The Vindicator

A scientist working on a top secret experiment is killed in an explosion but the corporation that funds his experiments transforms him into a robot.

A resurrection science fiction film that despite being a B-low budget affair has a grander 80's film quality feel thanks to some gritty, raw and rough round the edges special effects from Stan Winston. Richard Cox and Pam Grier are watchable and some performances are above average. Written by Edith Rey and David Preston, the dialogue is sometimes a little clunky, yet their story fairs better exploring some moral dilemmas.

Jean-Claude Lord's Vindicator was of its day. Although it predates Robocop (1987) in retrospect I remember the main draw to watch it was because of The Terminator (1984). That said, the Vindicator shares more with Frankenstein and the Wraith (1986). It has some nice visual moments, simmering violence and emotional clout. It has a certain off beat charm, a nostalgia that has stayed in my mind since watching the VHS. On revisiting The Vindicator it's not as fast paced as I remembered, but it's entertaining, worth viewing if for comparable curiosity only.

I would also say it was a "Robocop" rip-off too, but it came out before it and for all I know "Robocop" stole from this movie, but I doubt it. A mediocre version of "The Terminator" that has a scientist involved in an accident and his brain and a few other parts are placed in this super robot body meant for space flight. When I think about that it also sounds a bit like "Darkman" doesn't it? The whole scientist in an accident thing. Anyway, this robot has his brain, but if he is touched or something the suit goes off and kills. The scientist has no control over it when it goes through these swings. If this isn't bad enough he is being chased by a really stupid bounty hunter woman. She hates men and would never let her self be killed by one. In fact, she would rather turn the gun on herself rather than be killed by the scientist in the suit. Of course, simply running away from the slow moving scientist never occurs to her, I guess she figured it would be easier to pull a trigger. There is an ending with our hero in quite a fight and then the very ending is kind of cruel. For some reason he is put on display or something.

My review was written in May 1986 after a Cannes Film Festival Market screening.

"The Vindicator" is an extremely strange horror/sci-fi film with too many plot twists for its own good. Filmed in 1984, feature has sat on the shelf for over a year at 20th Century Fox and is, unfortunately, not crazy enough to give Fox a follow-up to its midnight hit "The Rocky Horror Picture Show".

As its alternate title "Frankenstein '88" implies, pic is yet another update of the Mary Shelley classic. For the space program, scientist Alex Whyte (Richard Cox) is working on creating a nearly indestructible cyborg using a human brain, metal body and special computer hookup with programming from his Primates Lab's "rage reinforcement" experiments on chimpanzees. This hookup causes the cyborg to react violently and lethally to any threatening stimulus, unless ordered off by a remote control device.

Whyte's colleague Carl Lehman (David McIlwraith) is angry at Whyte for diverting research funds to his own experiments, and Whyte has a henchman kill Lehman in a lab explosion. Using Lehman's corpse, Whyte creates the first of his Frankenstein monsters, but the creature escapes before the remote control unit is attached to it, making it a deadly monster that will attack anything that approaches it.

Although a ruthless killer, the creature still has Lehman's memories, making it a self-divided, rather pathetic being. Lehman's pregnant wife Lauren (Terri Austin) tries to help it while Whyte hires a talented and ruthless female bounty hunter (guest star Pam Grier) to track it down and destroy it.

This familiar story provides the springboard for a dizzying array of mostly unconvincing plot twists, particularly in the final two reels when one is never certain who is going to pop up and get the drop on whom next. Because the artificial (post-synchronized) dialog is so cliched and silly, the net effect of rather well-staged action sequences is a horror parody.

Earnest cast, especially the pretty but unpersuasive leading lady Terri Austin, is laughable, with even Pam Grier making very little of a patented macha role. Tech credits are okay though the lab facility looks more like a shopping mall than a high-security installation. The Frankenstein monster designed by Stan Winston Studio has a new look, in its tattered state (and backlit) closer to The Mummy than the original Karloff makeup job.

as a fan of robocop, i always loved this movie. i seen it when it first came out, and finally i bought it on DVD from Brazil, it was never released in the us on DVD. i like the film, but like everything else in this world, everyone has their opinion, love it or hate it. no matter what a movie does, someone will always say "why didn't they do it another way?" in other words you cant please everyone. if you love robocop, you will love this film. to me, its so unique thats its not cheesy, or silly like a lot of lower budget movies. this film always kept me interested. i can see a few scenes that robocop borrowed from here, but tell me what movies don't do that? a lot of films use other ideas from other movies, and sometimes change them around. fun film!

Going into this movie, I was expecting a Robocop rip-off, what I got was a fairly entertaining Robocop rip-off that also reminded me of Darkman and The Guyver in equal amounts. Imagine my surprise then, to learn that this fairly obscure little movie actually predates all of those films by a good few years, and the only films that are blatant influences on it are The Terminator and Frankenstein.

A brilliant Scientist is killed by his boss to be recreated as an invulnerable Cyborg who will obey his every command. However, when the control chip for him is detached, he escapes, visiting his mourning wife, while being hunted by a Bounty Hunter(played by Pam Grier) and the company's scientists and hired muscle, before he decides to put an end to their schemes.

It's not brilliant, and all of the aforementioned movies, barring maybe the first Guyver, are better than it, but that doesn't mean it's not a fairly good B-grade Sci-Fi movie that never bored or failed to entertain me. The effects, done by Stan Winston, are actually pretty good, although the Cyborg's design could have been better, it's actual creation is excellent. Acting in the movie is fairly divided, with the main players all doing very well, but the supporting cast are pretty dreadful.

Worth watching to see a sort of Pre-Robocop Robocop.