After Henry

A sitcom about a widow, her mother and her daughter living in three flats under one roof would never get made today - some producer with an eye on the under 25 market would probably insist on it being three young girls flatsharing. But back in the 80s, After Henry was the sort of gentle yet clever sitcom that thrived on British screens. The relationships between Sarah, Eleanor and Claire were so realistic you could imagine they really were related, with Prunella Scales successfully shaking off memories of Sybil Fawlty. Joan Sanderson as Eleanor is the real star here though. Sanderson may have ended up typecast as the slightly snooty, abrupt old woman, but like many typecast actresses, she ended up that way because she played that part so well.

The show seemed to be running slightly short on ideas in its final run, but was still well worth watching. Sadly, Joan Sanderson died just before the 1992 run was transmitted, so the decision over whether to commission a further series was made for ITV. In a way, this may have saved the show from an undignified end, as suburban sitcoms suddenly became very unfashionable in the recession struck early 90s. A shame really, as all ITV's attempts at 'modern' urban sitcoms were appalling.

Prunella Scales plays a recently widowed woman living with her 18 year old daughter in the flat above and her 70 something mother in the flat below. Sarah's husband's death (the titular Henry) has somewhat destabilized life for these women and while they most definitely care for one another, they also get on each other's nerves on a regular basis. Joan Sanderson is absolutely hilarious playing Scales' interfering mother with an incredible ability to either blissfully ignore personal criticism directed at her (usually from "Sarah dear") or tartly respond to it. Scales is also funny as she trods angrily down to her mother's flat or tentatively and carefully up to her daughter's. She often finds herself torn between maternal concern for her flighty daughter (nicely played by Janine Wood) and fear of turning into her own mother. She creates a very human character in Sarah who makes as many mistakes as she does wise choices in restructuring her life without her husband. And despite the grim subject matter, the series is much more funny than sad.

This is a great series. There's also a radio series with the same cast - except the bookshop owner.

A funny and gentle series with the fantastic Prunella Scales (who I first thought overacted dreadfully, but she soon calmed down). There is no bad language, no annoying background music (which is usually blasting out over the dialogue nowadays). All in all great fun and great fashion of the 1980s. It also has a serious gay character which is highly unusual for the time - not a stereotypical gay character either. The series is currently being replayed on TV and what a welcome change. UK 'comedies' today start with foul language from the off nowadays.

I discovered this show by chance on a trip to Ireland and was exhilarated by its comic freshness and unexpected poignancy. The three lead actresses and one lead actor had terrific chemistry, and the writing could make you belly laugh and sob almost simultaneously. It is a mystery to me that "After Henry" has not made its way to these shores, where I'm confident it would join the top ranks of most beloved Britcoms. Are the programmers at PBS all dead in their offices at this point? They would do well to retire their endless reruns of jukebox "specials" and seek out savvy, unfamiliar programs like "After Henry." (If I hear "Amazing Grace" warbled just one more time, there will be havoc in Mudville.)

I enjoyed this show very much and only wish it would be running again. Very humorous with a good mix of characters. The lives of a grandmother, mother and daughter all living in a 3 storey flat. One of the Britian's BEST comedies ever made.