. And you know what? It's successful. So successful indeed!

    (The Bold and the Beautiful), after 22 years and counting, is a real fine example of the kind of drama which some viewers need everyday like a requisite meal to satisfy their hanger; for living a romance, feeling rich, beating enemies.. etc. whatever the acting was, and whatever the manipulation is.

    I somewhat caught on its formula: a sexual desire, a sinful love, a separation between 2 lovers, a wicked plot and a surprise. Then another round. Then another one. Then another with other characters, with new characters, then between the old and new characters, then between them and us maybe!, then the same formula again with the same characters afresh, going on and on, till the end of you, the end of days, or the end its time on screen (meaning: its cancellation!).

    It's a perfect scheme. So loved and long-lived. But who can stand endless storylines, everlasting dialogue, the silence of the actors before cutting to another scene or commercials, and - most of all - the changing of partners?? Whoever can stand all of this, for more than 5500 episodes, I'm surely not one of them. Why is that? Because I don't have non-critic mentality, a desperate passion for melodrama, and that PATIENCE!

    Speaking about the changing of partners thing, I recall a line was said by (Dean Stockwell) in one of (Quantum Leap)'s episodes talking about a soap opera: "Here Sam, everybody is sleeping with everybody!". (B & B) maybe broke this rule since in it everybody slept, sleeps, and will sleep with everybody! Sometimes I think that they have nothing to do in this world but sleeping with each other, then chatter and chatter and chatter, to re-sleep again yet with others. It's not the story of life, it's the life of very profitable story! I know that it got the power to make you sleep in front of it too!

    Did its success become a curse?! I don't completely think so. Not for the actors, since they're all well-paid. Not for the viewers, since they get what they want. But maybe for the writers. These people got to write one work for over than 2 decades?? OH MY GOD! This is, in spite of all the money in the world, so heavy mission to be done. So, based on my compassion, I'll forgive them for such events like the one of my title's line which was the first thing I heard when I tried to continue watching this series again, after years of losing any interest in it (Yes, first I felt panic, thinking that the mom slept with her own son, but I understood it right later!). However, when things reach this far, I invite you to do what I already did: Change the Channel. Believe me, you'll feel so bold and beautiful after!

    In the next episodes I bet you; the son will turn out to the real father of his sister, (Ridge) will turn out to be a brother of his mother, (Eric Forrester) will have a sex change operation, (Brooke) will turn into lesbian (if she didn't yet?!), and I can see the end right now; the aliens will take them all away (it kind of happened before, didn't it?!); and for that alone I'll salute the creative writers. Simply, what can a teleplay writer do.. More?!!!

    Originally, as much the viewers want it, as much it gains more time on air, and so.. that's what has to happen. Though it triumphed over any jesting - even its own - already, being the most-watched soap in the world, with an audience of an estimated 26.2 million viewers in more than 110 nations. So while I believe that it is provoking sitcom; running without laughing tracks or laughing, others don't, and that's in fact what makes it provoking. But everybody got their own classics. This show is classic for some. Classic nonsense for others. GOD!, it is classic both ways!!

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      As of 2025, John McCook and Katherine Kelly Lang are the only actors still in the show since the first episode from 1987.
    • Blooper
      The interior of the Forrester mansion does not match the exterior of the house it was based on (creators William J. Bell and Lee Phillip Bell's); the front entrance is the same however from the outside you can see this part of the house is single-story only, whereas inside are high vaulted ceilings and a staircase to the right of the front doors leading to a second floor. The house also has large bay windows on either side of the entrance but these are not present in the interior set.
    • Citazioni

      Stephanie: You think this is all my fault? You have brought this on yourself.

      Brooke: All I ever did, Stephanie, was to love Ridge.

      Stephanie: And his father, and his brother, and your son-in-law. Is it any wonder Bridget is confused? I mean, is it any wonder your daughter would confuse natural feelings of respect and affection for romance? You have blurred the lines of socially-acceptable behaviour. And you stand here and you tell me you're proud. What are you proud of? Having your son-in-law's baby? I know what you're proud of. Chasing after a man whose wife's body is barely cold in the ground.

    • Connessioni
      Featured in Loufes, thrania & trella sholeia (1989)

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    Dettagli

    Modifica
    • Data di uscita
      • 20 maggio 1990 (Italia)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • CBS
      • Official Facebook
    • Lingue
      • Greco
      • Francese
      • Tedesco
      • Spagnolo
      • Inglese
    • Celebre anche come
      • Belleza y poder
    • Luoghi delle riprese
      • Monte Carlo, Monaco(location shoot in 2013, 2014, 2015 and 2024)
    • Azienda produttrice
      • Bell-Phillip Television Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      19 minuti
    • Colore
      • Color

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