Zeisters

Anyone with a conscience should go to see this expose on the ill treatment that mentally-challenged individuals face in modern society. The Mouka is a new role-model to inspire us all to overcome our limitations and differences and become a better society. We should all bow down before the chefs at Troma for donating this documentary on the mental health system and its devastating effects on the victims of... what's that, Mother? You want me to come home? But I'm in the middle of reviewing a movie! I don't CARE if you're staring at me from your bedroom window! Look, don't make me put you in the basement with the stuffed birds again.

Sorry about that. Anyway, this film is actually a new low in bad comedy flicks, intentional category. Most of the humor is in the title "Fat guy goes nutzoid." The rest is somewhere in between the vomiting and the Auschwitz joke and the enormous amount of body hair on display. The acting is around the level of "Glen or Glenda" and the writing would bore an 8-year-old. Pretty much the only mitigating factor is the Leo Kottke guitar score, which is fortunately too loud most of the time. Oh, and Tibor Feldman bears an uncanny resemblance to Ethan Coen, which made me want to shout "Where's Joel?" at the screen. That, of course, is not all I wanted to shout. Anyway, thanks for coming: we don't get much business since they moved the highway a few years ago. Here's your key. Cabin number 2. Why don't you take a nice, long shower after traveling so far?

I first watched this movie in high school and was blown away by how horrible it really is. Of course, I have to give it a higher rating because it's bad to the point that it's very funny. So if you can find this movie somewhere, I really recommend that you watch it because it might very well be the worst movie ever made.

My review was written in April 1987 after a screening at Liberty theater on Manhattan's 42 St.

Troma pickup "Fat Guy Goes Nutzoid" is a dud. Filmed in New York in 1983 under the titled "Zeisters" (a meaningless exclamation), pic is a tasteless effort that looks like a backyard home movie shot in 35mm.

Slim premise has ne'er-do-well Roger Morloche (Tibor Feldman) becoming involved with pathetic, 350-poun Dave (Peter Linari), nicknamed "The Mouka", when he crashes at a camp for mentally-challenged kids where his goofy brother Doogle (Douglas Stone) works. The brothers are tossed out after causing the kids to riot and Dave is a stowaway to their truck, getting involved in misadventures back in New York City.

Film takes a sentimental view of the big fellow, who cannot speak but is basically nice and pitiful. However, it uses his predicament as a steady source of cheap, vulgar gags which are neither entertaining nor sympathetic to his plight. Cast overacts to boot and film displays zero production values.

Troma released the film regionally starting last September, bud did not even bother to get an MPAA rating.

Low, low budget troma comedy, featuring some fat guy and his friends who save him from a life of solitude in a mental home.

Whereas the audience is entreated to identify the promised "fat guy" and discover the degree to which he "goes nutzoid," s/he instead is placed in an epistemological quandary: how do we know who the "fat guy" is, and what type of behavior qualifies as "nutzoid?" Indeed, there are two fat guys in the film, and were the viewer to identify which of them were the intended referent of the title by analyzing their respective nutzoiditude, s/he would arrive at a standoff wherein the viewer is exhorted to discover the inherent social nutzoidity of a cruelly indifferent world harshly juxtaposed against the existential nutzoidness of a benevolent and childlike zest. Surely this film invites post-structuralist and semiotic analysis almost as bountifully as Girls Gone Wild (Totally Unexposed 8, that is) invites geopolitical discussion. And here I was, just expecting to see a fat guy going nutzoid .. .